The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

An Open Letter to John Chu

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“Is it so outrageous to think that someone my color would be rocking out in a girl band?” Lindsay Taylor reads an open letter to director John M. Chu, director of the upcoming live action film  Jem And The Holograms . Taylor talks about what the character Shana means to her as well as whitewashing, […]

Heart of Darkness, A Drawing For Every Page

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Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here. Like this:Like Loading…

Black Napoleon’s Throne Of Satan

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This week, Guest Star David Foster writes about how an Australian pulp thriller is altered when it was published in the United States as part of the Mysterious Order of the Skeleton Suit‘s Swapathon. Comics Editor Carol will be back in April. There are many elements that made up the counter culture movement of the […]

“It’s Black History Month & Women In Horror Month: Our Future”

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Graveyard Shift Sisters writes about the merging of Black History Month & Women In Horror Month: “The marriage of our stories and horror in 2014 is uncharted and drowning in possibilities. We can’t negate the magnitude of visual representation. Mirroring my first point, what we say and affirm about the multiplicitous life of Black women […]

Becoming a Cipher to Oneself

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At Jim C. Hines’ blog, writer Micha Trota writes about what it means when she says, “I don’t see race.” “It means that because I learned to see no difference between ‘white’ and ‘color,’ I have white-washed my own sense of self. It means that I know more about what it is to be a […]

“An Alternate History of Flappy Bird”

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At Radiator Design Blog, Robert Yang writes about the indie game Flappy Bird and the harassment of its designer, Dong Ngyuen. “I suspect that if Nguyen were a white American, this would’ve been the story of a scrappy indie who managed to best Zynga with his loving homage to Nintendo’s apparent patent on green pixel […]

A Treasury of African-American Films Made For African-American Audiences

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The Riverbends Genealogical and Historical Society has a collection of “race movies”: “The ‘race movie’ or ‘race film’ was a film genre which existed in the United States between about 1915 and 1950. It consisted of films produced for an all-black audience, featuring black casts. In all, approximately five hundred race films were produced. Of […]

RIP, Al Goldstein

Publisher of Screw magazine and pornography and free speech advocate Al Goldstein has died. The Guardian, The Village Voice, The New York Times and The Miami Herald have obituaries. And here’s a blog dedicated to the appreciation of Screw magazine’s cover art (NSFW & warning: possible triggers). Like this:Like Loading…

“The Aesthetic Politics of Filming Black Skin”

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Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]

Demanding Better Representation

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At XOJane, Chaka Cumberbath demands better representation for Black girl nerds in geek culture: “We can be spunky. We can be vivacious. We can be complicated and beautiful and emotional and flawed and we might be all of those things or none of those things at all, but we deserve to be written. We deserve […]

“Why Is Grand Theft Auto So Conservative?”

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This Cage Is Worms has some thoughts on Grand Theft Auto V, and Grand Theft Auto in general: “By making fun of ‘everything,’ GTAV is trying to convince us that it is above any real commitment to an ideology.” (via @bombsfall) Like this:Like Loading…

The March: On Chickens, Humanity and Moral Authority

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Other more serious writers have written about Rep. John Lewis, Andrew Aydin and Nate Powell‘s The March, Vol 1. (Top Shelf, 2013) . They’ve written about the audacious presentation of solemn historical material in a graphic novel; John Lewis’ contribution to perfecting the Union;  The March‘s importance in relation to American History and the fiftieth […]

“Geek Racism (A Reaction Based on Experience)”

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At The Fool’s Crusade, B. Easton writes, “I used to be the world’s biggest naïve idealist. Captain America without the irony. Superman before 1980. Yea, that was me. I used to believe that anyone into comics, sci-fi, animation, video games etc., would be automatically ‘better’ than the layperson. I figured that anyone with the mental […]

RIP, Michael Ansara

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Actor Michael Ansara has died. While Ansara had countless television and movie roles, he is probably best known now for his roles as Kang in Star Trek and the Technomage Elric in Babylon 5,  the voice of Mr. Freeze in Batman: The Animated Series and Cochise in the 1950s tv series Broken Arrow. The Texas […]

“Michelle Rodriguez Made Me Cry At Comic-Con”

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Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.” […]

“An E3 Teachable Moment”

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Game Designer Steve Swink writes about harassment at E3 and some steps the gaming community can take. Like this:Like Loading…

“Japanese Science Fiction of the 1930s”

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Jess Nevins writes about Sato Minoru’s The Foreign Farm (1931), Japanese science fiction in the late Nineteenth and early Twentieth Centuries and “the White Peril.” Like this:Like Loading…

White One Hundred

BadAzz MoFo debuts, “White One Hundred: 100 Great Films Starring Only White People”: ” The entire purpose of this project is not to condemn the films and the filmmakers as being racist, but merely to point out the incredible extent of omission that goes on in film, and is accepted as being perfectly normal.” (via […]

“We can do better”

At Gamasutra, Game Developer David Gallant writes about how the indie game developer community can do better. “Shaking up the status quo invites anger as you threaten the privilege you share with your privileged peers. But in our fear, we are politely allowing our communities to be less. We are letting them exclude the differences […]

BGN on Interracial Relationships

The Black Girl Nerds Podcast focuses on interracial relationships.  “The highest rated BGN podcast yet is about guess what?  Interracial Relationships.  We actually received more calls from men on this topic then women which speaks volumes to men’s thoughts on the hot button issue.” Like this:Like Loading…

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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