The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Dream-Casting The Live-Action Gargoyles Movie That Does Not Exist”

GetDownGutter_Thumb

At The Toast, Mallory Ortberg creates her dream cast for a rebooted Gargoyles series. “Look, I’m not here to explain the appeal of a decades-old children’s series about living architectural flourishes to you. Either you saw it, and you understand the unique blend of Shakespeare, European folklore, the pain of centuries of isolation and the […]

“Bad News: Universal Is ‘Re-Imagining’ Its Classic Monsters”

GetDownGutter_Thumb

At The Telegraph, Anne Billson shares the bad news about Universal’s “reimagining” its classic monsters, the problem with big budget horror, and filmmakers who don’t get horror. “Another problem is that upmarket film-makers who have built their reputations in more prestigious genres just don’t “get” horror, so when they deign to make a horror movie, […]

KPBS’ Midday Movies: The Geek Roundtable discusses Remakes

At KPBS’ Midday Movies, Beth Accomando, Miguel Rodriguez and Ian Forbes discuss film remakes: “Remake, sequel, prequel, reboot, reimagining – whatever you want to call it, Hollywood does love to return to something familiar. So what makes a good remake? Is it really a bad thing to remake an old film? Is this a new […]

BBC Remake + Kevin Spacey + David Fincher = You Will Watch

The Fractured Atlas has an interesting piece on Netflix’s House of Cards, the Nutcracker, data analysis and driving new content development in the arts. And Andrew Leonard has more at Salon: “Netflix’s data indicated that the same subscribers who loved the original BBC production also gobbled down movies starring Kevin Spacey or directed by David […]

Hollywood and Industrialized Plagiarism

At Geek Juice, Josh Hadley’s “Industrialized Plagiarism” responds to a Village Voice piece, “How To Defend Quentin Tarantino.” Read them together for QT, Hollywood SOP, Harlan Ellison, homages, plagiarism and more.

Nostalgia or Awesomeness?

Was Robocop the best and most subversive action movie of the action movie’s golden period? Is there also some nostalgia at play?

Pingu’s The Thing

The Thing remade as an episode of Pingu.  

Curious about The Thing remake?

Peter Watts has an interest in the remake of The Thing (see here for why), and he has some entertaining things to say: “For one thing, there are just too many similarities between the two films for me to accept that this is truly a prequel and not just a remake. This goes beyond the […]

Cartoon Trailers!

Cartoon Network has trailers for the upcoming animated shows, ThunderCats and Legend of Korra, the sequel to Avatar: The Last Airbender as well as an extended look at Green Lantern: The Animated Series  with a short peek at the LEGO Ninja show, Ninjago.

Singham Trailer

“Don’t fuck with Bajirao Singham.” Cars roll, guns are drawn and Bajirao Singham tears a lamp post up and hits a guy with it in this trailer for Singham, a remake of the Tamil action film, Singam, directed by Hari and starring Surya Sivakumar.

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ‘100 Years in Horror’ series.”

Let Me In: Deletion Explained

Slash Film has a deleted scene from Let Me In and video of director Matt Reeves explaining the cut.

25 Or 6 To A Better Tomorrow?

This trailer for the Korean remake of John Woo’s A Better Tomorrow has Chicago’s “25 or 6 to 4” going through my head. (thanks, brian!)

Knock, Knock

Who’s there? Why it’s the trailer for Let Me In, the American remake of Let The Right One In.

The Fog (1980) vs The Fog (2005)

October has an extensive and exquisite analysis of The Fog (1980) and The Fog (2005), ranging from the implications of the changes to the original, some tangents relating to John Carpenter’s other films and “alienation vs. connection.”  (via The Horror?!)

Science Determines the Best and Worst Genres

Science analyzes the best and worst types of genre movies. Results listed here.

I Can See Forever

It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street.

“Stupid, stupid, stupid, stupid!”

You are interested in the future, because that is where you will live and you must decide what you will do to survive Plan 9. (Thanks, Eric, for the Plan 9 from Outer Space title quote).

“The Stunning Case of the Three Gunshots”

Zhang Yimou is remaking the Coen Bros. Blood Simple, or as it will be known from now on, The Stunning Case of the Three Gunshots. (It’s going to star Sun Honglei from Mongol).

keep looking »
  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

    ~

    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

    ~

    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

    ~

    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

    ~

    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

    ~

    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: