The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Vampire, Or Maybe, Werewolf

When’s a vampire really more of a werewolf? When it’s Toppei from Osamu Tezuka’s Vampire. Todd from 4DK writes about the mostly live-action television adaptation, starring Tezuka as himself, beret and all, and they remind him of both Kurosawa’s High and Low and Fukasaku’s Black Lizard. Like this:Like Loading…

5 Blogs, 1 Production Company

The B-Masters Cabal unites to ponder the films of foremost B-movie purveyor, American International Pictures.  5 blogs look at Roger Corman, misleading advertizing, crappy monsters and what finally took AIP down. Like this:Like Loading…

See the Fury!

Black and white wuxia? Animated chi? See the devastating fury of Buddha’s Palm! Like this:Like Loading…

Aerial City 008: Operation Spring

1960s Japanese science fiction Supermarionation. Scary or supercool? (Scroll down for a complete episode of Aerial City 008). Like this:Like Loading…

FEARnet does Halloween up right

In fact, FEARnet does Halloween up right with all their FEAR Fest treats:  Streets of Fear, a review of Haunted houses and tricks of the costume trade. Like this:Like Loading…

The Modern Master of Suitmation

It’s a little Minoru Kawasaki retrospective:  Calamari Wrestler (2004); Executive Koala (2005); Beetle, The Horn King (2005); Kani Goalkeeper (2006); The World Sinks Except Japan (2006). Like this:Like Loading…

Space Monster Guilala Awakens!

After a space sabbatical of over 30 years, Space Monster Guilala returns in Minoru Kawasaki’s Monster X Strikes Back:  Attack the G8 Summit, aka Guilala’s Counterattack the Toyako Summit One-Shot Crisis.  The Guilala song, the suitmation, the kaiju movie white guy–It makes me feel good in too many ways to count. More here. (via Kaiju […]

Godzilla vs MechaRealism

Yes, it

A while ago I watched some Godzilla movies with some people who don’t exactly appreciate the aesthetics of suitmation / kigurumi, or, in less technical language, a guy in a rubber suit. One of the things I like best about Godzilla movies is that as soon as I glimpse Godzilla rising from the depths or […]

Ninjas vs. Pirates

It’s an idea whose time has come: Ninjas vs. Pirates! Sounds homebrew too: “Almost all scenes in NVP were shot in front of 9 sheets of 30-cent green posterboard in a 12’x13′ apartment living room, lit with $12 Wal-Mart halogen work lights.” Like this:Like Loading…

The Grouchy Snob

Talking about Lucas brings out the worst in me

When people find out that I like science fiction (and write about it), they often try to find a familiar example to talk about. This is a better reaction than to say, “Oh, that crap?” or something along those lines. But recently, the example has inevitably been Star Wars — and what was up to […]

Well-rendered Television

The show’s opening sequence starts with a woman in a black bodysuit facing off against a hulking monster. When she finishes him off with a jump-kick, the music swells and the words “Game Over” come up. “Did you ever wonder what happens after the game ends?” a voice reminiscent of Laurence Fishburne intones. “Welcome to […]

« go back
  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

    ~

    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

    ~

    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

    ~

    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

    ~

    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

    ~

    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: