Last April, I wrote about my first foray into anime. I had a great time with it, and my successful venture had a of couple unintended side-effects. For one thing, I enjoyed that first series so much that I tried another, then another, then many more (which led to me finally figuring out how to make Netflix play it in Japanese. Hurrah, technological success!). And then, when my choices narrowed down to only shows I didn’t want to watch, I began to read manga instead. Continue reading…
“Afrofuturism also goes beyond spaceships, androids and aliens, and encompasses African mythology and cosmology with an aim to connect those from across the Black Diaspora to their forgotten African ancestry.” More on Afrofuturism and its promise, here. (via @Ponderiss)
Filmmaker Bernard Glasser has died. Glasser produced films including The Day of the Triffids (1963), The Return of The Fly (1959), Crack In The World (1965) and The Thin Red Line (1964). The Hollywood Reporter, The AV Club , Giant Freakin Robot and Variety have obituaries.
It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]
Linda Holmes shares some thoughts about writing about pop culture: “Sometimes funny stories are just funny stories, and funny writing about silly things is just funny writing about silly things. But that’s not the whole story.”
At The Atlantic, Nolan Feeny writes a piece on the impact of zines, fan writers (including Steven Moffat, Paul Cornell and the new Doctor, Peter Capaldi) and fandom on Doctor Who. “If you had an opinion and wrote well, you aspired to write for the best zines, and once the gates were open to be […]
At NPR’s Monkeysee blog, Linda Holmes writes about enthusiasm, the outloud internet, broadcast television, premium cable, the Man and many things worth thinking about. “[T]here is a better way forward. Fall in love with things. Try things; dislike some of them. Love people who love things you can’t imagine loving. Be thirsty and brave. Accept […]
“No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and […]
“In his ongoing series of portraits titled, ‘Just the Two of Us,’ photographer Klaus Pitchler gained access to the homes of Austrian costume play (cosplay) enthusiasts where he photographed the elaborately costumed individuals against the backdrops of their everyday life.” See a gallery of his photographs here. (Thanks, Laura!)
The Shelley-Godwin Archive has posted all available manuscripts of Mary Shelley’s Frankenstein. Open Culture has a little more context–and a nice engraved frontispiece, “Frankenstein’s Creature,” made by W. Chevalier and T. Holst for the 1831 edition.
Celebrate comics artist and creator Steve Ditko’s birthday with this gallery of his work for <i>Out Of This World</i>.
At The AV Club, Scott Kaufman discusses editing and its unsettling effects in Donnie Darko.
The Daily Dot interviews Cecil Baldwin, the voice of the eerie podcast, Welcome To Night Vale.
At XOJane, Chaka Cumberbath demands better representation for Black girl nerds in geek culture: “We can be spunky. We can be vivacious. We can be complicated and beautiful and emotional and flawed and we might be all of those things or none of those things at all, but we deserve to be written. We deserve […]
“Sometimes I tried to imitate the pleasant songs of the birds but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me into silence again” (Frankenstein, 110). “He raised her and smiled with such kindness and affection that I felt […]
Director Bong Joon-ho confirms that the Weinstein Company will be cutting his film Snowpiercer for release in the “English-speaking territories.” Updates from Yahoo News and Variety via @NewKoreanCinema
At Popshifter, Paul Casey looks at Blade Runner, Philip K. Dick’s Do Androids Dream of Electric Sheep, Janelle Monáe’s The Electric Lady and The Weeknd’s Kiss Land. “Where The Electric Lady is uplifting and empowering, the story of a righteous dissident fighting for every wronged being in existence, Kiss Land is from the other side. […]
All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival. And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]
Do you like monsters, creatures and aliens? We sure do! Here are two galleries of conceptual designs for the Austrian horror movie, The Station / Der Blutgletscher: Part I and Part II. The art is by TOMAK and the movie is directed by Marvin Kren.
Author and Science Fiction Grandmaster Frederick Pohl has died. The Guardian has an obituary. Pohl’s blog has posted a short notice. The Library of Congress has a speech Pohl gave at Bookfest 2004. Frederick Pohl reads his story, “Day Million.”
“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]« go back — keep looking »