The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Richard Raaphorst

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Traumatic Cinematic‘s Lewis Cougill interviews the director of Frankenstein’s Army, Richard Raaphorst. They talk about art, conceptual art, Beyond Re-Animator and Frankenstein’s Army. TC also has a gallery of storyboard art from Frankenstein’s Army. (Listen to Traumatic Cinematic’s discussion of Frankenstein’s Army here). Like this:Like Loading…

“Enter A Monster”

The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.” Like this:Like Loading…

Ray Harryhausen and Me: A Life of High Adventure and Escapism

Mr. Harryhausen with his creations brought down to size.

Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since […]

RIP, Ray Harryhausen

Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen.  All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews […]

The Sensationalism of Trip To The Moon

“As early as 1929 Kodak identified the potential for colour to affect the emotions. Whilst Kodak developed Sonochrome tints like Rose Doree to ‘quicken the respiration’ and Peachblow for ‘brief, joyous moments’, twenty years before, Méliès applied translucent aniline dyes to create spectacle and to provoke sensation in nascent cinema.” Wendy Haslem writes on the […]

Ray Harryhausen’s Collection, Documented

The Documentation Officer for the Ray Harryhausen collection shares some of Harryhausen’s film materials. Like this:Like Loading…

RIP, Gerry Anderson

Director, producer, writer, effects pioneer and puppeteer Gerry Anderson has died.  Anderson created the Supermarionation television series: Thunderbirds, Fireball XL5, and Stingray He produced the live-action series: UFO, The Protectors and Space: 1999.  The Guardian has an obituary and two letters remembering Gerry Andreson’s legacy. And here’s Craig Ferguson’s tribute to Fireball Xl5. Like this:Like […]

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look. Like this:Like Loading…

Cloud Atlas, Racebending and Racism

Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.”  Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]

Practical vs. Digital Effects

Effects artists Tyler Ham and Tom Spina talk practical vs. digital effects with Miguel Rodriguez at Monster Island Resort. My favorite line from the episode? “You can’t compare The Fly to Sharktopus.” And make sure to check out Spina’s restored film prop galleries,, from Ewoks to Sleestaks and Critters to Gremlins as well as stop-motion […]

RIP, Carlo Rambaldi

Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]

Special Effects Master Eiji Tsuburaya

Just in time for Eiji Tsuburaya’s birthday, here’s a brief video documentary on his career in special effects for films ranging from Godzilla and War of the Gargantuas to Throne of Blood and Chushingura.   Like this:Like Loading…

“Basket Case: Almost As Old As I Am”

Miguel Rodriguez writes about being exposed to b-movie horror classic, Basket Case as an 8-year-old boy in Texas: “[M]y aunt and uncles rented movies that most would probably consider wildly inappropriate to watch with an 8-year-old boy. Those are some of my best memories….I believe it was before Day of the Dead that my youthful […]

10 Things About Godzilla

At the Criterion Collection blog, Curtis Tsui shares, “10 Things I learned About Godzilla.” My favorite involves sugar wafers. (via Kaijucast) Like this:Like Loading…

Red Skies: Soviet Science Fiction

A thorough and well-illustrated look at Soviet science fiction, from the 1920s through the 1980s. (via SF Signal) Like this:Like Loading…

A Trip to the Moon

Here’s George Méliès’ 1902 Trip to the Moon/ Le Voyage de la Lune on the anniversary of the 1969 Moon Landing. I’m sure Neil Armstrong and Buzz Aldrin have some stories to tell about the Moon People. Like this:Like Loading…

Making the Valley of Gwangi

In honor of Ray Harryhausen’s birthday, a little documentary on the making of Valley of Gwangi. Like this:Like Loading…

5 Annoying Movie Trends

“Once again, a [film-making] technique progresses from ‘innovative’ to ‘standard procedure’ to ‘OK, please stop doing that.’” (More teal and orange madness, here). Like this:Like Loading…

I Can See Forever

It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street. Like this:Like Loading…

Inside a Haunted Mansion

FXGuy7 has video of a Haunted Mansion on the assembly floor. Here are two birdseye views (one, two) and a walkthrough.  Like this:Like Loading…

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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    Christopher Lee has released a promotional video for his latest album, Darkest Carols, Faithful Sing.  You should probably watch everything at Charlemagne Productions.

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