As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window.
Elliott Gould and Michael Connelly talk about Robert Altman’s film adaptation of The Long Goodbye. (via @cinebeats)
Actor Peter Falk has died. He was probably best known as Grandpa in The Princess Bride and Lt. Columbo in Columbo, but he worked for Frank Capra, Nicholas Ray, John Cassavetes, Wim Wenders, Robert Altman and Robert Wise. And gave probably the finest performance ever at The Dean Martin Roast. The Guardian, The Telegraph and […]
It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one.
As you might know, if you’ve read my bio here on the Gutter, I’m a partner in Ottawa’s oldest surviving cinema, The Mayfair Theatre. In August, we showed two films that on the surface have little in common: Robert Altman’s neo-noir The Long Goodbye and Woody Allen’s slapstick political parody Bananas. Obviously, though, they do […]