The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Thunderbirds meet “The Abominable Snowman”

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Look, it’s the trailer for “The Abominable Snowman” a new episode of classic Thunderbirds. Huffington Post UK has more: “It’s exactly half a century since we heard the ominous tones of voice actor Peter Dyneley bringing us the Thunderbirds intro ‘5 -4 – 3 – 2 -1 Thunderbirds are go’, and to celebrate, the team […]

An Ode To Dana Scully

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At The Toast, Laura Sook Duncombe shares, “An Ode To Dana Scully.” Scully was the hero my pre-adolescent heart craved. Watching the show for the first time was like arriving at a place I’d never been but instantly knew as home.”

“What If Pam Grier Was Ripley In The Alien Films?”

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Peter Stults created three posters for Alien, Aliens and Alien 3 starring Pam Grier as Ellen Ripley. (via @DarkMattersProj)

Return To The Planet Of Monkeys vs. Robots

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It’s time to return to a question I first confronted five years ago in  “A Matter of Evolution: Monkeys vs. Robots” and faced again in“Terror of Monkeys vs. Robots.”  The eternal question of Monkeys vs. Robots. Not just who would win in a fight. That question has been ably considered by James Kolchaka in Monkey […]

“Sci-Fi’s Difficult Genius”

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The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it […]

Bitch Planet Studies Exploitation With Exploitation”

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At Sequential Art, Ian Dawe writes about Kelly Sue Deconnick and Valentine de Landro’s comic, Bitch Planet. “The first thing to understand about this comic is that it’s a deep homage to 1970s science fiction, sports movies and exploitation pornography. Artist Valentine De Landro uses the visual language of films like 1974’s Caged Heat, but […]

Interview with Ursula K. Le Guin

The New York Times Sunday Book Review has an interview with author Ursula K. Le Guin. “I read mostly novels, any kind of novels, and poetry, and all kinds of nonfiction, especially some kinds of science, biographies, some history, and books about and by Native Americans, and Tierra del Fuego, and Darwinian adaptation — oh, […]

“Who Was Jack Kirby’s Darkseid?”

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At Too Busy Thinking About My Comics, Colin Smith begins an in-depth look at Jack Kirby’s most anti-life creation, Darkseid. “What follows is my attempt to work out the character of Kirby’s Darkseid during those two wonderful years in the early 1970s, when DC Comics had handed The King four spaces in their publishing schedule […]

Mark Hamill’s Sassy Autographs

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There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

The Projection Booth watches Alien 3

Mike White, Rob St. Mary and Cinema Snob’s Brad Jones explore the mystery of Alien 3 and its production at The Projection Booth. “We talked to Vincent Ward who brought the idea of ‘monks in space’ to the game and the late John Fasano who worked on a few drafts of the Alien 3 script. […]

“Frank Rudolph Paul’s Life On Other Planets”

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Juxtapoz Magazine has a gallery of Frank Rudolph Paul’s science fiction illustrations, 1936-9.

Armada and Nostalgia as an Endless Lullaby

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At Slate, Laura Hudson writes about Ernest Cline’s new book, Armada; gaming and greater geek culture; and the perils of nostalgia. “Do we want to tell stories that make sense of the things we used to love, that help us remember the reasons we were so drawn to them, and create new works that inspire […]

Eiji Tsuburaya Made Godzilla Come Alive–And It Changed Film Forever”

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At Vox, Phil Edwards profiles special effects master Eiji Tsuburaya and interviews August Ragone about Tsuburaya’s career. “A director, cinematographer, and producer, Tsuburaya is best known for creating the special effects behind Japanese classics like Godzilla (1954), Mothra (1961), and many other films where the giant monsters called kaiju terrorize the good people of Tokyo. […]

Summer Fun Time Reading ’15

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The Summer Solstice is nearly upon us, and I’m sure you all have your wicker men (or factionalist bee helmets) nearly done and your bonfire safely planned. (Remember, Lord Summerisle recommends nude leaping as the crucial component in bonfire safety). And just in time for the arrival of summer, I have a short selection of […]

“The Vancouver Forest That Has Been Every Wooded Location On X-Files

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“The truth is out there… probably somewhere in Vancouver.” Atlas Obscura travels to British Columbia’s Lower Seymour Conservation Reserve to share all the locations where X-Files shot in the woods.

Mad Max: Fury Road Makes Your Rape Arguments Invalid”

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At Smart Bitches Trashy Books, Carrie S. has some thoughts about the depiction of rape in fiction and how George Miller’s Mad Max: Fury Road gets it right. “If ever a movie seemed tailor-made to include a rape scene, it’s this one, an R-rated movie with rape at its core. Yet the director, George Millar, […]

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

“We Are Not Things: Mad Max vs Game Of Thrones”

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At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches […]

“A History of Race in Science Fiction Films”

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Graveyard Shift Sisters reviews Adilifu Nama’s Black Space: Imagining Race in Science Fiction Film and looks at the history of race in science fiction films from teh 1950s to the present. “Adilifu Nama concocted a thorough read that blends a critical look at science fiction cinema’s milestone works in conjunction with American sociopolitical history, specifically […]

“I should’ve listened to the robots”

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Swell songs on disreputable topics: “Gom Jabbar “ by Chica Non Grata and “Bad Clone” by Victoria Squid.

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  • Of Note Elsewhere

    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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    Nick Den Boer and Davy Force’s The Chickening is finally available to haunt your dreams forever. (The Gutter’s own Carol posted about The Chickening on the Toronto International Film Festival’s official Midnight Madness program blog here and here).

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