The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Wallace Wood’s The Horror Of Party Beach

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Last night, the Drive-In Mob watched The Horror Of Party Beach (1964) together and Mobster @Kinetograph shared this Wallace Wood and Russ Jones fumetti / photo comic adaptation of the same.

“The World of Kamandi”

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Comic Book Cartography has Jack Kirby’s map of “The World of Kamandi.” (Thanks, Lt. Wilkes!)

“Star Wars: The Marvel Comics Years”

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The Superhero Satellite has an overview of Marvel’s Star Wars comics–with a pretty sweet gallery. (via @BlackHoleMovies)

“Martin Luther King & The Montgomery Story” Comic

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A complete digital edition of  Martin Luther King & The Montgomery Story (1956), the comic that inspired Rep. John Lewis to pursue nonviolence and social justice.

One Million Images

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“The British Library has uploaded one million public domain scans from 17th-19th century books to Flickr!” (Thanks, Kate!)

Mary Shelley’s Frankenstein Manuscripts

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The Shelley-Godwin Archive has posted all available manuscripts of Mary Shelley’s Frankenstein. Open Culture has a little more context–and a nice engraved frontispiece, “Frankenstein’s Creature,” made by W. Chevalier and T. Holst for the 1831 edition.

“Steve Ditko Out Of This World Megapost”

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Celebrate comics artist and creator Steve Ditko’s birthday with this gallery of his work for <i>Out Of This World</i>.

A History of Codex Seraphinianus

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Abe Books has a look inside Codex Seraphinianus, as well as some of its publication history. Dangerous Minds interviews publisher, Charles Miers.

Metropolis Magazine

Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]“

Vintage Ninja

Vintage Ninja offers, “A 1962 Point of View” on “ninjutsu”–including covers and pages from an out of print copy of Jay Gluck’s Zen Combat. My favorite line, “The ninja never swaggered.”

Muckey Spleen’s The Bloody Drip

Walt Kelly presents Pogo‘s Albert Alligator in Muckey Spleen’s The Bloody Drip,  “a Publication of the New National Treasury of World Culture.”

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.”

Scans of Man Gataro’s Art

Pages from comic artist/mangaka Man Gataro’s Jigoku Koshien / Battlefield Baseball, vol. 2 at The Joseph Luster Report.

Captain 3-D Page by Jack Kirby, Mort Meskin and Joe Simon

Seven scans of one Captain 3-D page, pencils by Jack Kirby, inks by Mort Meskin.  

RIP, Joe Kubert

Comics creator, educator and founder of The Kubert School, Joe Kubert has died.  The Beat has an obituary.  NPR’s Monkey See has an appreciation with links to many others, including a gallery of Kubert’s comics covers. The New York Times has a slide show including pictures of his workspace and his original art.  Here he […]

“Great Changes After The Liberation”

ChinaSmack has scans of of a 1950 propaganda comic predicting China’s future. “From the portrayal of working class hardship, to unaffordable housing, to foreigners behaving as they please in China, the problems of pre-liberation China seems to remain very much relevant even to this day.” (via @paleofuture)

“As Told To Stan Lee”

Dedicated to romance comics–especially Marvel romance comics–As Told To Stan Lee shares panels of shirtless men and bikini-clad ladies in love. (Thanks, Keith!)

The Power of Paper!

Artist Yusuke Murata displays the awesome power of paper in an amazing comic about an artist avoiding his work.  (Thanks, Andrew!)

Wonder Woman vs. Xena

Beau Smith tells the story of the Wonder Woman vs. Xena comic that never came to be–with snippets of his script and pages of Eduardo Barreto’s art. (via DCWomenKickingAss)

The Story of Negro Romance

History Detectives has 13 pages of, “Possessed, ” a story from a comic, Negro Romance. Watch the segment  to learn more about the history African-Americans in comics, how the comic represents changes in American society after World War II and the creators of Negro Romance.  (There is also a link to the full 55 minute […]

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  • Of Note Elsewhere

    At Graveyardshift Sisters, Ashlee Blackwell writes about the complexity of Blaxploitation horror. “What is visceral, real to the fears of the oppressed, ignored, and patronized are often symbols of empowerment, showing true courage in the face of what’s on the screen and everyday circumstances to see a character figure who takes on the world. Whether that attempt is successful or not, Pandora’s Box of possibilities can flourish.”

     

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    At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female as a werewolf to help us consider past attempts and possibly encourage future narratives.”

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    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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