The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — the future has been ravaged by radioactive fallout that has caused women to grow beards — and the fact that this movie is going to have a grand time tweaking its nose at gender expectations, stereotypes, and comfort zones. The comedy is a mix of subtle and slapstick, something like Monty Python meets Charlie Chaplin meets the Marx Brothers, with a bit of Benny Hill-esque sex farce thrown in. Sadly, no one ever pats an old man on the head, though I’m sure Karel Effa (who should have teamed up with HK comedy actor Richard Ng) would have been up for it. Continue reading…
Kate Conway writes about how powerful she found the Women Who Kick Ass Panel in San Diego Comic-Con’s Hall C. “These dudes onstage weren’t selling themselves to me; they didn’t even care what I thought. Here we were, in the biggest room at Comic-Con, and I only felt disgust. And then, out came Michelle Rodriguez.”
Game Designer Steve Swink writes about harassment at E3 and some steps the gaming community can take.
Jess Nevins writes about Sato Minoru’s The Foreign Farm (1931), Japanese science fiction in the late Nineteenth and early Twentieth Centuries and “the White Peril.”
BadAzz MoFo debuts, “White One Hundred: 100 Great Films Starring Only White People”: ” The entire purpose of this project is not to condemn the films and the filmmakers as being racist, but merely to point out the incredible extent of omission that goes on in film, and is accepted as being perfectly normal.” (via […]
At Gamasutra, Game Developer David Gallant writes about how the indie game developer community can do better. “Shaking up the status quo invites anger as you threaten the privilege you share with your privileged peers. But in our fear, we are politely allowing our communities to be less. We are letting them exclude the differences […]
The Black Girl Nerds Podcast focuses on interracial relationships. “The highest rated BGN podcast yet is about guess what? Interracial Relationships. We actually received more calls from men on this topic then women which speaks volumes to men’s thoughts on the hot button issue.”
Games Industry International is publishing transcripts of this year’s rants at the Game Developers Conference. The first rant is from Tiniest Shark founder, Mitu Khandaker. “I’m 100 per cent able and willing to identify with white male characters – I don’t need characters to look like me to identify with them. That would be really […]
“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that […]
“As nice as it must be to be that [18-25 year old male] demographic—when you’ve got everyone banging on your door, trying to court you, it must be very pleasant—what’s it like for someone who isn’t in that demographic? We know they play our games. We can see that they do. OK, there’s support for […]
Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.
At 4thLetter, David Brothers, aka, “Dr. Racism,” talks about “Blackface, Cosplay, Intent, Reactions and Responsibility.” “You don’t have to know the history of race relations to not be a dick about race.”
NPR talks about romance written by and for people of color with authors Brenda Jackson, Michelle Monkou, Camy Tang and romance critic Sarah Wendell at the Romance Writers of American convention. (The radio piece is stronger than the written synopsis).
Listen to Superman defend Tommy Lee and his family from the Ku Klux Klan in the 1946 Adventures of Superman storyline, “The Clan of the Fiery Cross” at the Internet Archive.
Comics Alliance remembers Dwayne McDuffie. “McDuffie was an incredible talent who was often seen as a “black writer” as opposed to just a writer, largely due to both his stature in the industry, and his ability to eloquently discuss the difficulties that face black writers in comics.”
“As a Black man in American, I brought something to the screen that hadn’t really been there before.”Jim Brown talks about his film career, making the transition from football to film and producing films in two parts of a documentary by Spike Lee. Here and here.
At Comics Alliance, David Brothers takes us on a walk through Black history in comics from Krazy Kat; Orrin C. Evans’ All-Negro Comics; Billy Graham’s Panther’s Rage; Hardware and Milestone Comics to now.
“[T]wo major initiatives over the past 18 months from the two biggest comic publishers in this country [were] meant to update their brands in an attempt to better reflect the world we currently live in. Yet somehow, from the angle of a black writer trying to break into comics, this current era in the industry […]
Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and […]
Scouting NY writes of the difficulty of finding a Chinese restaurant that satisfies directors’ ideas of a Chinese restaurant in New York, because that restaurant doesn’t exist. “Literally every time I get asked to find a Chinese restaurant, it’s the same description. ‘I want a place with really over-the-top Chinese decor,’ our director will say. […]
At The Atlantic Wire, Judy Berman writes about Lena Dunham, (and Quentin Tarantino and Michael Chabon) writing about race: “The solution isn’t to prohibit white writers from depicting non-white characters, or to require them to do so. Along with holding these famous names accountable for offensive representations, the US cultural mainstream desperately needs to make […]« go back — keep looking »