The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Becoming a Cipher to Oneself

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At Jim C. Hines’ blog, writer Micha Trota writes about what it means when she says, “I don’t see race.” “It means that because I learned to see no difference between ‘white’ and ‘color,’ I have white-washed my own sense of self. It means that I know more about what it is to be a […]

Interview with Denys Cowan

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“Legendary comic book artist and Milestone Media co-founder Denys Cowan joined CBR executive producer Jonah Weiland in the CBR Speakeasy for a lengthy discussion covering Cowan’s career, diversity, and the current state of Milestone properties at DC Comics. They begin by discussing Cowan’s seminal work on The Question with Dennis O’Neil and the mistakes he […]

RIP, Stuart Hall

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Sociologist and Cultural Theorist Stuart Hall has died.  The Guardian and Art Review have obituaries.  At Flavorwire, Brie Hiramina writes, “Why Stuart Hall’s Groundbreaking Work On Culture And Identity Still Matters.”  There is an interview with Hall at Radical Philosophy.  You can watch a documentary about Stuart Hall, The Stuart Hall Project, here.

“An Alternate History of Flappy Bird”

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At Radiator Design Blog, Robert Yang writes about the indie game Flappy Bird and the harassment of its designer, Dong Ngyuen. “I suspect that if Nguyen were a white American, this would’ve been the story of a scrappy indie who managed to best Zynga with his loving homage to Nintendo’s apparent patent on green pixel […]

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

Forty-One Black Women In Horror Writing

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Sumiko Saulson shares a list of twenty Black women in horror writing. “February is Black History Month here in the United States. It is also Women in Horror Month (WiHM). As an Ambassador for WiHM, and as a woman of color (I am Black and Jewish) who is a horror writer, I am poignantly aware […]

Horror, Black Female Identity and Taking Agency

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Graveyard Shift Sisters shares Kinitra Brooks’ “close examination of the books of Tananarive Due, her African Immortals series that centers around the main character Jessica Jacobs-Wolde and L.A. Banks’ Vampire Huntress Legend series focus on Damali Richards and discusses how speculative fiction is ripe for transformative work on Black female identity, in particular, taking agency in our […]

A Treasury of African-American Films Made For African-American Audiences

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The Riverbends Genealogical and Historical Society has a collection of “race movies”: “The ‘race movie’ or ‘race film’ was a film genre which existed in the United States between about 1915 and 1950. It consisted of films produced for an all-black audience, featuring black casts. In all, approximately five hundred race films were produced. Of […]

RIP, Sheila Guyse

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Actor and singer Sheila Guyse has died. Guyse appeared on Broadway, most notably in “Finian’s Rainbow” and in “race films” with all-African-American casts catering to African-American audiences in the 1940s and 1950s. The New York Times has an obituary. Nina Mae McKinney has a tribute to Guyse. Here Sheila Guyse performs “Cinderella” with Billy Daniels […]

RIP, Hal Sutherland

Animator, director, Filmation co-founder and painter Hal Sutherland has died. Sutherland is probably best known for Fat Albert and the Cosby Kids, The Archies and Star Trek animated series. Sutherland  Indiewire has an obituary.  StarTrek.com remembers Sutherland. StarTrek.com has a two-part interview with Sutherland here.

“‘Diversity Lounge? PAX has a lot of work to do”

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Leigh Alexander writes about the gaming community, PAX’s proposed “Diversity Lounge” and providing safe, inclusive spaces: “But the ‘Diversity Hub and Lounge’ is vaguely insulting as a concept: What marginalized people want from games events is not necessarily to have special zones just for them, but to feel welcome, wanted and safe at the entire […]

A Few Pagan Reactions to American Horror Story: Coven

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At A Knife And A Quill, Kate Laity shares her thoughts on American Horror Story: Coven:  “I don’t turn to drama series for insightful commentary on witchcraft. I do expect fun and I do expect a little pulse-taking on the state of the nation. Because witchcraft narratives are almost always about notions of female and other […]

Demanding Better Representation

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At XOJane, Chaka Cumberbath demands better representation for Black girl nerds in geek culture: “We can be spunky. We can be vivacious. We can be complicated and beautiful and emotional and flawed and we might be all of those things or none of those things at all, but we deserve to be written. We deserve […]

“Walter White, Angry White Man”

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“If…other antihero shows played off the thrill that results from being able to do anything or take whatever one wants, then Breaking Bad is increasingly about how unpleasant that actually is in real life. Walt’s justifications for why he should have what he wants stem almost entirely from believing that he’s owed in some way, […]

The March: On Chickens, Humanity and Moral Authority

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Other more serious writers have written about Rep. John Lewis, Andrew Aydin and Nate Powell‘s The March, Vol 1. (Top Shelf, 2013) . They’ve written about the audacious presentation of solemn historical material in a graphic novel; John Lewis’ contribution to perfecting the Union;  The March‘s importance in relation to American History and the fiftieth […]

“Geek Racism (A Reaction Based on Experience)”

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At The Fool’s Crusade, B. Easton writes, “I used to be the world’s biggest naïve idealist. Captain America without the irony. Superman before 1980. Yea, that was me. I used to believe that anyone into comics, sci-fi, animation, video games etc., would be automatically ‘better’ than the layperson. I figured that anyone with the mental […]

Anna Gunn’s Character Issue

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Anna Gun writes about the experience of playing Breaking Bad‘s Skyler White and how it trickles into hatred towards her: “I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable […]

“Michelle Rodriguez Made Me Cry At Comic-Con”

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Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.”

“The Science of Black Nerds”

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Blerdology’s Kat and Amanda talk to Vibe about “The Science of Black Nerds.” “African Americans present a unique set of perspectives and problems that the larger tech world could never completely and accurately tackle without us. Now, we hack to ask how can we get more African Americans to realize the power and influence they […]

“Japanese Science Fiction of the 1930s”

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Jess Nevins writes about Sato Minoru’s The Foreign Farm (1931), Japanese science fiction in the late Nineteenth and early Twentieth Centuries and “the White Peril.”

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  • Of Note Elsewhere

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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