The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Projection Booth watches Alien 3

Mike White, Rob St. Mary and Cinema Snob’s Brad Jones explore the mystery of Alien 3 and its production at The Projection Booth. “We talked to Vincent Ward who brought the idea of ‘monks in space’ to the game and the late John Fasano who worked on a few drafts of the Alien 3 script. […]

An Alien Film That Never Was

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Neil Blomkamp has been sharing concept art for his unproduced Alien film. “The idea behind the film is that everything from Alien 3 didn’t happen and it would have followed Sigourney Weaver’s Ripley & Michael Biehn’s Hicks infiltrating the Weyland Yutani corporation. Just that little synopsis and the great artwork makes me so sad that […]

Writing Nicole Perlman out of Guardians Of The Galaxy

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“If [James] Gunn’s dismissal of Perlman’s milestone [screenwriting] credit continues to go unchecked, it seems possible that Perlman’s involvement in the success of Guardians of the Galaxy will eventually be forgotten. As it is, she was not invited back for the sequel, which Gunn will write and direct on his own.” Ellen Killoran has more […]

RIP, Menahem Golan

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Producer and director Menahem Golan has died. Golan produced (and sometimes wrote and directed) many, many films including: The Delta Force (1986), Death Wish (1974), The Apple (1980), The Texas Chainsaw Massacre 2 (1986), Missing In Action (1984), Invasion U.S.A. (1985), American Ninja (1985), Lifeforce (1985), Cobra (1986), Masters of the Universe (1987) Bloodsport (1988), Breakin’ […]

RIP, Panna Rittikrai

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Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994),  Power Kids (2009),  Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all […]

An Excerpt from Resistance

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Tor has an excerpt from Resistance, the latest book by friend of the Gutter, Samit Basu: “A giant lobster rises slowly out of Tokyo Bay. It is an old-school kaiju, 300 feet long, and stands upright, its hind limbs still under water, in defiance of biology, physics and all codes of lobster etiquette.”

Kaiju Shakedown: Hopping Vampire Edition

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With the US release of Juno Mak’s Rigor Mortis, Grady Hendrix decides it’s time to revisit the hopping vampire movies of yore.

The Stephen King Universe

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This week, Science Fiction Editor Emeritus James Schellenberg returns as a Guest Star. Screen Editor alex MacFadyen will return next month. You can easily glance off the top of any book by Stephen King–get a few frights and move on. But there’s a hidden world beneath almost all of his books, and not only is […]

“Starfleet Must Be Destroyed”

At Sequart, Julian Darius makes the case that Star Trek: Into Darkness damages the Star Trek franchise and that “Starfleet must be destroyed.” (via Mike White)

The Dragonlance Chronicles: Innovative, Ubiquitous and Terribly-Written

At Pornokitsch, Jared takes a look at The Dragonlance Chronicles’ influence on contemporary fantasy: “[C]ool or not, Dragonlance has done more than almost any other post-Tolkien property in influencing fantasy. Its narrative and conceptual tropes can be found in every nook and cranny of the genre, and much of the modern low fantasy resurgence can be traced […]

“Classical Filmmaking: The Theme that Drives all of Sam Raimi’s Movies”

Matt Singer explores two elements that recur in all of Sam Raimi’s films, Pandora’s box and, “The Classic,” a 1973 Delta 88. “Using The Classic to play Uncle Ben’s car may have just been a fortuitous way for Raimi to shoehorn in his beloved trademark, but in the larger context of his career, it imbues […]

Hollywood and Industrialized Plagiarism

At Geek Juice, Josh Hadley’s “Industrialized Plagiarism” responds to a Village Voice piece, “How To Defend Quentin Tarantino.” Read them together for QT, Hollywood SOP, Harlan Ellison, homages, plagiarism and more.

RIP, Larry Hagman

Actor and director (Son of Blob) Larry Hagman has died. The Guardian has an obituary. Joe O’Shea wrote a profile on Hagman’s birthday last September, which included Hagman talking about what he wanted done with his remains: “I would like to be minced. Did you ever see Fargo, when they put the guy in the […]

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.

Henry Plinkett Reviews Star Wars Episodes I-III

Lonely serial killer and film smarty Harry S. Plinkett reviews the Star Wars prequels: The Phantom Menace, Attack of the Clones, and Revenge of the Sith. Trenchant analysis aside, current favorite segments are his love advice to Anakin and “Citizen Vader”–starts here and continues. (Trigger warning for those sensitive to ladies held captive in basements […]

Full and Uncut Interview with Alan Moore

comicbookGRRRL‘s Laura Sneddon has posted her full and uncut interview with Alan Moore.  An abridged version, “Superheroes are our visions of ourselves,” originally appeared in The Independent. Moore talks superheroes, The League of Extraordinary Gentlemen, Lost Girls and attracting a female readership.

Human Centipede 2: Say Goodnight to the Bad Guy!

This week Gutter Guest Darryl Shaw fills in for Screen Editor alex MacFadyen. “I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. […]

Worthwhile Canadian Trilogy

Two great scifi writers, Robert J. Sawyer and Robert Charles Wilson, just published concluding volumes in their respective trilogies. Other similarities: both are Canadian, both have won Hugos, and their latest books are quite intriguing.

Star Wars Episodes IV-VI Compared

Star Wars Episodes IV-VI compared, simultaneously and in their entirety. Watch while it’s available. (via August Ragone)

Future Epic

Over at Wertzone, Adam finishes up his look at David Brin’s 6-book Uplift saga: “Heaven’s Reach is, by far, the most wildly inventive of the six Uplift novels.”

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  • Of Note Elsewhere

    John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We showed that year as Barbara made the transition from broken hero to dynamic Oracle. She became a strong and much loved icon for the disabled community. In making her a hero again, Oracle allowed others to heal with her. The reader healed with her.” (via @profmdwhite)

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    deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)

     

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    In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

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    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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