The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Adventures of Mr. Obadiah Oldbuck”

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The Dartmouth College Library ahs scans of the oldest extant comic book, Rodolphe Töpffer’s “The Adventures of Mr. Obadiah Oldbuck” (1837). (via @SoxOnTheBrain) Like this:Like Loading…

So Much Art

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So much art available for your browsing pleasure as the Smithsonian puts 40,000 pieces of Asian art from the Freer and Saeckler Collection online. Like this:Like Loading…

“A Christmas Carol,” with Illustrations by John Leech

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Project Gutenberg has a copy of Charles Dickens’ “A Christmas Carol” complete with scans of the cover and John Leech’s illustrations from the first edition. Like this:Like Loading…

A Collection of Calaveras

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The Library of Congress has scans of José Guadalupe Posada broadsheet illustrations, including many calaveras for your enjoyment! Like this:Like Loading…

Art History, Digitized

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The Princeton University Digital Library has digitized three Seventeenth Century Japanese illustrated scrolls and you can view them here. Meanwhile, 100,000 images from Getty Research Institute are now available at the Digital Library of America. (via @BibliOdyssey) Like this:Like Loading…

RIP, Stan Goldberg

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Comic Artist Stan Goldberg has died. Best known for his work on Archie Comics, Goldberg also worked for Marvel and DC. He drew romance comics including Patsy Walker and Millie the Model. He worked on Archie Meets The Punisher. And recently he drew Nancy Drew and the Clue Drew.  Comic Book Resources, The Comics Beat […]

Wallace Wood’s The Horror Of Party Beach

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Last night, the Drive-In Mob watched The Horror Of Party Beach (1964) together and Mobster @Kinetograph shared this Wallace Wood and Russ Jones fumetti / photo comic adaptation of the same. Like this:Like Loading…

“The World of Kamandi”

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Comic Book Cartography has Jack Kirby’s map of “The World of Kamandi.” (Thanks, Lt. Wilkes!) Like this:Like Loading…

“Star Wars: The Marvel Comics Years”

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The Superhero Satellite has an overview of Marvel’s Star Wars comics–with a pretty sweet gallery. (via @BlackHoleMovies) Like this:Like Loading…

“Martin Luther King & The Montgomery Story” Comic

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A complete digital edition of  Martin Luther King & The Montgomery Story (1956), the comic that inspired Rep. John Lewis to pursue nonviolence and social justice. Like this:Like Loading…

One Million Images

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“The British Library has uploaded one million public domain scans from 17th-19th century books to Flickr!” (Thanks, Kate!) Like this:Like Loading…

Mary Shelley’s Frankenstein Manuscripts

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The Shelley-Godwin Archive has posted all available manuscripts of Mary Shelley’s Frankenstein. Open Culture has a little more context–and a nice engraved frontispiece, “Frankenstein’s Creature,” made by W. Chevalier and T. Holst for the 1831 edition. Like this:Like Loading…

“Steve Ditko Out Of This World Megapost”

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Celebrate comics artist and creator Steve Ditko’s birthday with this gallery of his work for <i>Out Of This World</i>. Like this:Like Loading…

A History of Codex Seraphinianus

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Abe Books has a look inside Codex Seraphinianus, as well as some of its publication history. Dangerous Minds interviews publisher, Charles Miers. Like this:Like Loading…

Metropolis Magazine

Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]” Like this:Like Loading…

Vintage Ninja

Vintage Ninja offers, “A 1962 Point of View” on “ninjutsu”–including covers and pages from an out of print copy of Jay Gluck’s Zen Combat. My favorite line, “The ninja never swaggered.” Like this:Like Loading…

Muckey Spleen’s The Bloody Drip

Walt Kelly presents Pogo‘s Albert Alligator in Muckey Spleen’s The Bloody Drip,  “a Publication of the New National Treasury of World Culture.” Like this:Like Loading…

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.” Like this:Like Loading…

Scans of Man Gataro’s Art

Pages from comic artist/mangaka Man Gataro’s Jigoku Koshien / Battlefield Baseball, vol. 2 at The Joseph Luster Report. Like this:Like Loading…

Captain 3-D Page by Jack Kirby, Mort Meskin and Joe Simon

Seven scans of one Captain 3-D page, pencils by Jack Kirby, inks by Mort Meskin.   Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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