The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Finding Marlowe”

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Louise Ransil talks with the Los Angeles Times about private investigator Samuel B. Marlow. “Marlowe, she said, was the city’s first licensed black private detective. He shadowed lives, took care of secrets, knew his way around Tinseltown. Ransil dropped the names of some Hollywood heavies — Clark Gable, Jean Harlow, Howard Hughes. But it got […]

Raymond Chandler and The High Tower Apartments

The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window. Like this:Like Loading…

“Raymond Chandler’s Private Dick”

Ta-Nehisi Coates writes an interesting post about Philip Marlowe, masculinity, biology and misogyny at The Atlantic: “I’ve consumed art like this all my life–men claiming invulnerability, against all I know of maleness and human attraction. Misogyny is not merely a moral problem, but a problem of art. It takes half the world and caricatures it. […]

Michael Connelly Interviews Elliott Gould

Elliott Gould and Michael Connelly talk about Robert Altman’s film adaptation of The Long Goodbye. (via @cinebeats) Like this:Like Loading…

“I said I liked it; I didn’t say I wanted to kiss it.”

At MovieMorlocks.com, Susan Doll shares her thoughts on film noir dialogue: “The volley of barbed wisecracks is not only an indicator of sexual attraction but also a substitute for sex in the era when the Production Code did not allow direct depictions or expressions of lust and desire.” Like this:Like Loading…

One Genre Icon Interviews Another

Ian Fleming interviews Raymond Chandler. Yes, Ian “James Bond” Fleming and Raymond “Philip Marlow” Chandler. Like this:Like Loading…

VARIETY PAK

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It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one. Like this:Like Loading…

DO YOU KNOW JACK?

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As you might know, if you’ve read my bio here on the Gutter, I’m a partner in Ottawa’s oldest surviving cinema, The Mayfair Theatre. In August, we showed two films that on the surface have little in common: Robert Altman’s neo-noir The Long Goodbye and Woody Allen’s slapstick political parody Bananas. Obviously, though, they do […]

Sebastian Faulk’s License to Kill

Chandler had his Poodle Springs. Ian Fleming might have his Devil May Care. Sebastian Faulk takes up James Bond on his centenary. Excerpt here. Like this:Like Loading…

Catwoman: Silicon-Injected

Who are Catwoman

In 2001, Catwoman was everything I ever wanted in a comic. I admit I was a sucker for her new look. A woman’s stompy black boots are her pride and Catwoman’s boots were stompy, black and flat after years of thigh high Pretty Woman stilettos. Not to mention that zippers with rings, black leather, kitty […]

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  • Of Note Elsewhere

    Video of illustrator and character designer Katsuya Terada drawing and talking about his work. (via @aicnanime)

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    A 1,300-year-old Egyptian book of spells has been translated. “Among other things, the ‘Handbook of Ritual Power,’ as researchers call the book, tells readers how to cast love spells, exorcise evil spirits and treat “black jaundice,” a bacterial infection that is still around today and can be fatal.”

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    Zack and Steve go through and review Advanced Dungeons & Dragons Module S-1: The Tomb Of Horrors at WTF, D&D?!…so you don’t have to.

    “Steve: Most of the opening paragraph is a warning about difficulty. ‘You’ll never find the demi-lich’s secret chamber’ and the tomb is fraught with “terrible traps, poison gases, and magical protections.” It’s telling you not to play the adventure.

    Zack: Not just in that part. In the DM’s notes section at the start, Gygax explicitly warns Dungeon Masters that if your players enjoy killing monsters they will be unhappy with the adventure.

    Steve: ‘This module is only for parties that enjoy dying immediately and repeatedly.’ Oh, man, we’re not going to play though this thing are we?”

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    Dr. Nerdlove takes a brief break from helping the nerd get the girl to address something that’s been bugging him. “Pardon me while I go off on a bit of a media criticism/ rant here. So I’ve been enjoying the *hell* out of The Flash lately except for one thing: Iris Allen. Her character is screen death; every time she’s around, everything comes to a screeching halt.

    The problem is: it’s not her fault, it’s the writers. Rather like Laurel Lance in the first two seasons of Arrow, she has Lois Lane syndrome. Her (like Laurel and Lois) entire character arc is based around being ignorant of events that literally everyone else in her life is aware of.”

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    Get your own copy of the Satanic Temple’s The Satanic Children’s Big Book of Activities!

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    At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.”

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