Diving into the fashion of Mad Men may seem a tired topic at this point, as the show rumbles into its final season. We’ve seen analysis of the clothing from stylistic, historical, and philosophical angles, and it would seem there’d be little left to say. Even the “Don is not a style icon; he’s a style dinosaur” approach that looks at how the coolest man in the room became a square was made overly obvious in the season seven premiere, when Don Draper arrives in L.A. looking more like the fabulous Megan Draper’s dad than her slick New York husband. Luckily for those of us who obsess about both television and style, however, Mad Men is a show with a deep roster of characters and things to say. Which is why I want to take a little time out to talk about the show’s worst-dressed character, and the one with whom I most closely identify: Michael Ginsberg. Continue reading…
The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window.
Elliott Gould and Michael Connelly talk about Robert Altman’s film adaptation of The Long Goodbye. (via @cinebeats)
Actor Peter Falk has died. He was probably best known as Grandpa in The Princess Bride and Lt. Columbo in Columbo, but he worked for Frank Capra, Nicholas Ray, John Cassavetes, Wim Wenders, Robert Altman and Robert Wise. And gave probably the finest performance ever at The Dean Martin Roast. The Guardian, The Telegraph and […]
It’s been just over a year since I became a partner in the Mayfair Theatre, Ottawa’s oldest operating cinema. We’ve shown a lot of films in that time (we average about 40 a month), and I’ve written the synopsis for almost every one.
As you might know, if you’ve read my bio here on the Gutter, I’m a partner in Ottawa’s oldest surviving cinema, The Mayfair Theatre. In August, we showed two films that on the surface have little in common: Robert Altman’s neo-noir The Long Goodbye and Woody Allen’s slapstick political parody Bananas. Obviously, though, they do […]