The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Catharsis denied: when fiery doom
is an anti-climax

lego mount doom 2

When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched [...]

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply [...]

  • Of Note Elsewhere

    A video interview with the Batman of Brampton, Ontario, Canada.

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    “[O]n Saturday night, when you were probably enjoying the discothèque with the other sophisticates, it was finally on: Deadly Spa.” More Deadly Spa here. (via @bethlovesbolly)

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    Kate Elliott asks, “How much sex is too much sex in your science fiction and fantasy?” (Thanks, James!)

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    NPR’s Monkey See blog shares a look at Adventure Time. “Adventure Time insists on emotional honesty.” (via @profmdwhite)

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    Recent shenanigans The Cultural Gutter has been involved in: The lost Drive-In Mob Movie S.P.E.C.T.R.E. on Monster Island; a transcript of the Shaitani Dracula tweetalong organized by The Mysterious Order of the Skeleton Suit; and the ongoing Twitter game/story, “Tonight On Mad Men.”

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    At Vern Reviews The Films Of Cinema, Outlaw Vern offers “one Seagalologist’s perspective on the ‘vulgar auteurism’ debate”: “The practitioners are trying to bring recognition to artists who they think are marginalized, but they’re accidentally creating a ranking of ‘vulgar auteur’ beneath ‘actual auteur.’ And that also shines a spotlight on the idea’s most glaring weakness: even the most establishment of the critical establishment have always worshipped directors who were at some point considered lowbrow–Hitchcock, Fuller, Peckinpah, DePalma.”

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