The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Jizztastic!

You read about it here (and here) and now you can have it all to yourself, former Gutter movie editor Robin Bougie’s XXX movie, The Cumming of Jizzus. Check out Robin’s blog for more info.

Saving the Fox

The CBC interviews former Gutter Movie Editor Robin Bougie about Vancouver’s famous and endangered grindhouse palace, The Fox. (He wrote an article about the Fox and the Venus–read it here).

The Cumming Of Jizzus – Scene 2 Set Diary

In thy kingdom, he cums!

The relatively short 4 hour shoot for the first scene of this triple XXX bible story provided some very exciting results, but how would scene two of THE CUMMING OF JIZZUS play out? Well, it took a while to get started since the first snowstorm of the season in Vancouver held up our performers, and […]

Jizzus Set Diary, Day One

Witnessing the res-Errection

This past Saturday (November 11th 2006) was a day at least 4 months in the making. It was somewhere about that long since scriptwriter Karina Jordi provided us with the script/idea we’d need to roll this project in motion, and investors had been nailed down. The project? Cinema Sewer presents: THE CUMMING OF JIZZUS.

Van Comics

The eyes have it

I was in Vancouver a few weeks back, mostly for kicks but also to sample the local comics scene. There’s more to it than Marc Bell, whose playfully obtuse strips and illustrations get most of the attention. Nicknamed Vansterdam for its tolerance of all things herbal, Vancouver has long mined its health-conscious hippiedom for excellent […]

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  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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