The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

5 Annoying Movie Trends

“Once again, a [film-making] technique progresses from ‘innovative’ to ‘standard procedure’ to ‘OK, please stop doing that.’” (More teal and orange madness, here).

I Can See Forever

It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street.

Inside a Haunted Mansion

FXGuy7 has video of a Haunted Mansion on the assembly floor. Here are two birdseye views (one, two) and a walkthrough. 

Vampire, Or Maybe, Werewolf

When’s a vampire really more of a werewolf? When it’s Toppei from Osamu Tezuka’s Vampire. Todd from 4DK writes about the mostly live-action television adaptation, starring Tezuka as himself, beret and all, and they remind him of both Kurosawa’s High and Low and Fukasaku’s Black Lizard.

5 Blogs, 1 Production Company

The B-Masters Cabal unites to ponder the films of foremost B-movie purveyor, American International Pictures.  5 blogs look at Roger Corman, misleading advertizing, crappy monsters and what finally took AIP down.

See the Fury!

Black and white wuxia? Animated chi? See the devastating fury of Buddha’s Palm!

Aerial City 008: Operation Spring

1960s Japanese science fiction Supermarionation. Scary or supercool? (Scroll down for a complete episode of Aerial City 008).

FEARnet does Halloween up right

In fact, FEARnet does Halloween up right with all their FEAR Fest treats:  Streets of Fear, a review of Haunted houses and tricks of the costume trade.

The Modern Master of Suitmation

It’s a little Minoru Kawasaki retrospective:  Calamari Wrestler (2004); Executive Koala (2005); Beetle, The Horn King (2005); Kani Goalkeeper (2006); The World Sinks Except Japan (2006).

Space Monster Guilala Awakens!

After a space sabbatical of over 30 years, Space Monster Guilala returns in Minoru Kawasaki’s Monster X Strikes Back:  Attack the G8 Summit, aka Guilala’s Counterattack the Toyako Summit One-Shot Crisis.  The Guilala song, the suitmation, the kaiju movie white guy–It makes me feel good in too many ways to count. More here. (via Kaiju […]

Godzilla vs MechaRealism

Yes, it

A while ago I watched some Godzilla movies with some people who don’t exactly appreciate the aesthetics of suitmation / kigurumi, or, in less technical language, a guy in a rubber suit. One of the things I like best about Godzilla movies is that as soon as I glimpse Godzilla rising from the depths or […]

Ninjas vs. Pirates

It’s an idea whose time has come: Ninjas vs. Pirates! Sounds homebrew too: “Almost all scenes in NVP were shot in front of 9 sheets of 30-cent green posterboard in a 12’x13′ apartment living room, lit with $12 Wal-Mart halogen work lights.”

The Grouchy Snob

Talking about Lucas brings out the worst in me

When people find out that I like science fiction (and write about it), they often try to find a familiar example to talk about. This is a better reaction than to say, “Oh, that crap?” or something along those lines. But recently, the example has inevitably been Star Wars — and what was up to […]

Well-rendered Television

The show’s opening sequence starts with a woman in a black bodysuit facing off against a hulking monster. When she finishes him off with a jump-kick, the music swells and the words “Game Over” come up. “Did you ever wonder what happens after the game ends?” a voice reminiscent of Laurence Fishburne intones. “Welcome to […]

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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