You may have missed the news, but this is the 50th anniversary of a cheap, scrappy British science fiction series called Doctor Who. Like a fair number of folk my age, I first stumbled across Doctor Who one Saturday afternoon on PBS, back when PBS was able to air things like Doctor Who, The Avengers, The Prisoner, and it being cultural and all, Benny Hill. Unlike many, however, I seem to be one of the few people who came into the show not during an airing of the iconic Tom Baker years, but rather during the tenure of the man with the velvet smoking jackets and Venusian aikido. The Third Doctor, Jon Pertwee, was my introduction to Doctor Who, and he remains my favorite. Continue reading…
“As a Black man in American, I brought something to the screen that hadn’t really been there before.”Jim Brown talks about his film career, making the transition from football to film and producing films in two parts of a documentary by Spike Lee. Here and here.
At Comics Alliance, David Brothers takes us on a walk through Black history in comics from Krazy Kat; Orrin C. Evans’ All-Negro Comics; Billy Graham’s Panther’s Rage; Hardware and Milestone Comics to now.
“[T]wo major initiatives over the past 18 months from the two biggest comic publishers in this country [were] meant to update their brands in an attempt to better reflect the world we currently live in. Yet somehow, from the angle of a black writer trying to break into comics, this current era in the industry […]
At The Atlantic Wire, Judy Berman writes about Lena Dunham, (and Quentin Tarantino and Michael Chabon) writing about race: “The solution isn’t to prohibit white writers from depicting non-white characters, or to require them to do so. Along with holding these famous names accountable for offensive representations, the US cultural mainstream desperately needs to make […]
Gene Demby searches for signs of Martin Luther Kings’ inner life in Dr. King’s Ebony advice column.
Pages from Dwayne McDuffie’s script for Fantastic Four #547: “I told Dwayne how much I loved pages 6 and 7 with the Thing and Storm. He laughed because someone online had complained about the scene – arguing that a woman would never be bothered by people talking about her looks behind her back. Dwayne’s incredulous […]
Jim Emerson ponders what he finds good and bad in Django Unchained and a lot of the good is Christoph Waltz: “Quentin Tarantino has found his actor in Christoph Waltz — someone who can speak Tarantinian fluently and still make it his own.” (via Roger Ebert)
Jelani Cobb considers Django Unchained and history at The New Yorker. “Tarantino’s attempt to craft a hero who stands apart from the other men—black and white—of his time is not a riff on history, it’s a riff on the mythology we’ve mistaken for history. Were the film aware of that distinction, Django would be far […]
Linda Holmes shares 50 wonderful things at NPR’s Monkey See blog.
Tanya Steele watches Lincoln and Django Unchained back to back. “I needed to get a glimpse of what slavery was like in the imagination of white men.” (Thanks, Mike White!)
Artvoice profiles, Black Kirby, John Jennings and Stacey Robinson’s art team that “imitates and parodies Jack Kirby’s in style and substance, adding an African-American—and notably contemporary—dimension.”
David Brothers writes about Luke Cage, comics history and how and why he writes about race. “I really, really care about this stuff. I care about others getting it right and I definitely care about getting it right myself. Otherwise, you get ‘LOL Luke Cage’ instead of treating the guy like his history is as […]
“Even if we were to discount the element of Southern small town prejudice and the ugly courtroom trial that occupies the film’s center, this adaptation of the Pulitzer Prize winning novel by Harper Lee is just plain spooky… and it is my feeling that it has bestowed upon us a legacy of horror that we […]
Joe Lansdale writes about the last minstrel show in East Texas. “I never saw any African-American minstrel shows, but I heard about them from those who had. I certainly saw a white minstrel show. I saw it in a time when public places sported ‘white’ and ‘colored’ water fountains and restrooms, and when restaurants that […]
Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.” Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]
Joking over lunch at the Game Developers Conference leads to Gamasutra‘s Leigh Alexander delineating “a few worrying misconceptions out there when it comes to what people want when we ask for equality.”
In writing about–and exposing the identity of–Reddit moderator and troll, Violentacrez, Adrian Chen makes an interesting point, well, many interesting points in this excellent piece for The Gawker: “When it comes to mods, the political model of Reddit is not so much a vast digital democracy, as it’s often framed by fans and users, […]
A documentary about Milestone Media co-founder, comics creator, screenwriter and director Dwayne McDuffie.
“One of the things I loved about Firefly was the exploration of the fusion of Asian and American cultures. Many Asian Americans go through a similar journey. I was wondering, if you were to explore that again in the future, if you would be willing to include Asian or Asian American performers?” More at Racebending.
John Scalzi and Dr. NerdLove use gaming to understand being a guy in the real world. In writing about “straight white male” as the lowest difficulty setting in life, Scalzi builds on a Luke McKinney article in Cracked. Dr. NerdLove is a little less explicitly game-centric in his “Virgins, Victims and Player Haters: Adventures in […]« go back — keep looking »