The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Dream-Casting The Live-Action Gargoyles Movie That Does Not Exist”

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At The Toast, Mallory Ortberg creates her dream cast for a rebooted Gargoyles series. “Look, I’m not here to explain the appeal of a decades-old children’s series about living architectural flourishes to you. Either you saw it, and you understand the unique blend of Shakespeare, European folklore, the pain of centuries of isolation and the […]

“Bad News: Universal Is ‘Re-Imagining’ Its Classic Monsters”

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At The Telegraph, Anne Billson shares the bad news about Universal’s “reimagining” its classic monsters, the problem with big budget horror, and filmmakers who don’t get horror. “Another problem is that upmarket film-makers who have built their reputations in more prestigious genres just don’t “get” horror, so when they deign to make a horror movie, […]

KPBS’ Midday Movies: The Geek Roundtable discusses Remakes

At KPBS’ Midday Movies, Beth Accomando, Miguel Rodriguez and Ian Forbes discuss film remakes: “Remake, sequel, prequel, reboot, reimagining – whatever you want to call it, Hollywood does love to return to something familiar. So what makes a good remake? Is it really a bad thing to remake an old film? Is this a new […]

BBC Remake + Kevin Spacey + David Fincher = You Will Watch

The Fractured Atlas has an interesting piece on Netflix’s House of Cards, the Nutcracker, data analysis and driving new content development in the arts. And Andrew Leonard has more at Salon: “Netflix’s data indicated that the same subscribers who loved the original BBC production also gobbled down movies starring Kevin Spacey or directed by David […]

Hollywood and Industrialized Plagiarism

At Geek Juice, Josh Hadley’s “Industrialized Plagiarism” responds to a Village Voice piece, “How To Defend Quentin Tarantino.” Read them together for QT, Hollywood SOP, Harlan Ellison, homages, plagiarism and more. Like this:Like Loading…

Nostalgia or Awesomeness?

Was Robocop the best and most subversive action movie of the action movie’s golden period? Is there also some nostalgia at play? Like this:Like Loading…

Pingu’s The Thing

The Thing remade as an episode of Pingu.   Like this:Like Loading…

Curious about The Thing remake?

Peter Watts has an interest in the remake of The Thing (see here for why), and he has some entertaining things to say: “For one thing, there are just too many similarities between the two films for me to accept that this is truly a prequel and not just a remake. This goes beyond the […]

Cartoon Trailers!

Cartoon Network has trailers for the upcoming animated shows, ThunderCats and Legend of Korra, the sequel to Avatar: The Last Airbender as well as an extended look at Green Lantern: The Animated Series  with a short peek at the LEGO Ninja show, Ninjago. Like this:Like Loading…

Singham Trailer

“Don’t fuck with Bajirao Singham.” Cars roll, guns are drawn and Bajirao Singham tears a lamp post up and hits a guy with it in this trailer for Singham, a remake of the Tamil action film, Singam, directed by Hari and starring Surya Sivakumar. Like this:Like Loading…

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ‘100 Years in Horror’ series.” Like this:Like Loading…

Let Me In: Deletion Explained

Slash Film has a deleted scene from Let Me In and video of director Matt Reeves explaining the cut. Like this:Like Loading…

25 Or 6 To A Better Tomorrow?

This trailer for the Korean remake of John Woo’s A Better Tomorrow has Chicago’s “25 or 6 to 4″ going through my head. (thanks, brian!) Like this:Like Loading…

Knock, Knock

Who’s there? Why it’s the trailer for Let Me In, the American remake of Let The Right One In. Like this:Like Loading…

The Fog (1980) vs The Fog (2005)

October has an extensive and exquisite analysis of The Fog (1980) and The Fog (2005), ranging from the implications of the changes to the original, some tangents relating to John Carpenter’s other films and “alienation vs. connection.”  (via The Horror?!) Like this:Like Loading…

Science Determines the Best and Worst Genres

Science analyzes the best and worst types of genre movies. Results listed here. Like this:Like Loading…

I Can See Forever

It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street. Like this:Like Loading…

“Stupid, stupid, stupid, stupid!”

You are interested in the future, because that is where you will live and you must decide what you will do to survive Plan 9. (Thanks, Eric, for the Plan 9 from Outer Space title quote). Like this:Like Loading…

“The Stunning Case of the Three Gunshots”

Zhang Yimou is remaking the Coen Bros. Blood Simple, or as it will be known from now on, The Stunning Case of the Three Gunshots. (It’s going to star Sun Honglei from Mongol). Like this:Like Loading…

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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