The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

End of the Year at Too Busy Thinking About My Comics

Colin Smith exhaustively examines the best and worst in comics in 2011 including thoughts on comics such as, Thor: Mighty Avenger, Journey Into Mystery, and League of Extraordinary Gentlemen: 1969, as well as pondering “The Death of Narrative Comics” and the DC reboot. A deeply thoughtful read.

Summer Fun Time Reading ’11

It’s summer time and instead of beer bottles exploding out of coolers in a shower of refreshing ice, bikini-clad hotties and fireworks as we know it should be, everything is wilting and perhaps even melting. As far as I can tell there are only two possible explanations—Hot Lava Monsters have readjusted the earth’s thermostat to […]


muppet sherlock holmes 80.jpg

“We have in our police reports realism pushed to its extreme limits, and yet the result is, it must be confessed, neither fascinating nor artistic.”—Arthur Conan Doyle, “A Case of Identity.” When I wrote about Sherlock Holmes and Kolchak: The Night Stalker: Cry of Thunder, I wrote that I picked up that comic because of […]

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  • Of Note Elsewhere

    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


    ‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess the Western sci-fi futures we have internalized. These processes are discussed by Native scholars such as Grace Dillon (Anishinaabe) as “Indigenous futurisms.”’ Read more of William Lempert’s piece here and make sure click through to see trailers and films. (via @DarkMattersProj)


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