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The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Metropolis Magazine

Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]“

Vintage Ninja

Vintage Ninja offers, “A 1962 Point of View” on “ninjutsu”–including covers and pages from an out of print copy of Jay Gluck’s Zen Combat. My favorite line, “The ninja never swaggered.”

Muckey Spleen’s The Bloody Drip

Walt Kelly presents Pogo‘s Albert Alligator in Muckey Spleen’s The Bloody Drip,  “a Publication of the New National Treasury of World Culture.”

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.”

Scans of Man Gataro’s Art

Pages from comic artist/mangaka Man Gataro’s Jigoku Koshien / Battlefield Baseball, vol. 2 at The Joseph Luster Report.

Captain 3-D Page by Jack Kirby, Mort Meskin and Joe Simon

Seven scans of one Captain 3-D page, pencils by Jack Kirby, inks by Mort Meskin.  

RIP, Joe Kubert

Comics creator, educator and founder of The Kubert School, Joe Kubert has died.  The Beat has an obituary.  NPR’s Monkey See has an appreciation with links to many others, including a gallery of Kubert’s comics covers. The New York Times has a slide show including pictures of his workspace and his original art.  Here he [...]

“Great Changes After The Liberation”

ChinaSmack has scans of of a 1950 propaganda comic predicting China’s future. “From the portrayal of working class hardship, to unaffordable housing, to foreigners behaving as they please in China, the problems of pre-liberation China seems to remain very much relevant even to this day.” (via @paleofuture)

“As Told To Stan Lee”

Dedicated to romance comics–especially Marvel romance comics–As Told To Stan Lee shares panels of shirtless men and bikini-clad ladies in love. (Thanks, Keith!)

The Power of Paper!

Artist Yusuke Murata displays the awesome power of paper in an amazing comic about an artist avoiding his work.  (Thanks, Andrew!)

Wonder Woman vs. Xena

Beau Smith tells the story of the Wonder Woman vs. Xena comic that never came to be–with snippets of his script and pages of Eduardo Barreto’s art. (via DCWomenKickingAss)

The Story of Negro Romance

History Detectives has 13 pages of, “Possessed, ” a story from a comic, Negro Romance. Watch the segment  to learn more about the history African-Americans in comics, how the comic represents changes in American society after World War II and the creators of Negro Romance.  (There is also a link to the full 55 minute [...]

Michael Corleone Kills the Turk

Page 152 from Francis Ford Coppola’s marked up copy of Mario Puzo’s novel, The Godfather.  The Atlantic has kindly provided a link to the relevant scene from the film. I can’t help noticing that Coppola takes notes with a ruler.  

Moebius’ “Le Monde d’Edena”

Halcyon Realms looks at a Japanese collection of French comic artist Moebius’ series, Le Monde d’Edena.

Archie Meets KISS Preview

Comic Book Resources has a preview of Archie Meets KISS, another creative comic from Archie, which recently announced Kevin Keller’s wedding to Clay Walker and published an ambitious parallel timeline story where Archie was married to Betty in one life and Veronica in another. For their part, KISS has been in comic storylines since the [...]

Jaws Retold as a Comic Strip

Charles Forsman adapts Jaws to the world of Charles Schulz’ Peanuts.

The Creature in the Black Bog

In honor of Steve Ditko’s birthday, The Belated Nerd has posted Steve Ditko and Stan Lee’s “The Creature in the Black Bog” from Tales of Suspense #23

25 Horror Comics Proving Wertham Right (Not Really)

Over at Dork Forty, Mark puts up a gallery of harrowing pre-Comics Code horror comics: “In spite of Frederick Wertham’s claims in his legendary anti-funnybook screed Seduction of the Innocent, reading lurid comics featuring gruesome images of horror is cathartic, natural, and (most important) fun! For the whole damn family!  But, man. Sometimes, when I’m browsing [...]

It’s the Hummingbird-Whale that puts it over the top…

More “classic” cover art at Good Show Sir: “OK, I want a triad of spiritual guru, alien Venus, and bull-man, linked by a strip of computer punch tape (futuristic!).  Also, it must have a hummingbird-whale.  I insist.”

Good-bye, Oracle. Hello, Batgirl.

Comics Alliance says good-bye to Barbara Gordon as Oracle and hello her as Batgirl in the DC relaunch, with some nice art by Phil Noto.

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  • Of Note Elsewhere

    This tumblr collects many bad jokes kids have invented.

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    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

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    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

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    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

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    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

    ~

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