The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Considering Beloved

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At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.” Like this:Like Loading…

Mucking Up The Respectable Comics Business

Sorrow01-Cov-B-Frison

I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]

“Let’s Talk About The Women Of The Walking Dead

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At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of […]

Nate Powell Talks about The March, Depicting Violence and “I Have A Dream’

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Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what […]

“The Pull List: Black History Month”

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At Tor.com, Alex Brown shares her top ten favorite Black comic book characters. “For all their talk about diversity and inclusion, comic books still tend to be pretty straight, white, and male (and catered to same). But that doesn’t mean there aren’t a lot of great characters of color that do more than fill the […]

Anything Can Happen In Riverdale

Fiona Staples

I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]

“A Sci-Fi Joan of Arc”

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At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that […]

10 Comics I Liked In 2014

red sonja 8 cover

I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]

“The Pain of the Watermelon Joke”

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Author Jacqueline Woodson writes about her memoir Brown Girl Dreaming, growing up in South Carolina and Daniel Handler’s watermelon joke directed at her at the National Book Awards. “I would have written Brown Girl Dreaming if no one had ever wanted to buy it, if it went nowhere but inside a desk drawer that my […]

“He Wears The Mask Just To Cover The Raw Flesh”

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At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.” Like this:Like Loading…

“The Roots of Reactionary Rage”

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At The Daily Beast, Arthur Chu writes about GamerGate, Disco Demolition and Lilith Fair. “The biggest 1970s music bonfire was not done by a church, and the records they destroyed weren’t metal records. And they didn’t use kerosene and a match, they used explosives. And rather than singing hymns and being quietly self-righteous, the event […]

“Real Human Beings: The Shadow of Mordor, Watch Dogs and the New NPC

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At Paste Magazine, Austin Walker writes about non-player characters, failure, autonomy, The Shadow of Morder and Watch Dogs: “And here, then, is the largest problem with these systems as they stand. No matter how many songs the Orcs of Mordor sing, no matter the desperation of [Watch Dogs‘] out-of-work Chicagoan teacher, all I can do […]

“7 Ways Gilmore Girls Got Women Right”

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“Gilmore Girls probably owes its failure to attract widespread acclaim despite running for seven seasons to the traditional cultural devaluation of female-driven genre media, whether it comes in the form of Young Adult fiction, women’s fiction, or female-led Hollywood narratives. Given that Gilmore combined elements of all of the above, it’s no wonder the only Emmy it ever received […]

“We Need Diverse Books”

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The Washington Post has a transcript of American Born Chinese and Boxers & Saints creator Gene Luen Yang’s speech at the 2014 National Book Festival Gala.  “We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say. This fear can be a good […]

Advice On Writing People Different From You

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At Midnight Breakfast, Mari Naomi shares a question from a white friend “Aside from doing research in order to make a believable character, in addition to leaving one’s personal (and media-learned) biases at the door, I don’t know the right answer to my friend’s question. How can she infuse [People of Color] into her story […]

“Cosplaying While Black: The Homicide of Darrien Hunt”

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At Black Girl Nerds, Jamie Broadnax writes a powerful piece about racism, cosplaying, police violence and the homicide of Darrien Hunt. “The first thing we need to do is NOT let this story scare us nor intimidate us into believing that we should be fearful of cosplaying.  We should still encourage others who may not […]

“Blaxploitation Horror Films: Backlash and Concerns”

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At Graveyardshift Sisters, Ashlee Blackwell writes about the complexity of Blaxploitation horror. “What is visceral, real to the fears of the oppressed, ignored, and patronized are often symbols of empowerment, showing true courage in the face of what’s on the screen and everyday circumstances to see a character figure who takes on the world. Whether […]

“Cinema’s Black Women Werewolves”

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At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female […]

“Video Games, Misogyny and Terrorism”

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At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.” Like this:Like Loading…

Elves of Color

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Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project). Like this:Like Loading…

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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