The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

George R.R. Martin on the Hugos

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Game Of Thrones author George R. R. Martin has written a series of posts on the current state of the Hugo Awards and the nomination process.

Logan’s Run at The Projection Booth

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Our friends at the Projection Booth watch Logan’s Run and they interview authors of the original novel, William F. Nolan and George Clayton Johnson. Listen here.

I Remember You

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When Screen Editor alex was recovering from surgery last year, we watched a bunch of episodes of Adventure Time together. We skipped the episode “I Remember You” because I just couldn’t watch it again without crying. It is one of the best episodes of the show. It is also one of the best depictions of […]

Essential Crew

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This month’s Guest Star is the excellent Kaitlin Tremblay. Content Warning: self-harm, emotional abuse My roommate and I are obnoxious in the way that only best friends who live together can be. We have more inside jokes than books we’ve read (and as two girls who work in publishing and with five degrees in subjects […]

RIP, Leonard Nimoy

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Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A […]

Mucking Up The Respectable Comics Business

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I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]

“Oya: The Coming of the Orishas”

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Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

Haphead Tweetalong

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Founding Gutter editor Jim Munroe is having a watchalong for his new cyberpunk, neo-Noir webseries, Haphead, on Feb. 15, 2015 at 4pm ET. There’s a Q&A at 5:20 pm. You can find the series here, hit play with the official Haphead Twitter account says, “Go!” and tweetalong with the hashtag #haphead. Watch the series trailer […]

“Tetrahedra of Space” and Other Frank R. Paul Covers

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Dangerous Minds has a gallery of Frank R. Paul’s pulp science fiction covers. (via Stephanie Johnson).

Turkish Flash Gordon

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At Neon Harbor’s Deja View, Ed Glaser shares the history of Turkish Flash Gordon, “Baytekin Fezada Çarpışanlar.” Watch and see “perhaps the most outrageous monster ever committed to film” and find out whether Earthlings are the best kissers.

How To Tell If You Are In High Fantasy or Soft Science Fiction

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The Toast helps you determine if you are in a high fantasy novel or a soft science fiction one.

Anything Can Happen In Riverdale

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I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]

“Aliens Are Jerks”

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The Gutter’s own Carol infiltrates Teleport City‘s limits to contribute to TC’s Space: 1999 series with her piece on aliens and what big jerks they are. “Space: 1999 taught me two valuable lessons. The first is that space is depressing and best represented by the color taupe. The second is that, with few exceptions, aliens […]

“A Sci-Fi Joan of Arc”

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At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that […]

“The Anti-Tolkien”

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The New Yorker profiles writer Michael Moorcock. Moorcock’s influence is nothing like Tolkien’s, at least on the surface, but his vision of a speculative-fiction genre that can be psychologically complex is evident in how very sophisticated some of it has become—from True Detective to Jeff VanderMeer, from David Mitchell to Under the Skin. But Moorcock […]

10 Comics I Liked In 2014

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I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]

“Krampuslauf on Space Station Omega 2-7”

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Comics Editor Carol shares a wholesome seasonal story mixing the Alpine monster Krampus in 1960s-style space opera.

Parks and Trek

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Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

RIP, Glen A. Larson

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Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood […]

“He’s the guitar string that resonates at the frequency of America”

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Danny Bowes writes about Christopher Nolan’s Interstallar, baseball and Matthew McConaughey at Letterboxd: “McConaughey is a great movie star for a number of reasons, but one of which is that the nature of his charisma derives from his singular quantum Zen surfer good old boy state of being. His charisma switch doesn’t just have one […]

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  • Of Note Elsewhere

    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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