Every fall I write for the official Midnight Madness and Vanguard program blogs of the Toronto International Film Festival. And I usually try to find a guest writer to cover me here at the Gutter, write a piece ahead of time or even, sometimes, just totally wander out of my assigned comics domain to write about the movies I’ve seen and what I think about them. This year, I was lucky enough to get to stay here in my domain, continue my little sorta series on comics and film and, most of all, lucky enough to interview Dave McKean. Continue reading…
The New Yorker has a profile of Saúl Armendáriz, the luchador Cassandro, and his fellow exóticos of lucha libre. “Exóticos have been around since the nineteen-forties. At first, they were dandies, a subset of rudos with capes and valets. They struck glamour-boy poses and threw flowers to the audience. As exóticos got swishier and more […]
The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).
A BBC documentary on the life and work of writer and artist Tove Jansson, best known for her Moomin books. (via Kate Laity)
What’s happening with The Projection Booth, you ask? This week The Projection Booth watches Caligula (1979) and TPB‘s Mike White is interviewed by Dave Pace at La Politique Psychotronique.
Actor and producer James Garner has died. Garner is probably most famous for his role as Jim Rockford in the tv series, The Rockford Files, but he also starred in Maverick (the tv series and the 1994 film), Support Your Local Sheriff (1969), Marlowe (1969), The Great Escape (1963), Victor/Victoria (1982), Move Over, Darling […]
Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.”
Mental Floss takes an in-depth look at Patricia Highsmith and The Talented Mr. Ripley. “With the charming sociopath Ripley, she’d created a new type of character entirely. In five novels over the next four decades, he’d become not only her most acclaimed and memorable creation but the prototype for a new kind of antihero: the […]
The summer of 1993 is one I will never forget and can barely remember. It is a sultry, humid swamp haze of hundred degree days spent with no air conditioning in a run-down neighborhood draped in Spanish moss and populated almost entirely by burn-outs, freaks, and students ages 19-25 living in ramshackle, rotting houses and […]
At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a […]
Private Birthday Party has a collection of photographs from Kansas City’s Drag Balls in the 1950s and 1960s.
“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]
This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.
Evan Munday has created a gallery of his supervillain erotica. “[A]s I noted in one of the oddest interviews I’ve ever done, with Playboy‘s sort-of-safe-for-work site, comic readers are used to having their female characters overtly sexualized. Despite the spandex and bulging muscles, male characters just aren’t treated the same way by illustrators. So at […]
The Projection Booth has been busy, with a bunch of new podcasts up, including episodes dedicated to a documentary on Divine and “There She is,” a documentary about plus-sized beauty queens. Listen to them!
I’m going to talk a bit about Adventure Time, but I want to tell a story first. When my nephew was a toddler, he liked to play princesses with his mother and me. Usually, we were all beautiful princesses. Once, to show his displeasure, his mother was a “Bad Princess,” which actually was kind of […]
Erin Horakova looks at author Shirley Jackson’s masterful, The Haunting of Hill House and We Have Always Lived In The Castle. “Haunting is stunning, and while it’s a must-read for anyone interested in ghost stories, haunted houses, or psychological horror, it also stretches beyond its demographic.”
“Orson Scott Card isn’t being taken to task solely for his opinions, idiotic and thuggish as they are, but also for his actions. He sits on the board of the National Organization for Marriage, which lobbies and works against basic civil rights for gay people. He is not merely a tool spewing hatred and bile […]
Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and […]
The Hairpin‘s Anne Helen Petersen has written an excellent piece on Cary Grant’s career and life–scandals, Randolph Scott, sartorial brilliance and all: “Grant’s image was in many ways univocal — he played variations of the same character, he seemed to be a ladies’ man on and off the screen — but it also had room […]keep looking »