The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Projection Booth watches Alien 3

Mike White, Rob St. Mary and Cinema Snob’s Brad Jones explore the mystery of Alien 3 and its production at The Projection Booth. “We talked to Vincent Ward who brought the idea of ‘monks in space’ to the game and the late John Fasano who worked on a few drafts of the Alien 3 script. […]

“Frank Rudolph Paul’s Life On Other Planets”

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Juxtapoz Magazine has a gallery of Frank Rudolph Paul’s science fiction illustrations, 1936-9.

Armada and Nostalgia as an Endless Lullaby

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At Slate, Laura Hudson writes about Ernest Cline’s new book, Armada; gaming and greater geek culture; and the perils of nostalgia. “Do we want to tell stories that make sense of the things we used to love, that help us remember the reasons we were so drawn to them, and create new works that inspire […]

Eiji Tsuburaya Made Godzilla Come Alive–And It Changed Film Forever”

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At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]

Summer Fun Time Reading ’15

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The Summer Solstice is nearly upon us, and I’m sure you all have your wicker men (or factionalist bee helmets) nearly done and your bonfire safely planned. (Remember, Lord Summerisle recommends nude leaping as the crucial component in bonfire safety). And just in time for the arrival of summer, I have a short selection of […]

“The Vancouver Forest That Has Been Every Wooded Location On X-Files

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“The truth is out there… probably somewhere in Vancouver.” Atlas Obscura travels to British Columbia’s Lower Seymour Conservation Reserve to share all the locations where X-Files shot in the woods.

Mad Max: Fury Road Makes Your Rape Arguments Invalid”

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At Smart Bitches Trashy Books, Carrie S. has some thoughts about the depiction of rape in fiction and how George Miller’s Mad Max: Fury Road gets it right. “If ever a movie seemed tailor-made to include a rape scene, it’s this one, an R-rated movie with rape at its core. Yet the director, George Millar, […]

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

“We Are Not Things: Mad Max vs Game Of Thrones”

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At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches […]

“A History of Race in Science Fiction Films”

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Graveyard Shift Sisters reviews Adilifu Nama’s Black Space: Imagining Race in Science Fiction Film and looks at the history of race in science fiction films from teh 1950s to the present. “Adilifu Nama concocted a thorough read that blends a critical look at science fiction cinema’s milestone works in conjunction with American sociopolitical history, specifically […]

“I should’ve listened to the robots”

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Swell songs on disreputable topics: “Gom Jabbar “ by Chica Non Grata and “Bad Clone” by Victoria Squid.

Interview with Joanna Russ

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The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in […]

“Space Is The Place: AfroFuturism On Film”

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At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more […]

On The BBC: The Left Hand Of Darkness

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BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

George R.R. Martin on the Hugos

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Game Of Thrones author George R. R. Martin has written a series of posts on the current state of the Hugo Awards and the nomination process.

Logan’s Run at The Projection Booth

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Our friends at the Projection Booth watch Logan’s Run and they interview authors of the original novel, William F. Nolan and George Clayton Johnson. Listen here.

I Remember You

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When Screen Editor alex was recovering from surgery last year, we watched a bunch of episodes of Adventure Time together. We skipped the episode “I Remember You” because I just couldn’t watch it again without crying. It is one of the best episodes of the show. It is also one of the best depictions of […]

Essential Crew

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This month’s Guest Star is the excellent Kaitlin Tremblay. Content Warning: self-harm, emotional abuse My roommate and I are obnoxious in the way that only best friends who live together can be. We have more inside jokes than books we’ve read (and as two girls who work in publishing and with five degrees in subjects […]

RIP, Leonard Nimoy

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Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A […]

Mucking Up The Respectable Comics Business

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I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]

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  • Of Note Elsewhere

    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

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    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

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    Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with the Gavlak exhibition), Yeager had an influence on a generation of artist-photographers including Diane Arbus and Cindy Sherman. Arbus even went as far to call her ‘The world’s greatest pin-up photographer.'” (Thanks, Stephanie!)

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    Arch Daily has a gallery of images of remarkable sandcastles built by Calvin Seibert. Smithsonian Magazine has more, including a 2012 interview with Seibert about his work. (via @lordwoolamaloo)

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    While playing Batman: Arkham Knight, Austin Walker wants to walk the streets of Gotham. “There are lots of different kinds of Batman fantasies–and I’m not looking to invalidate any of them–but throughout this four game series, the developers have largely given me the same one over and over. For once, I want a Batman game where I’m compelled to save the day not because of abstract threats, damsels in distress, or a desire for personal vengeance, but because the beauty of Gotham City compels me to protect it. Instead, I’m left for the fourth time with Batman and his playground.”

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    At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most extreme. That does not mean that it is any less fascinating than, nor nearly enchanting as, films like The Stolen Airship and Cesta do Praveku/Journey to the Beginning of Time. It only means that there is a vague miasma of obsession that threads through the movie’s general air of wonderment.” (The Gutter’s own Keith has posted images from Karel Zeman’s work here).

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