The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Adventures of Mr. Obadiah Oldbuck”

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The Dartmouth College Library ahs scans of the oldest extant comic book, Rodolphe Töpffer’s “The Adventures of Mr. Obadiah Oldbuck” (1837). (via @SoxOnTheBrain)

So Much Art

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So much art available for your browsing pleasure as the Smithsonian puts 40,000 pieces of Asian art from the Freer and Saeckler Collection online.

“A Christmas Carol,” with Illustrations by John Leech

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Project Gutenberg has a copy of Charles Dickens’ “A Christmas Carol” complete with scans of the cover and John Leech’s illustrations from the first edition.

A Collection of Calaveras

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The Library of Congress has scans of José Guadalupe Posada broadsheet illustrations, including many calaveras for your enjoyment!

Art History, Digitized

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The Princeton University Digital Library has digitized three Seventeenth Century Japanese illustrated scrolls and you can view them here. Meanwhile, 100,000 images from Getty Research Institute are now available at the Digital Library of America. (via @BibliOdyssey)

RIP, Stan Goldberg

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Comic Artist Stan Goldberg has died. Best known for his work on Archie Comics, Goldberg also worked for Marvel and DC. He drew romance comics including Patsy Walker and Millie the Model. He worked on Archie Meets The Punisher. And recently he drew Nancy Drew and the Clue Drew.  Comic Book Resources, The Comics Beat […]

Wallace Wood’s The Horror Of Party Beach

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Last night, the Drive-In Mob watched The Horror Of Party Beach (1964) together and Mobster @Kinetograph shared this Wallace Wood and Russ Jones fumetti / photo comic adaptation of the same.

“The World of Kamandi”

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Comic Book Cartography has Jack Kirby’s map of “The World of Kamandi.” (Thanks, Lt. Wilkes!)

“Star Wars: The Marvel Comics Years”

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The Superhero Satellite has an overview of Marvel’s Star Wars comics–with a pretty sweet gallery. (via @BlackHoleMovies)

“Martin Luther King & The Montgomery Story” Comic

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A complete digital edition of  Martin Luther King & The Montgomery Story (1956), the comic that inspired Rep. John Lewis to pursue nonviolence and social justice.

One Million Images

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“The British Library has uploaded one million public domain scans from 17th-19th century books to Flickr!” (Thanks, Kate!)

Mary Shelley’s Frankenstein Manuscripts

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The Shelley-Godwin Archive has posted all available manuscripts of Mary Shelley’s Frankenstein. Open Culture has a little more context–and a nice engraved frontispiece, “Frankenstein’s Creature,” made by W. Chevalier and T. Holst for the 1831 edition.

“Steve Ditko Out Of This World Megapost”

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Celebrate comics artist and creator Steve Ditko’s birthday with this gallery of his work for <i>Out Of This World</i>.

A History of Codex Seraphinianus

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Abe Books has a look inside Codex Seraphinianus, as well as some of its publication history. Dangerous Minds interviews publisher, Charles Miers.

Metropolis Magazine

Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]”

Vintage Ninja

Vintage Ninja offers, “A 1962 Point of View” on “ninjutsu”–including covers and pages from an out of print copy of Jay Gluck’s Zen Combat. My favorite line, “The ninja never swaggered.”

Muckey Spleen’s The Bloody Drip

Walt Kelly presents Pogo‘s Albert Alligator in Muckey Spleen’s The Bloody Drip,  “a Publication of the New National Treasury of World Culture.”

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.”

Scans of Man Gataro’s Art

Pages from comic artist/mangaka Man Gataro’s Jigoku Koshien / Battlefield Baseball, vol. 2 at The Joseph Luster Report.

Captain 3-D Page by Jack Kirby, Mort Meskin and Joe Simon

Seven scans of one Captain 3-D page, pencils by Jack Kirby, inks by Mort Meskin.  

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  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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