Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.
The Black Girl Nerds Podcast ponders nerdiness and whiteness: “Does Being Nerdy Mean You ‘Act White?’”
“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that [...]
Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.
At 4thLetter, David Brothers, aka, “Dr. Racism,” talks about “Blackface, Cosplay, Intent, Reactions and Responsibility.” “You don’t have to know the history of race relations to not be a dick about race.”
TVOntario interviews writer Nalo Hopkinson about utopian literature, the ancestral experience of slavery, “noticing race” and the ideals of Toronto’s Caribana festival.
NPR talks about romance written by and for people of color with authors Brenda Jackson, Michelle Monkou, Camy Tang and romance critic Sarah Wendell at the Romance Writers of American convention. (The radio piece is stronger than the written synopsis).
George Herriman animated this Krazy Kat cartoon in 1916 and while any time is good to revisit it, Black History Month seems a particularly good one.
The trailer for White Scripts And Black Supermen: Black Masculinities In Comic Books, a documentary directed by Jonathan Gayles. And there are some extended interviews at the documentary’s YouTube Channel.
Comics Alliance remembers Dwayne McDuffie. “McDuffie was an incredible talent who was often seen as a “black writer” as opposed to just a writer, largely due to both his stature in the industry, and his ability to eloquently discuss the difficulties that face black writers in comics.”
“As a Black man in American, I brought something to the screen that hadn’t really been there before.”Jim Brown talks about his film career, making the transition from football to film and producing films in two parts of a documentary by Spike Lee. Here and here.
At Comics Alliance, David Brothers takes us on a walk through Black history in comics from Krazy Kat; Orrin C. Evans’ All-Negro Comics; Billy Graham’s Panther’s Rage; Hardware and Milestone Comics to now.
“[T]wo major initiatives over the past 18 months from the two biggest comic publishers in this country [were] meant to update their brands in an attempt to better reflect the world we currently live in. Yet somehow, from the angle of a black writer trying to break into comics, this current era in the industry [...]
At The Atlantic Wire, Judy Berman writes about Lena Dunham, (and Quentin Tarantino and Michael Chabon) writing about race: “The solution isn’t to prohibit white writers from depicting non-white characters, or to require them to do so. Along with holding these famous names accountable for offensive representations, the US cultural mainstream desperately needs to make [...]
Gene Demby searches for signs of Martin Luther Kings’ inner life in Dr. King’s Ebony advice column.
Pages from Dwayne McDuffie’s script for Fantastic Four #547: “I told Dwayne how much I loved pages 6 and 7 with the Thing and Storm. He laughed because someone online had complained about the scene – arguing that a woman would never be bothered by people talking about her looks behind her back. Dwayne’s incredulous [...]
Jim Emerson ponders what he finds good and bad in Django Unchained and a lot of the good is Christoph Waltz: “Quentin Tarantino has found his actor in Christoph Waltz — someone who can speak Tarantinian fluently and still make it his own.” (via Roger Ebert)
Jelani Cobb considers Django Unchained and history at The New Yorker. “Tarantino’s attempt to craft a hero who stands apart from the other men—black and white—of his time is not a riff on history, it’s a riff on the mythology we’ve mistaken for history. Were the film aware of that distinction, Django would be far [...]
Linda Holmes shares 50 wonderful things at NPR’s Monkey See blog.
Tanya Steele watches Lincoln and Django Unchained back to back. “I needed to get a glimpse of what slavery was like in the imagination of white men.” (Thanks, Mike White!)keep looking »