Last April, I wrote about my first foray into anime. I had a great time with it, and my successful venture had a of couple unintended side-effects. For one thing, I enjoyed that first series so much that I tried another, then another, then many more (which led to me finally figuring out how to make Netflix play it in Japanese. Hurrah, technological success!). And then, when my choices narrowed down to only shows I didn’t want to watch, I began to read manga instead. Continue reading…
Traumatic Cinematic‘s Lewis Cougill interviews the director of Frankenstein’s Army, Richard Raaphorst. They talk about art, conceptual art, Beyond Re-Animator and Frankenstein’s Army. TC also has a gallery of storyboard art from Frankenstein’s Army. (Listen to Traumatic Cinematic’s discussion of Frankenstein’s Army here).
The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”
Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since […]
Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen. All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews […]
“As early as 1929 Kodak identified the potential for colour to affect the emotions. Whilst Kodak developed Sonochrome tints like Rose Doree to ‘quicken the respiration’ and Peachblow for ‘brief, joyous moments’, twenty years before, Méliès applied translucent aniline dyes to create spectacle and to provoke sensation in nascent cinema.” Wendy Haslem writes on the […]
The Documentation Officer for the Ray Harryhausen collection shares some of Harryhausen’s film materials.
Director, producer, writer, effects pioneer and puppeteer Gerry Anderson has died. Anderson created the Supermarionation television series: Thunderbirds, Fireball XL5, and Stingray He produced the live-action series: UFO, The Protectors and Space: 1999. The Guardian has an obituary and two letters remembering Gerry Andreson’s legacy. And here’s Craig Ferguson’s tribute to Fireball Xl5.
Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.
Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.” Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]
Effects artists Tyler Ham and Tom Spina talk practical vs. digital effects with Miguel Rodriguez at Monster Island Resort. My favorite line from the episode? “You can’t compare The Fly to Sharktopus.” And make sure to check out Spina’s restored film prop galleries,, from Ewoks to Sleestaks and Critters to Gremlins as well as stop-motion […]
Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]
Just in time for Eiji Tsuburaya’s birthday, here’s a brief video documentary on his career in special effects for films ranging from Godzilla and War of the Gargantuas to Throne of Blood and Chushingura.
Miguel Rodriguez writes about being exposed to b-movie horror classic, Basket Case as an 8-year-old boy in Texas: “[M]y aunt and uncles rented movies that most would probably consider wildly inappropriate to watch with an 8-year-old boy. Those are some of my best memories….I believe it was before Day of the Dead that my youthful […]
At the Criterion Collection blog, Curtis Tsui shares, “10 Things I learned About Godzilla.” My favorite involves sugar wafers. (via Kaijucast)
A thorough and well-illustrated look at Soviet science fiction, from the 1920s through the 1980s. (via SF Signal)
Here’s George Méliès’ 1902 Trip to the Moon/ Le Voyage de la Lune on the anniversary of the 1969 Moon Landing. I’m sure Neil Armstrong and Buzz Aldrin have some stories to tell about the Moon People.
In honor of Ray Harryhausen’s birthday, a little documentary on the making of Valley of Gwangi.
“Once again, a [film-making] technique progresses from ‘innovative’ to ‘standard procedure’ to ‘OK, please stop doing that.’” (More teal and orange madness, here).
It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street.
FXGuy7 has video of a Haunted Mansion on the assembly floor. Here are two birdseye views (one, two) and a walkthrough.keep looking »