The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Bobby Womack

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Singer, songwriter and composer Bobby Womack has died. The stand-alone importance of his music aside, Womack’s songs were used in innumerable film soundtracks and Womack composed the soundtrack for Across 110th Street (1972). The Los Angeles Times, Time and The Telegraph have obituaries. At Ebony, Gary Harris remembers Womack. The New Yorker considers “The Unimpeachable […]

RIP, Ruby Dee

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Actor and activist Ruby Dee has died. Dee appeared in many roles in film, television and on stage. She appeared in St. Louis Blues (1958),  A Raisin in the Sun (1961), Guiding Light (1967), Peyton Place (1968-9), Buck and the Preacher (1972), Do The Right Thing (1989), Jungle Fever (1991),  American Gangster (2007). Josie Pickens […]

Thoughts on Trolls

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At PBS Idea Channel, Mike considers and then reconsiders the beneficial effects of trolls. At Kill Screen, Matthew Byrd writes about the integration of trolling into a multiplayer online gaming experience, particularly with DayZ and Demon’s Soul. (Thanks, Edie!) Like this:Like Loading…

Default Setting

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In writing about Watch Dogs, Samantha Allan discusses white male characters as a default setting in games: “Games released at the start of a console cycle (like Bungie’s Halo: Combat Evolved for the original Xbox) tend to push the technical characteristics of gaming forward, while trotting out the same staid characters and story lines. Late […]

“America, Be Seated!”

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The Smithsonian Magazine‘s Vicky Gan looks at “The Story Behind the Failed Minstrel Show at the 1964 World’s Fair.” “Remarkably, the musical received support from the NAACP. The organization, understandably turned off by the minstrel show label, was critical of the production at first, but after seeing a Boston preview NAACP officials reversed their stance, […]

An Open Letter to John Chu

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“Is it so outrageous to think that someone my color would be rocking out in a girl band?” Lindsay Taylor reads an open letter to director John M. Chu, director of the upcoming live action film  Jem And The Holograms . Taylor talks about what the character Shana means to her as well as whitewashing, […]

Heart of Darkness, A Drawing For Every Page

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Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here. Like this:Like Loading…

Black Napoleon’s Throne Of Satan

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This week, Guest Star David Foster writes about how an Australian pulp thriller is altered when it was published in the United States as part of the Mysterious Order of the Skeleton Suit‘s Swapathon. Comics Editor Carol will be back in April. There are many elements that made up the counter culture movement of the […]

“It’s Black History Month & Women In Horror Month: Our Future”

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Graveyard Shift Sisters writes about the merging of Black History Month & Women In Horror Month: “The marriage of our stories and horror in 2014 is uncharted and drowning in possibilities. We can’t negate the magnitude of visual representation. Mirroring my first point, what we say and affirm about the multiplicitous life of Black women […]

Becoming a Cipher to Oneself

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At Jim C. Hines’ blog, writer Micha Trota writes about what it means when she says, “I don’t see race.” “It means that because I learned to see no difference between ‘white’ and ‘color,’ I have white-washed my own sense of self. It means that I know more about what it is to be a […]

“An Alternate History of Flappy Bird”

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At Radiator Design Blog, Robert Yang writes about the indie game Flappy Bird and the harassment of its designer, Dong Ngyuen. “I suspect that if Nguyen were a white American, this would’ve been the story of a scrappy indie who managed to best Zynga with his loving homage to Nintendo’s apparent patent on green pixel […]

A Treasury of African-American Films Made For African-American Audiences

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The Riverbends Genealogical and Historical Society has a collection of “race movies”: “The ‘race movie’ or ‘race film’ was a film genre which existed in the United States between about 1915 and 1950. It consisted of films produced for an all-black audience, featuring black casts. In all, approximately five hundred race films were produced. Of […]

RIP, Al Goldstein

Publisher of Screw magazine and pornography and free speech advocate Al Goldstein has died. The Guardian, The Village Voice, The New York Times and The Miami Herald have obituaries. And here’s a blog dedicated to the appreciation of Screw magazine’s cover art (NSFW & warning: possible triggers). Like this:Like Loading…

“The Aesthetic Politics of Filming Black Skin”

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Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]

Demanding Better Representation

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At XOJane, Chaka Cumberbath demands better representation for Black girl nerds in geek culture: “We can be spunky. We can be vivacious. We can be complicated and beautiful and emotional and flawed and we might be all of those things or none of those things at all, but we deserve to be written. We deserve […]

“Why Is Grand Theft Auto So Conservative?”

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This Cage Is Worms has some thoughts on Grand Theft Auto V, and Grand Theft Auto in general: “By making fun of ‘everything,’ GTAV is trying to convince us that it is above any real commitment to an ideology.” (via @bombsfall) Like this:Like Loading…

The March: On Chickens, Humanity and Moral Authority

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Other more serious writers have written about Rep. John Lewis, Andrew Aydin and Nate Powell‘s The March, Vol 1. (Top Shelf, 2013) . They’ve written about the audacious presentation of solemn historical material in a graphic novel; John Lewis’ contribution to perfecting the Union;  The March‘s importance in relation to American History and the fiftieth […]

“Geek Racism (A Reaction Based on Experience)”

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At The Fool’s Crusade, B. Easton writes, “I used to be the world’s biggest naïve idealist. Captain America without the irony. Superman before 1980. Yea, that was me. I used to believe that anyone into comics, sci-fi, animation, video games etc., would be automatically ‘better’ than the layperson. I figured that anyone with the mental […]

RIP, Michael Ansara

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Actor Michael Ansara has died. While Ansara had countless television and movie roles, he is probably best known now for his roles as Kang in Star Trek and the Technomage Elric in Babylon 5,  the voice of Mr. Freeze in Batman: The Animated Series and Cochise in the 1950s tv series Broken Arrow. The Texas […]

“Michelle Rodriguez Made Me Cry At Comic-Con”

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Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.” […]

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  • Of Note Elsewhere

    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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