The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Dream-Casting The Live-Action Gargoyles Movie That Does Not Exist”

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At The Toast, Mallory Ortberg creates her dream cast for a rebooted Gargoyles series. “Look, I’m not here to explain the appeal of a decades-old children’s series about living architectural flourishes to you. Either you saw it, and you understand the unique blend of Shakespeare, European folklore, the pain of centuries of isolation and the […]

“Bad News: Universal Is ‘Re-Imagining’ Its Classic Monsters”

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At The Telegraph, Anne Billson shares the bad news about Universal’s “reimagining” its classic monsters, the problem with big budget horror, and filmmakers who don’t get horror. “Another problem is that upmarket film-makers who have built their reputations in more prestigious genres just don’t “get” horror, so when they deign to make a horror movie, […]

KPBS’ Midday Movies: The Geek Roundtable discusses Remakes

At KPBS’ Midday Movies, Beth Accomando, Miguel Rodriguez and Ian Forbes discuss film remakes: “Remake, sequel, prequel, reboot, reimagining – whatever you want to call it, Hollywood does love to return to something familiar. So what makes a good remake? Is it really a bad thing to remake an old film? Is this a new […]

BBC Remake + Kevin Spacey + David Fincher = You Will Watch

The Fractured Atlas has an interesting piece on Netflix’s House of Cards, the Nutcracker, data analysis and driving new content development in the arts. And Andrew Leonard has more at Salon: “Netflix’s data indicated that the same subscribers who loved the original BBC production also gobbled down movies starring Kevin Spacey or directed by David […]

Hollywood and Industrialized Plagiarism

At Geek Juice, Josh Hadley’s “Industrialized Plagiarism” responds to a Village Voice piece, “How To Defend Quentin Tarantino.” Read them together for QT, Hollywood SOP, Harlan Ellison, homages, plagiarism and more. Like this:Like Loading…

Nostalgia or Awesomeness?

Was Robocop the best and most subversive action movie of the action movie’s golden period? Is there also some nostalgia at play? Like this:Like Loading…

Pingu’s The Thing

The Thing remade as an episode of Pingu.   Like this:Like Loading…

Curious about The Thing remake?

Peter Watts has an interest in the remake of The Thing (see here for why), and he has some entertaining things to say: “For one thing, there are just too many similarities between the two films for me to accept that this is truly a prequel and not just a remake. This goes beyond the […]

Cartoon Trailers!

Cartoon Network has trailers for the upcoming animated shows, ThunderCats and Legend of Korra, the sequel to Avatar: The Last Airbender as well as an extended look at Green Lantern: The Animated Series  with a short peek at the LEGO Ninja show, Ninjago. Like this:Like Loading…

Singham Trailer

“Don’t fuck with Bajirao Singham.” Cars roll, guns are drawn and Bajirao Singham tears a lamp post up and hits a guy with it in this trailer for Singham, a remake of the Tamil action film, Singam, directed by Hari and starring Surya Sivakumar. Like this:Like Loading…

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ‘100 Years in Horror’ series.” Like this:Like Loading…

Let Me In: Deletion Explained

Slash Film has a deleted scene from Let Me In and video of director Matt Reeves explaining the cut. Like this:Like Loading…

25 Or 6 To A Better Tomorrow?

This trailer for the Korean remake of John Woo’s A Better Tomorrow has Chicago’s “25 or 6 to 4″ going through my head. (thanks, brian!) Like this:Like Loading…

Knock, Knock

Who’s there? Why it’s the trailer for Let Me In, the American remake of Let The Right One In. Like this:Like Loading…

The Fog (1980) vs The Fog (2005)

October has an extensive and exquisite analysis of The Fog (1980) and The Fog (2005), ranging from the implications of the changes to the original, some tangents relating to John Carpenter’s other films and “alienation vs. connection.”  (via The Horror?!) Like this:Like Loading…

Science Determines the Best and Worst Genres

Science analyzes the best and worst types of genre movies. Results listed here. Like this:Like Loading…

I Can See Forever

It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street. Like this:Like Loading…

“Stupid, stupid, stupid, stupid!”

You are interested in the future, because that is where you will live and you must decide what you will do to survive Plan 9. (Thanks, Eric, for the Plan 9 from Outer Space title quote). Like this:Like Loading…

“The Stunning Case of the Three Gunshots”

Zhang Yimou is remaking the Coen Bros. Blood Simple, or as it will be known from now on, The Stunning Case of the Three Gunshots. (It’s going to star Sun Honglei from Mongol). Like this:Like Loading…

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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