At Bleeding Cool, Cap Blackard writes about the contested homeworld of Howard the Duck. “If you’ve seen the much maligned Howard the Duck film or read any Howard the Duck stories published since 1979, you’re probably familiar with the concept of Duckworld. You know, an alternate Earth where everyone is ducks and everything is duck-themed: Ducktor Strange, Bloomingducks, etc, etc. Sounds like a recipe for a finite barrel of bad jokes, right? It is, and it’s also not Howard’s real point of origin. During his landmark initial run, Howard’s creator Steve Gerber had the down-and-out duck hailing from a world of talking animals, but all that changed when Gerber was kicked off the book and Disney flashed a lawsuit. Now, after decades of backstory fumbling, Mark Waid has reinstated Howard’s point of origin in a one-shot issue of S.H.I.E.L.D.” (Thanks, Mark!)
I just finished re-reading A Game of Thrones, George R.R. Martin’s first volume in his (currently very hot) fantasy series, and I quite enjoyed it. Looking back on my notes from my first read-through ten years ago, I was startled to discover that I found it ho-hum and/or offensive! What gives?
It’s one of the most successful fantasy series of all time, and the author died while writing the twelfth and final volume. What to do? The show must go on, but who would want to take time out from their own work to finish the damn thing? A young writer named Brandon Sanderson said goodbye […]
Some words for Robert Jordan’s passing, and on the series he left unfinished: “Jordan stretched his ambitious tale even further, to a dozen books, until it was not just a Dark Tower but a literary Tower of Babel possessing all of the attendant frenzied hubris such an analogy demands.”
I know of many fantasy readers (myself sometimes included) who pick what book to read next based on how long it is – for epic fantasies, the longer the better. Books like this are a huge commitment though, and so for a lot of people, the fact that Jonathan Strange & Mr Norrell is over […]