The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Finding Marlowe”

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Louise Ransil talks with the Los Angeles Times about private investigator Samuel B. Marlow. “Marlowe, she said, was the city’s first licensed black private detective. He shadowed lives, took care of secrets, knew his way around Tinseltown. Ransil dropped the names of some Hollywood heavies — Clark Gable, Jean Harlow, Howard Hughes. But it got […]

Raymond Chandler and The High Tower Apartments

The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window. Like this:Like Loading…

“Raymond Chandler’s Private Dick”

Ta-Nehisi Coates writes an interesting post about Philip Marlowe, masculinity, biology and misogyny at The Atlantic: “I’ve consumed art like this all my life–men claiming invulnerability, against all I know of maleness and human attraction. Misogyny is not merely a moral problem, but a problem of art. It takes half the world and caricatures it. […]

Michael Connelly Interviews Elliott Gould

Elliott Gould and Michael Connelly talk about Robert Altman’s film adaptation of The Long Goodbye. (via @cinebeats) Like this:Like Loading…

“I said I liked it; I didn’t say I wanted to kiss it.”

At MovieMorlocks.com, Susan Doll shares her thoughts on film noir dialogue: “The volley of barbed wisecracks is not only an indicator of sexual attraction but also a substitute for sex in the era when the Production Code did not allow direct depictions or expressions of lust and desire.” Like this:Like Loading…

One Genre Icon Interviews Another

Ian Fleming interviews Raymond Chandler. Yes, Ian “James Bond” Fleming and Raymond “Philip Marlow” Chandler. Like this:Like Loading…

VARIETY PAK

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It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one. Like this:Like Loading…

DO YOU KNOW JACK?

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As you might know, if you’ve read my bio here on the Gutter, I’m a partner in Ottawa’s oldest surviving cinema, The Mayfair Theatre. In August, we showed two films that on the surface have little in common: Robert Altman’s neo-noir The Long Goodbye and Woody Allen’s slapstick political parody Bananas. Obviously, though, they do […]

Sebastian Faulk’s License to Kill

Chandler had his Poodle Springs. Ian Fleming might have his Devil May Care. Sebastian Faulk takes up James Bond on his centenary. Excerpt here. Like this:Like Loading…

Catwoman: Silicon-Injected

Who are Catwoman

In 2001, Catwoman was everything I ever wanted in a comic. I admit I was a sucker for her new look. A woman’s stompy black boots are her pride and Catwoman’s boots were stompy, black and flat after years of thigh high Pretty Woman stilettos. Not to mention that zippers with rings, black leather, kitty […]

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    This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

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    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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