Last April, I wrote about my first foray into anime. I had a great time with it, and my successful venture had a of couple unintended side-effects. For one thing, I enjoyed that first series so much that I tried another, then another, then many more (which led to me finally figuring out how to make Netflix play it in Japanese. Hurrah, technological success!). And then, when my choices narrowed down to only shows I didn’t want to watch, I began to read manga instead. Continue reading…
This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. Carol Borden draws out the best in comics, Chris Szego dallies with romance, alex MacFadyen stares deeply into the screen and Keith Allison probes science fiction.
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Over the past several months I’ve been working my way through all of Pendleton Ward‘s Adventure Time, in part because it comes in 11 minute segments that are easy to squeeze into tiny cracks of spare time, but mostly because it’s awesome. There are lots of things to love about it – the humor, the weirdness, the clever allusions to art and literature – but I think the thing I enjoy most is how creatively they play with narrative. Watching all of the ideas they’re able to explore by ignoring the usual boundaries of time, space and consequences makes me realize how limiting conventions can be. Continue reading…
This week, Guest Star David Foster writes about how an Australian pulp thriller is altered when it was published in the United States as part of the Mysterious Order of the Skeleton Suit‘s Swapathon. Comics Editor Carol will be back in April.
There are many elements that made up the counter culture movement of the Sixties and Seventies. One of the most important of these elements was the Civil Rights Movement, whose aim was equality no matter what race, colour, creed or religion. While that fight continues to this day, in early 1967 a story was released that showcased the changing social values the civil rights movement had brought about.
In Australia, that story was released as Black Napoleon, penned by veteran Australian author J.E. Macdonnell. Macdonnell already had a substantial following with his numerous navy action books, but the sixties spy boom saw him scribing a series of espionage titles featuring an agent for Intertrust, Mark Hood. Black Napoleon (Horwitz Publications) was the seventh title in the Hood series. Continue reading…
Category: Guest Star
I once read an interview with a man who was involved in some of the bloodiest fighting during the Vietnam war. This particular battle he fought, watching friends and compatriots killed while he and they tried to kill in return, and then a day or two after it was over, so was his tour of duty. Within 72 hours, he went from foxholes and firefights to standing on the tarmac of an airport back in Oklahoma or Missouri or wherever it was he was from. Within 72 hours, he went from combat to needing a lift into town, where he would have to find a job and pick up civilian life as if nothing had changed. He had been trained, if somewhat haphazardly, for the war. He had not been trained, however, for it to end.
I have no idea if his story was true, but it was certainly true for someone. Continue reading…
The trouble with endings, of course, is that they are really difficult to do well. I’ll try to take that warning to heart myself, since this piece will be my last for The Cultural Gutter. And what better way to wrap up a really fun time on a neat project than to look at endings!
Deceased author Roger Zelazny has a new book out, reaching us all the way from the year 1971. (via SF Signal)
Now for some obvious advice: don’t start a ten book series by reading book 8! I was well aware of this when I was a kid and I happened to pick up the eighth book in Roger Zelazny’s Amber series. But I didn’t have money to buy lots of books back then, and my local […]
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Of Note Elsewhere
Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.
At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.
Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.
Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”