The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Greil Marcus SVA Commencement Speech

At the School of Visual Art, Greil Marcus delivers a commencement speech discussing “high art” vs. “low art,” art, and influence. (Thanks, Andrew!) Like this:Like Loading…

“Persepolis is aimed in part at kids”

“[Persepolis is] aimed in part at kids–not despite the fact that it includes charged material, but because it does. Satrapi shows herself, as a child and then as a young woman, dealing with violence, with sexuality–with moving away from her parents, and failing, and trying again….But even if their exact experiences don’t map onto hers, […]

Favorite Film Discoveries of 2012

The Movie Morlocks’ R. Emmet Sweeney shares his favorite film discoveries of 2012. Like this:Like Loading…

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for). Like this:Like Loading…

Late Bloomer

Sex ed goes a little Lovecraftian in Craig Macneill’s “Late Bloomer.” (Thanks, Molly!) Like this:Like Loading…

The Dead Kid Detective Agency Review

Ned Kelly, age 14, reviews, The Dead Kid Detective Agency, by Gutter Guest Star (and interviewee), Evan Munday.  Also, Kirkus reviews it, but Kirkus isn’t 14 years old. Like this:Like Loading…

Fandom is Magic

In the year 2001 I discovered a magical world. Not Harry Potter (that was a few years later) and not the Internet (although it was responsible), but a world that captured my attention and hasn’t let go ten years later. It has to do with fanfiction; unpaid fiction that is written by fans of a […]

“Herbert West, Re-Animator” Part 1 and 2

Miguel Rodriguez reads “Herbert West, Re-Animator” at the Monster Island Resort Podcast–with illustrations by the Gutter’s Comics Editor, Carol Borden. Part 1 and Part 2 are already up. Like this:Like Loading…

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

LEGO Harry Potter Trailer

Gamers and Harry Potter fans rejoice! It’s the LEGO Harry Potter trailer! (thanks, Dan!) Like this:Like Loading…

10 Comics I Liked in 2009

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It’s that time of year when writers list the year’s best things. This year, some people are listing the decade’s best. And, oh, my temples ache because if there’s someone who manages to read every comic every year for a decade, let alone every comic setting fans a-twitter, that someone’s not me. Like this:Like Loading…

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  • Of Note Elsewhere

    Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more.

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    There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.

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    This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

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    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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