The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

My Secret List Of Comics I Want To Read

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Since DC’s reboot, I have hinted publicly about the comics I want other people to make so that I can read them. And by hinting, I mean, “talking about them endlessly until I inevitably lose friends.” However, hinting doesn’t seem to be getting me anywhere. So I’m harnessing the inconceivable power of The Cultural Gutter […]

Interview with John Waters

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Friend of the Gutter Beth Accomando interviews John Waters for KPBS: “With his pencil thin mustache and skinny suits, Waters is a pop culture icon as famous as his films. But at the moment, he’s not finding the financial backing to make another movie so he has simply focused his creativity elsewhere. He has been […]

“Bayonetta Doesn’t Care”

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At Paste Magazine, Maddy Myers has some interesting thoughts on  the “male gaze,” the “sub gaze,” Dommes, gender, sexual desire and video game character Bayonetta. “‘[M]ale gaze’ seems like an unkind oversimplification as to who might be doing the ‘gazing’—let alone the identifying—and perhaps evidence that gaming desperately needs a new phrase to describe the […]

A Little Halloween History

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Rosie Cima writes a little bit about the history of Halloween including a look at seasonal stores, sexy costumes and the Sisters of Perpetual Indulgence. (Thanks, Paula!) Like this:Like Loading…

Suffragettes, Amazons and Wonder Woman

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At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman […]

“Remembering Koh Masaki”

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The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. […]

“The Happy Hunks of Tom of Finland”

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Andy Khouri celebrates “the Happy Hunks of Tom of Finland” at Comics Alliance. “Tom of Finland was the Jack Kirby of gay porn. Working in a section of the comics industry that most fans perhaps spend little time exploring, Tom was a masterful artist, a pioneer, and an inspiration. His work helped establish a gay […]

Interview with Alison Bechdel

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NPR interviews cartoonist Alison Bechdel on the occasion of her MacArthur Genius Grant. “I guess I’m proudest of just really sticking with this odd thing I loved and was good at — drawing comics about marginal people (lesbians) in a marginal format (comics). I never thought much about whether that was responsible, or respectable, or […]

“The Man Without A Mask”

The New Yorker has a profile of Saúl Armendáriz, the luchador Cassandro, and his fellow exóticos of lucha libre. “Exóticos have been around since the nineteen-forties. At first, they were dandies, a subset of rudos with capes and valets. They struck glamour-boy poses and threw flowers to the audience. As exóticos got swishier and more […]

Interview with Filmmaker Peter Strickland

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The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog. Like this:Like Loading…

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available). Like […]

Moominland Tales: The Life Of Tove Jansson

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A BBC documentary on the life and work of writer and artist Tove Jansson, best known for her Moomin books. (via Kate Laity) Like this:Like Loading…

Happenings With The Projection Booth?

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What’s happening with The Projection Booth, you ask? This week The Projection Booth watches Caligula (1979) and TPB‘s Mike White is interviewed by Dave Pace at La Politique Psychotronique. Like this:Like Loading…

RIP, James Garner

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Actor and producer James Garner has died. Garner is probably most famous for his role as Jim Rockford in the tv series, The Rockford Files, but he also starred in Maverick (the tv series and the 1994 film), Support Your Local Sheriff (1969), Marlowe (1969), The Great Escape (1963),   Victor/Victoria (1982), Move Over, Darling […]

CG Round-Up

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Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.” Like this:Like Loading…

101 Masterpieces: The Talented Mr. Ripley

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Mental Floss takes an in-depth look at Patricia Highsmith and The Talented Mr. Ripley. “With the charming sociopath Ripley, she’d created a new type of character entirely. In five novels over the next four decades, he’d become not only her most acclaimed and memorable creation but the prototype for a new kind of antihero: the […]

Where Is All You Angels?

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The summer of 1993 is one I will never forget and can barely remember. It is a sultry, humid swamp haze of hundred degree days spent with no air conditioning in a run-down neighborhood draped in Spanish moss and populated almost entirely by burn-outs, freaks, and students ages 19-25 living in ramshackle, rotting houses and […]

“Drag Is Raw: Wrestlers, Queens And Gender As A Performance Art”

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At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a […]

Kansas City’s Drag Balls

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Private Birthday Party has a collection of photographs from Kansas City’s Drag Balls in the 1950s and 1960s. Like this:Like Loading…

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

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  • Of Note Elsewhere

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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