The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Jurassic Park vs. Ghostbusters

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The title is probably misleading. It makes this sound like one of those Grizzly vs Shark or Sperm Whale vs Giant Squid books that my son keeps pointing out in the Scholastic Book catalogues he brings home every month. Maybe you’re envisioning the Ghostbusters, all geared up with their old-school vacuum backpacks, facing off against a group […]

Interview with Joanna Russ

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The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in […]

“Erotica Written By An Alien Pretending Not To Be Horrified By The Human Body”

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At The Toast, an alien does their best to write erotica. Even though the alien finds us kinda gross. Like this:Like Loading…

10 Comics I Liked In 2014

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I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]

Interview with John Waters

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Friend of the Gutter Beth Accomando interviews John Waters for KPBS: “With his pencil thin mustache and skinny suits, Waters is a pop culture icon as famous as his films. But at the moment, he’s not finding the financial backing to make another movie so he has simply focused his creativity elsewhere. He has been […]

Fatality: Femmes Fatale, Disappointment, Expectations and Fatale

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Expectations can be a killer, at least for me. I really expected to love Fatale (Image, 2012-4). I had every reason to. Writer Ed Brubaker, artist Sean Phillips and colorist Dave Stewart have made some of my favorite comics together: Sleeper; Criminal; Incognito; and Velvet. Brubaker’s Catwoman brought me back to mainstream comics. And Fatale […]

“Bayonetta Doesn’t Care”

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At Paste Magazine, Maddy Myers has some interesting thoughts on  the “male gaze,” the “sub gaze,” Dommes, gender, sexual desire and video game character Bayonetta. “‘[M]ale gaze’ seems like an unkind oversimplification as to who might be doing the ‘gazing’—let alone the identifying—and perhaps evidence that gaming desperately needs a new phrase to describe the […]

A Little Halloween History

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Rosie Cima writes a little bit about the history of Halloween including a look at seasonal stores, sexy costumes and the Sisters of Perpetual Indulgence. (Thanks, Paula!) Like this:Like Loading…

Engulfed by the Shadow of Dracula

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“Beware that his shadow does not engulf you like a daemonic nightmare.” Of Vampyres, Terrible Phantoms and the Seven Deadly Sins (Nosferatu, 1922) “All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same […]

“The Happy Hunks of Tom of Finland”

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Andy Khouri celebrates “the Happy Hunks of Tom of Finland” at Comics Alliance. “Tom of Finland was the Jack Kirby of gay porn. Working in a section of the comics industry that most fans perhaps spend little time exploring, Tom was a masterful artist, a pioneer, and an inspiration. His work helped establish a gay […]

Interview with Filmmaker Peter Strickland

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The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog. Like this:Like Loading…

“Women As Background Decoration: Part 2″

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In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence. Like this:Like Loading…

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available). Like […]

Happenings With The Projection Booth?

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What’s happening with The Projection Booth, you ask? This week The Projection Booth watches Caligula (1979) and TPB‘s Mike White is interviewed by Dave Pace at La Politique Psychotronique. Like this:Like Loading…

Movies! Movies! Movies!

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The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later. […]

RIP, Noribumi Suzuki

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Filmmaker Noribumi Suzuki has died. Suzuki was probably best known for School of the Holy Beast (1974), Sex and Fury (1973) and his Torakku Yarõ / Truck Yaro / Trucker Guys films starring Bunta Sugawara. Here Suzuki talks about working with actresses Reiko Ike and Miki Sugimoto, who appeared in his  pinku eiga/ “pinky violence” […]

RIP, Harry Novak

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Producer and exploitation pioneer Harry Novak has died. Daily Grindhouse remembers Novak with a collection of trailers from his films. Dougsploitation has an overview of Novak’s career well-illustrated with film posters. The Los Angeles Times has a brief obituary. Like this:Like Loading…

Horror, Black Female Identity and Taking Agency

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Graveyard Shift Sisters shares Kinitra Brooks’ “close examination of the books of Tananarive Due, her African Immortals series that centers around the main character Jessica Jacobs-Wolde and L.A. Banks’ Vampire Huntress Legend series focus on Damali Richards and discusses how speculative fiction is ripe for transformative work on Black female identity, in particular, taking agency in our […]

Cruising at the Projection Booth

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This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar. Like this:Like Loading…

“Fifty Shades Generator”

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“The Fifty Shades Generator is a breakthrough in erotic fiction. At the click of a button, it generates world-class literature based on a pre-defined vocabulary.” Click away here. (via @vaginalfantasy) Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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