The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Raymond Chandler and The High Tower Apartments

The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window.

“Raymond Chandler’s Private Dick”

Ta-Nehisi Coates writes an interesting post about Philip Marlowe, masculinity, biology and misogyny at The Atlantic: “I’ve consumed art like this all my life–men claiming invulnerability, against all I know of maleness and human attraction. Misogyny is not merely a moral problem, but a problem of art. It takes half the world and caricatures it. […]

Michael Connelly Interviews Elliott Gould

Elliott Gould and Michael Connelly talk about Robert Altman’s film adaptation of The Long Goodbye. (via @cinebeats)

“I said I liked it; I didn’t say I wanted to kiss it.”

At MovieMorlocks.com, Susan Doll shares her thoughts on film noir dialogue: “The volley of barbed wisecracks is not only an indicator of sexual attraction but also a substitute for sex in the era when the Production Code did not allow direct depictions or expressions of lust and desire.”

One Genre Icon Interviews Another

Ian Fleming interviews Raymond Chandler. Yes, Ian “James Bond” Fleming and Raymond “Philip Marlow” Chandler.

VARIETY PAK

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It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one.

DO YOU KNOW JACK?

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As you might know, if you’ve read my bio here on the Gutter, I’m a partner in Ottawa’s oldest surviving cinema, The Mayfair Theatre. In August, we showed two films that on the surface have little in common: Robert Altman’s neo-noir The Long Goodbye and Woody Allen’s slapstick political parody Bananas. Obviously, though, they do […]

Sebastian Faulk’s License to Kill

Chandler had his Poodle Springs. Ian Fleming might have his Devil May Care. Sebastian Faulk takes up James Bond on his centenary. Excerpt here.

Catwoman: Silicon-Injected

Who are Catwoman

In 2001, Catwoman was everything I ever wanted in a comic. I admit I was a sucker for her new look. A woman’s stompy black boots are her pride and Catwoman’s boots were stompy, black and flat after years of thigh high Pretty Woman stilettos. Not to mention that zippers with rings, black leather, kitty […]

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  • Of Note Elsewhere

    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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    Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994),  Power Kids (2009),  Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all three Ong-Bak films (2003, 2008, 2010).  Film Business Asia, The Bangkok Post and Wise Kwai’s Thai Film Journal have obituaries. City On Fire and Far East Films also remember Panna. Here’s an interview with Panna from Thai Indie.  Panna kicks ass in this tribute video.

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    Actor and singer Elaine Stritch has died. Stritch worked extensively on Broadway, but she also appeared in September (1987), Small Time Crooks (2000), Monster-In-Law (2005), the British television series, Two’s Company3rd Rock From The Sun, My Sister Eileen and 30 Rock. The New York Times Variety and The Detroit Free Press. Saara Dutton remembers Stritch in her piece, “In Praise of Broads.” Here Stritch performs, “Zip” from Pal Joey, “Why Do The Wrong People Travel?” from Sail Away and “I’m Still Here” at the White House. Here she is in a 2008 production of Endgame. And here she is on Theater Talk.

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