The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Dream-Casting The Live-Action Gargoyles Movie That Does Not Exist”


At The Toast, Mallory Ortberg creates her dream cast for a rebooted Gargoyles series. “Look, I’m not here to explain the appeal of a decades-old children’s series about living architectural flourishes to you. Either you saw it, and you understand the unique blend of Shakespeare, European folklore, the pain of centuries of isolation and the […]

“Bad News: Universal Is ‘Re-Imagining’ Its Classic Monsters”


At The Telegraph, Anne Billson shares the bad news about Universal’s “reimagining” its classic monsters, the problem with big budget horror, and filmmakers who don’t get horror. “Another problem is that upmarket film-makers who have built their reputations in more prestigious genres just don’t “get” horror, so when they deign to make a horror movie, […]

KPBS’ Midday Movies: The Geek Roundtable discusses Remakes

At KPBS’ Midday Movies, Beth Accomando, Miguel Rodriguez and Ian Forbes discuss film remakes: “Remake, sequel, prequel, reboot, reimagining – whatever you want to call it, Hollywood does love to return to something familiar. So what makes a good remake? Is it really a bad thing to remake an old film? Is this a new […]

BBC Remake + Kevin Spacey + David Fincher = You Will Watch

The Fractured Atlas has an interesting piece on Netflix’s House of Cards, the Nutcracker, data analysis and driving new content development in the arts. And Andrew Leonard has more at Salon: “Netflix’s data indicated that the same subscribers who loved the original BBC production also gobbled down movies starring Kevin Spacey or directed by David […]

Hollywood and Industrialized Plagiarism

At Geek Juice, Josh Hadley’s “Industrialized Plagiarism” responds to a Village Voice piece, “How To Defend Quentin Tarantino.” Read them together for QT, Hollywood SOP, Harlan Ellison, homages, plagiarism and more.

Nostalgia or Awesomeness?

Was Robocop the best and most subversive action movie of the action movie’s golden period? Is there also some nostalgia at play?

Pingu’s The Thing

The Thing remade as an episode of Pingu.  

Curious about The Thing remake?

Peter Watts has an interest in the remake of The Thing (see here for why), and he has some entertaining things to say: “For one thing, there are just too many similarities between the two films for me to accept that this is truly a prequel and not just a remake. This goes beyond the […]

Cartoon Trailers!

Cartoon Network has trailers for the upcoming animated shows, ThunderCats and Legend of Korra, the sequel to Avatar: The Last Airbender as well as an extended look at Green Lantern: The Animated Series  with a short peek at the LEGO Ninja show, Ninjago.

Singham Trailer

“Don’t fuck with Bajirao Singham.” Cars roll, guns are drawn and Bajirao Singham tears a lamp post up and hits a guy with it in this trailer for Singham, a remake of the Tamil action film, Singam, directed by Hari and starring Surya Sivakumar.

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

80 Years of Genre Snubs

Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein.  Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ‘100 Years in Horror’ series.”

Let Me In: Deletion Explained

Slash Film has a deleted scene from Let Me In and video of director Matt Reeves explaining the cut.

25 Or 6 To A Better Tomorrow?

This trailer for the Korean remake of John Woo’s A Better Tomorrow has Chicago’s “25 or 6 to 4” going through my head. (thanks, brian!)

Knock, Knock

Who’s there? Why it’s the trailer for Let Me In, the American remake of Let The Right One In.

The Fog (1980) vs The Fog (2005)

October has an extensive and exquisite analysis of The Fog (1980) and The Fog (2005), ranging from the implications of the changes to the original, some tangents relating to John Carpenter’s other films and “alienation vs. connection.”  (via The Horror?!)

Science Determines the Best and Worst Genres

Science analyzes the best and worst types of genre movies. Results listed here.

I Can See Forever

It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street.

“Stupid, stupid, stupid, stupid!”

You are interested in the future, because that is where you will live and you must decide what you will do to survive Plan 9. (Thanks, Eric, for the Plan 9 from Outer Space title quote).

“The Stunning Case of the Three Gunshots”

Zhang Yimou is remaking the Coen Bros. Blood Simple, or as it will be known from now on, The Stunning Case of the Three Gunshots. (It’s going to star Sun Honglei from Mongol).

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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