The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”
Juxtapoz Magazine has a gallery of Frank Rudolph Paul’s science fiction illustrations, 1936-9.
Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.” “Most people view pulp as […]
The Summer Solstice is nearly upon us, and I’m sure you all have your wicker men (or factionalist bee helmets) nearly done and your bonfire safely planned. (Remember, Lord Summerisle recommends nude leaping as the crucial component in bonfire safety). And just in time for the arrival of summer, I have a short selection of […]
Cinema Reservoir has a collection of James Bond film theme songs “that never were.” (via @pornokitsch)
Although his prose and his politics can be problematic for some readers, the influence of weird fiction writer HP Lovecraft is substantial and reaches out from beyond the grave like one of his indescribable elder gods. Although not particularly successful financially — which is really just another way of calling him a writer — Lovecraft […]
Listen to BBC Radio 4’s production of Chester Himes’ crime classic, Cotton Comes to Harlem. Only available for a short time. (Thanks, Andrew Nette)
“The first book I read was Carter Brown’s The Unorthodox Corpse. The Fryer Library (at University of Queensland) had a battered copy and I loved it.” Pulp Curry talks with Toni Johnson Woods about Australian pulp fiction.
This weekend’s the Toronto Comic Arts Fair plus the Pulp Show and Sale at Lillian H. Smith. Visit both and our friends from The Hand Eye Society at TCAF’s TIFF Nexus Comics vs. Games (trailer here). Hooray for the Toronto Public Library!
John Perkins interviews the Gutter’s Comics Editor and Evil Overlord, Carol on the John vs. Patrick Podcast. There’s some talk of Gutter history and a warning that you don’t want to mess with Romance Editor Chris, she will cut you.
Wired and io9 interview Michael Chabon on his screenplay for John Carter, his love of Edgar Rice Burroughs and writing genre fiction.
Grady Hendrix reads London Free Press editor William C. Heine’s The Last Canadian, a plague-driven, apocalyptic pulp set in Montreal. Unfortunately, the protagonist’s citizenship papers haven’t come through before the plague hits. For Canadian pulp fiction featuring full Canadian citizens, check out Tales from the Vault, curated by own own Screen Editor Emeritus, Ian Driscoll.
100 pages of Blade Runner glory, out of print, but online and free. (Thanks, @matt_kay) (Fixed link!)
In adapting Tintin, Noah Berlatsky writes, “Spielberg provides spectacular ship-to-ship battles, requisite car chases, and improbable fights between construction cranes. But he left out the thing that made the Indiana Jones films most like the Hergé books. That is, racism.”
Pulp Fiction remixed in chronological order. Watch it soon if chronological narrative is your thing.
It’s summer time and instead of beer bottles exploding out of coolers in a shower of refreshing ice, bikini-clad hotties and fireworks as we know it should be, everything is wilting and perhaps even melting. As far as I can tell there are only two possible explanations—Hot Lava Monsters have readjusted the earth’s thermostat to […]
Ryan Holmberg reads Tatsumi Yoshihiro’s Black Blizzard closely with Tatsumi’s memoir, A Drifting Life, and discovers Black Blizzard is an adaptation of pulp mystery writer Shimada Kazuo’s story, “Black Rainbow,” then puts Tatsumi’s work in the context of other mass entertainment of its time. The piece itself is worth it for the discussion of Shimada […]
Here at the Gutter we like our podcasts. We especially like Infernal Brains and The Projection Booth. At Infernal Brains, Todd and Tars discuss Thai pulp hero, Insee Daeng and Wisit Sasanatieng’s recent screen adaptation, Red Eagle. Meanwhile, at The Projection Booth, Mike and Mondo Justin report on Robocop (including news on Detroit’s statue) and […]
“What have they done to gialli?” wonders Allison Nastasi about new giallo films and then offers up 5 examples of the genre at its best.
As part of a look at Thailand’s pulp hero, Red Eagle / Insee Daeng in film, Tars Tarkas has written an excellent piece on pulp fiction and pulp heroes in Thailand. Make sure to check out the articles on the Insee Daeng film series, including the recent Wisit Sasanatieng version.
An iconic character in the earliest pulp novels and the latest multiplex blockbusters: the heroic space explorer, striding manfully forward, saving the natives, grabbing the treasure and the babes, and so on. What’s going on inside his head?keep looking »