The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Vampire, Or Maybe, Werewolf

When’s a vampire really more of a werewolf? When it’s Toppei from Osamu Tezuka’s Vampire. Todd from 4DK writes about the mostly live-action television adaptation, starring Tezuka as himself, beret and all, and they remind him of both Kurosawa’s High and Low and Fukasaku’s Black Lizard. Like this:Like Loading…

5 Blogs, 1 Production Company

The B-Masters Cabal unites to ponder the films of foremost B-movie purveyor, American International Pictures.  5 blogs look at Roger Corman, misleading advertizing, crappy monsters and what finally took AIP down. Like this:Like Loading…

See the Fury!

Black and white wuxia? Animated chi? See the devastating fury of Buddha’s Palm! Like this:Like Loading…

Aerial City 008: Operation Spring

1960s Japanese science fiction Supermarionation. Scary or supercool? (Scroll down for a complete episode of Aerial City 008). Like this:Like Loading…

FEARnet does Halloween up right

In fact, FEARnet does Halloween up right with all their FEAR Fest treats:  Streets of Fear, a review of Haunted houses and tricks of the costume trade. Like this:Like Loading…

The Modern Master of Suitmation

It’s a little Minoru Kawasaki retrospective:  Calamari Wrestler (2004); Executive Koala (2005); Beetle, The Horn King (2005); Kani Goalkeeper (2006); The World Sinks Except Japan (2006). Like this:Like Loading…

Space Monster Guilala Awakens!

After a space sabbatical of over 30 years, Space Monster Guilala returns in Minoru Kawasaki’s Monster X Strikes Back:  Attack the G8 Summit, aka Guilala’s Counterattack the Toyako Summit One-Shot Crisis.  The Guilala song, the suitmation, the kaiju movie white guy–It makes me feel good in too many ways to count. More here. (via Kaiju […]

Godzilla vs MechaRealism

Yes, it

A while ago I watched some Godzilla movies with some people who don’t exactly appreciate the aesthetics of suitmation / kigurumi, or, in less technical language, a guy in a rubber suit. One of the things I like best about Godzilla movies is that as soon as I glimpse Godzilla rising from the depths or […]

Ninjas vs. Pirates

It’s an idea whose time has come: Ninjas vs. Pirates! Sounds homebrew too: “Almost all scenes in NVP were shot in front of 9 sheets of 30-cent green posterboard in a 12’x13′ apartment living room, lit with $12 Wal-Mart halogen work lights.” Like this:Like Loading…

The Grouchy Snob

Talking about Lucas brings out the worst in me

When people find out that I like science fiction (and write about it), they often try to find a familiar example to talk about. This is a better reaction than to say, “Oh, that crap?” or something along those lines. But recently, the example has inevitably been Star Wars — and what was up to […]

Well-rendered Television

The show’s opening sequence starts with a woman in a black bodysuit facing off against a hulking monster. When she finishes him off with a jump-kick, the music swells and the words “Game Over” come up. “Did you ever wonder what happens after the game ends?” a voice reminiscent of Laurence Fishburne intones. “Welcome to […]

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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