The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“33 Years of Great Comics”

Grumpy Old Fan remembers Karen Berger’s tenure at Vertigo and DC comics. “In more than 30 years, first as a DC Comics editor and then as head of Vertigo, Berger helped to transform the comics industry by shepherding some of the most acclaimed and beloved series in recent memory. Swamp Thing, Hellblazer, The Sandman and […]

Profile of Jill Thompson

TimeOut Chicago profiles comics creator Jill Thompson. Thompson’s the creator of Scary Godmother and co-collaborator with Evan Dorkin on Beasts of Burden. “Thompson’s dad started buying comics for her, first Archie, then superhero stories. ‘That was like my crack,’ she says. ‘What did I have in my little nerd-girl schoolbag? Spider-Man, X-Men, Conan the Barbarian. […]

Spider-Man and Torture

Colin Smith and Mark White write on Spider-Man, torture and character in response to Spider-Man’s torturing Sandman.  Colin has more on the response to his piece as well. Like this:Like Loading…

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  • Of Note Elsewhere

    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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