The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Forget the consequences, just get me
a sandwich

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Over the past several months I’ve been working my way through all of Pendleton Ward‘s Adventure Time, in part because it comes in 11 minute segments that are easy to squeeze into tiny cracks of spare time, but mostly because it’s awesome. There are lots of things to love about it – the humor, the weirdness, the […]

The Stephen King Universe

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This week, Science Fiction Editor Emeritus James Schellenberg returns as a Guest Star. Screen Editor alex MacFadyen will return next month. You can easily glance off the top of any book by Stephen King–get a few frights and move on. But there’s a hidden world beneath almost all of his books, and not only is […]

Some superpowers are just useless enough to be real

astral projection

My best friend growing up had a theory about people claiming to have special abilities like ESP, levitation, or astral projection. She had a babysitter who claimed she could levitate, but only when she was alone. My friend’s theory wasn’t that these things were impossible, but that realistically they wouldn’t be very cool. She figured […]

5 Questions for Nancy A. Collins

Women Writing the Weird editor Deb Hoag interviews writer Nancy A. Collins on Suvudu. “How could a young girl with a strong imagination stuck in a small rural town not end up fascinated with fantastic literature?”

Three Decades of David

The Vault of Horror has a very neat series of articles on the 30th anniversary of An American Werewolf in London, “Three Decades of David.”

Taira no Kiyomori

Kenichi Matsuyama, who played L in Death Note, Masura Kato in Gantz: Light in the Dark and who Midnight Madness fans might remember as  Negishi/Johannes Krauser  from Detroit Metal City, is playing the 12th Century/Heian Era, Taira no Kiyomori, in an eponymous 50 episode NHK television series. The Japan Times covers the series’ development and […]

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    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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    Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work.

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    At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman was inspired by Margaret Sanger, who, hidden from the world, was a member of Marston’s family.”

     

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    Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is also the greatest, most liberating thing and you can and should totally do it.” (Thanks, Colin!)

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    The Princeton University Digital Library has digitized three Seventeenth Century Japanese illustrated scrolls and you can view them here. Meanwhile, 100,000 images from Getty Research Institute are now available at the Digital Library of America. (via @BibliOdyssey)

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    The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. Japanese censorship laws require blurring genitalia, but social stigma leads many performers (regardless of gender) to obscure their faces, too. Dark sunglasses, hats and blacked-out swimming goggles are common accessories in an industry whose overall value has been estimated at around $20 billion.” (Thanks, Earl)

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