The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Filmmaker Peter Strickland

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The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.

“Women As Background Decoration: Part 2″

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In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

Happenings With The Projection Booth?

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What’s happening with The Projection Booth, you ask? This week The Projection Booth watches Caligula (1979) and TPB‘s Mike White is interviewed by Dave Pace at La Politique Psychotronique.

Movies! Movies! Movies!

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The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

RIP, Noribumi Suzuki

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Filmmaker Noribumi Suzuki has died. Suzuki was probably best known for School of the Holy Beast (1974), Sex and Fury (1973) and his Torakku Yarõ / Truck Yaro / Trucker Guys films starring Bunta Sugawara. Here Suzuki talks about working with actresses Reiko Ike and Miki Sugimoto, who appeared in his  pinku eiga/ “pinky violence” […]

RIP, Harry Novak

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Producer and exploitation pioneer Harry Novak has died. Daily Grindhouse remembers Novak with a collection of trailers from his films. Dougsploitation has an overview of Novak’s career well-illustrated with film posters. The Los Angeles Times has a brief obituary.

Horror, Black Female Identity and Taking Agency

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Graveyard Shift Sisters shares Kinitra Brooks’ “close examination of the books of Tananarive Due, her African Immortals series that centers around the main character Jessica Jacobs-Wolde and L.A. Banks’ Vampire Huntress Legend series focus on Damali Richards and discusses how speculative fiction is ripe for transformative work on Black female identity, in particular, taking agency in our […]

Cruising at the Projection Booth

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This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.

“Fifty Shades Generator”

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“The Fifty Shades Generator is a breakthrough in erotic fiction. At the click of a button, it generates world-class literature based on a pre-defined vocabulary.” Click away here. (via @vaginalfantasy)

Interview with the Authors of Taken By The T-Rex

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At The Cut, Maureen O’Connor interviews Christie Simes and Alara Branwyn, authors of dinosaur and monster erotica like In The Velociraptor’s Nest and Taken By The Triceratops. (via @filmclassics)

Dinosaur Erotica

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Jezebel has a snippet from The Velociraptor’s Nest, one of a series of dinosaur/human romance books, and, yes, there is a sex scene. There is also triceratops erotica. Geekologie has more about author Christie Sims.

“Why Is Grand Theft Auto So Conservative?”

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This Cage Is Worms has some thoughts on Grand Theft Auto V, and Grand Theft Auto in general: “By making fun of ‘everything,’ GTAV is trying to convince us that it is above any real commitment to an ideology.” (via @bombsfall)

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]

Midnight Madness 2013!

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The Midnight Madness Program at the Toronto International Film Festival has been announced. The films being screened are: All Cheerleaders Die; The Station / Der Blutgletscher; The Green Inferno; Oculus (that’s the trailer for the original short); Afflicted; Almost Human; Rigor Mortis; R100; Why Don’t You Play In Hell?; and, Witching & Bitching / Las […]

Sexy Supervillian Pin-Ups

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Evan Munday has created a gallery of his supervillain erotica. “[A]s I noted in one of the oddest interviews I’ve ever done, with Playboy‘s sort-of-safe-for-work site, comic readers are used to having their female characters overtly sexualized. Despite the spandex and bulging muscles, male characters just aren’t treated the same way by illustrators. So at […]

“The Most Wicked Face of Theda Bara”

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The Hairpin looks at “The Most Wicked Face of Theda Bara”: “She was the first in a long line of what came to be known as femme fatales — dangerous, devouring women who pop up in various genres at cultural moments when anxiety over the woman’s place in society is at its highest. Bara anticipated […]

Kirk and Spock, Tristan and Iseult

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At Teach Me Tonight, Kate Laity writes about Joanna Russ’ 1985 essay, “Pornography by Women for Women With Love”:  “While the entire collection makes fascinating reading, I want to focus on the chapter “Pornography By Women For Women, With Love” as it provides some interesting roots for the ongoing academic dissections of romance writing today […]

Italian Film Cultural Blogathon

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Read all the posts in Nitrate Diva’s Italian Film Culture Blogathon–including one about Danger: Diabolik by The Gutter’s own Carol.

A Man’s Life

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“The type of thing I came up with was what sold at the time: Guys with guns and gals with no pants on.”–Norm Saunders (1983) A man presses himself against the wall of a collapsed mine as a grizzly, reared on its hind legs, swipes at him through a gap in the rocks. A man, […]

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  • Of Note Elsewhere

    Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)

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    Matt Zoller Seitz has written a lovely meditation on Robin Williams at RogerEbert.com: “Williams wore the invisible garments of depression. He carried that burden. A lot of the time we didn’t see it, because he was a bright and enthusiastic comic performer and a great actor. But the weight was always there.

    Somehow he lived 63 years.

    What a warrior he was.”

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    At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties and early Nineties. After getting his start in television at CTV and TVB, he directed five features before finding his stride with 1987’s City on Fire, the movie that provided the blueprint for Quentin Tarantino’s Reservoir Dogs.”

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    “[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin his Fulbright scholarship at MIT. ‘I started sort of thinking, “Wow, this is kind of cool,”‘ Lundgren remembers: ‘”I don’t know if I want to go back to engineering after this.”‘ More at NPR.

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    “A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)

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    A gallery of vintage photographs of women with their motorcycles.

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