The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with John Waters

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Friend of the Gutter Beth Accomando interviews John Waters for KPBS: “With his pencil thin mustache and skinny suits, Waters is a pop culture icon as famous as his films. But at the moment, he’s not finding the financial backing to make another movie so he has simply focused his creativity elsewhere. He has been […]

Halloween At The Gutter

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At Teleport City, the Gutter’s own Keith is sharing Haunted History. Meanwhile, at her personal site, the Gutter’s own Carol is doing her version of 31 Days Of Horror: Part 1, Part 2 and Part 3. Like this:Like Loading…

“Sherlock Holmes vs. Dracula”

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The 1980 BBC Radio dramatization of “Sherlock Holmes vs. Dracula; or, The Adventure of the Sanguinary Count” is now available on YouTube, which is nice since it is no longer available on the Internet Archive. Like this:Like Loading…

Interview with Alison Bechdel

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NPR interviews cartoonist Alison Bechdel on the occasion of her MacArthur Genius Grant. “I guess I’m proudest of just really sticking with this odd thing I loved and was good at — drawing comics about marginal people (lesbians) in a marginal format (comics). I never thought much about whether that was responsible, or respectable, or […]

“How Dolph Lundgren Went From Chemical Engineer to Action Hero”

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“[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin […]

“Sculptress of Sound: The Lost Works of Composer Delia Derbyshire”

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BBC Radio 4’s Matthew Sweet explores the music and life of composer Delia Derbyshire, probably best known for her work on Doctor Who‘s iconic theme song. “Her realisation of the Doctor Who theme is just one small example of her genius and we’ll demonstrate how the music was originally created as well as hearing individual […]

RIP, Margot Adler

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Journalist Margot Adler has died. She is best known for her work as a journalist on NPR, but she also created the speculative fiction radio program, “The Hour Of The Wolf” and was the writer of Drawing Down The Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today (1979) and Vampires Are Us: Understanding […]

RIP, Casey Kasem

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Actor and DJ Casey Kasem has died. Kasem hosted American Top 40 and was the original voice of Shaggy in Scooby-Doo, voiced Robin in Batman (1968 cartoon) and Super Friends, and voiced Cliffjumper in Transformers: The Movie (1986) and multiple characters in the 1980s Transformers cartoon. At The Record, Bilal Qureshi remembers Kasem. The Washington […]

RIP, Al Feldstein

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Al Feldstein has died. Feldstein got his start at EC Comics, creating Tales From The Crypt and several other titles, and later became editor for MAD Magazine. The Comics Journal, The New York Times, The Los Angeles Times, Time Magazine and Robot 6 have obituaries. NPR’s All Things Considered remembers Feldstein. At The Atlantic Wire, […]

Global Pop Offensive!

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Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here. Like this:Like Loading…

Fun! Charm! Thrilling Adventure!

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The Thrilling Adventure Hour is a beacon in a grittily realistic, grimdark pop culture landscape, one guiding lost souls to fun, charm and adventure. And I’m glad to see The Thrilling Adventure Hour adapted from podcast radio play into graphic novel because I like what it portends for fun stories in the future and because […]

RIP, Tom Laughlin

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Actor/writer/director/producer Tom Laughlin has died. Laughlin is best known for his Billy Jack series of films. The New York Times and The LA Times have obituaries. NPR remembers Laughlin. Here’s a promotional short from Warner Bros. featuring a demonstration from Master Bong Soo Han. And Laughlin talks about the Billy Jack films on Good Morning, […]

Joe Sacco’s Panorama of War

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Artist Joe Sacco talks with NPR about his latest book, The Great War: July 1, 1916: The First Day of the Battle of the Somme. It’s a 24 foot panorama of one day. “Each panel in the panorama is dense and detailed. Fresh troops march in looking eager for battle. Some soldiers eat and relax, […]

Pop Culture That Makes Pop Culture Happy Hour Cry

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On Pop Culture Happy Hour, Linda, Stephen and Chris share what pop culture makes them cry and why. Like this:Like Loading…

Creepy BBC Tales

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BBC Radio has several horror and ghost stories available right now, including the series, “Algernon Blackwood’s Ghost Stories,” “The Monkey’s Paw” and “The House of Doctor Dee.”  Each segment expires after seven days. Like this:Like Loading…

The Voice of Night Vale

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The Daily Dot interviews Cecil Baldwin, the voice of the eerie podcast, Welcome To Night Vale. Like this:Like Loading…

Adventure Time on NPR

NPR’s Monkey See blog shares a look at Adventure Time. “Adventure Time insists on emotional honesty.” (via @profmdwhite) Like this:Like Loading…

Valentina Tereshkova, The First Woman In Space

“Tereshkova was celebrated in songs and her face was put on postage stamps. Soon after her flight, she was married off to a fellow cosmonaut, Andriyan Nikolayev. Khrushchev gave the bride away at a wedding filled with the Soviet equivalent of Hello magazine photographers. When the couple eventually split, their divorce needed the personal approval […]

KPBS’ Midday Movies: The Geek Roundtable discusses Remakes

At KPBS’ Midday Movies, Beth Accomando, Miguel Rodriguez and Ian Forbes discuss film remakes: “Remake, sequel, prequel, reboot, reimagining – whatever you want to call it, Hollywood does love to return to something familiar. So what makes a good remake? Is it really a bad thing to remake an old film? Is this a new […]

Orson Welles On Suspense

A collection of Orson Welles’ appearances on the old time radio show, Suspense, including “The Most Dangerous Game” and “The Hitchhiker.” Like this:Like Loading…

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  • Of Note Elsewhere

    Actor Billie Whitelaw has died. Whitelaw was Samuel Beckett’s “perfect actress” and she also appeared in television and films, including: Gumshoe (1971), Frenzy (1972), The Omen (1976), Space: 1999 (“One Moment of Humanity”) (1976), The Dark Crystal (1982), The Secret Garden (1987), The Krays (1990), Jane Eyre (1996), Quills (2000) and Hot Fuzz (2007).  The Guardian, the BBC and Variety have obituaries. Here Whitelaw performs in Beckett’s “Happy Days” and “Not I,” written by Beckett for Whitelaw.

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    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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