The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Demanding Better Representation

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At XOJane, Chaka Cumberbath demands better representation for Black girl nerds in geek culture: “We can be spunky. We can be vivacious. We can be complicated and beautiful and emotional and flawed and we might be all of those things or none of those things at all, but we deserve to be written. We deserve […]

“Walter White, Angry White Man”

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“If…other antihero shows played off the thrill that results from being able to do anything or take whatever one wants, then Breaking Bad is increasingly about how unpleasant that actually is in real life. Walt’s justifications for why he should have what he wants stem almost entirely from believing that he’s owed in some way, […]

The March: On Chickens, Humanity and Moral Authority

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Other more serious writers have written about Rep. John Lewis, Andrew Aydin and Nate Powell‘s The March, Vol 1. (Top Shelf, 2013) . They’ve written about the audacious presentation of solemn historical material in a graphic novel; John Lewis’ contribution to perfecting the Union;  The March‘s importance in relation to American History and the fiftieth […]

“Geek Racism (A Reaction Based on Experience)”

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At The Fool’s Crusade, B. Easton writes, “I used to be the world’s biggest naïve idealist. Captain America without the irony. Superman before 1980. Yea, that was me. I used to believe that anyone into comics, sci-fi, animation, video games etc., would be automatically ‘better’ than the layperson. I figured that anyone with the mental […]

Anna Gunn’s Character Issue

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Anna Gun writes about the experience of playing Breaking Bad‘s Skyler White and how it trickles into hatred towards her: “I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable […]

“Michelle Rodriguez Made Me Cry At Comic-Con”

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Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.”

“The Science of Black Nerds”

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Blerdology’s Kat and Amanda talk to Vibe about “The Science of Black Nerds.” “African Americans present a unique set of perspectives and problems that the larger tech world could never completely and accurately tackle without us. Now, we hack to ask how can we get more African Americans to realize the power and influence they […]

“Japanese Science Fiction of the 1930s”

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Jess Nevins writes about Sato Minoru’s The Foreign Farm (1931), Japanese science fiction in the late Nineteenth and early Twentieth Centuries and “the White Peril.”

White One Hundred

BadAzz MoFo debuts, “White One Hundred: 100 Great Films Starring Only White People”: ” The entire purpose of this project is not to condemn the films and the filmmakers as being racist, but merely to point out the incredible extent of omission that goes on in film, and is accepted as being perfectly normal.” (via […]

Black Women in Heavy Metal

The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

“Nerdiness and Whiteness”

The Black Girl Nerds Podcast ponders nerdiness and whiteness: “Does Being Nerdy Mean You ‘Act White?’”

“Uncanny Avengers, X-Men, Rick Remender, and Oppression Comix”

“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that […]

Listen Up

Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.

“Ask Dr. Racism”

At 4thLetter, David Brothers, aka, “Dr. Racism,” talks about “Blackface, Cosplay, Intent, Reactions and Responsibility.” “You don’t have to know the history of race relations to not be a dick about race.”

Interview with Nalo Hopkinson

TVOntario interviews writer Nalo Hopkinson about utopian literature,  the ancestral experience of slavery, “noticing race” and the ideals of Toronto’s Caribana festival.

Diverse Writers, Diverse Readers and Happily Ever Afters

NPR talks about romance written by and for people of color with authors Brenda Jackson, Michelle Monkou, Camy Tang and romance critic Sarah Wendell at the Romance Writers of American convention. (The radio piece is stronger than the written synopsis).

“Krazy Kat Goes A-Wooing”

George Herriman animated this Krazy Kat cartoon in 1916 and while any time is good to revisit it, Black History Month seems a particularly good one.

White Scripts and Black Supermen

The trailer for White Scripts And Black Supermen: Black Masculinities In Comic Books, a documentary directed by Jonathan Gayles. And there are some extended interviews at the documentary’s YouTube Channel.

“Remembering Dwayne McDuffie On His Birthday”

Comics Alliance remembers Dwayne McDuffie. “McDuffie was an incredible talent who was often seen as a “black writer” as opposed to just a writer, largely due to both his stature in the industry, and his ability to eloquently discuss the difficulties that face black writers in comics.”

Jim Brown’s Hollywood

“As a Black man in American, I brought something to the screen that hadn’t really been there before.”Jim Brown talks about his film career, making the transition from football to film and producing films in two parts of a documentary by Spike Lee. Here and here.

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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