I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem to. Watching the things that have made me and the people I care about unhappy in our lives over the years, I feel like learning how and when to walk away can’t be overrated. Continue reading…
When’s a vampire really more of a werewolf? When it’s Toppei from Osamu Tezuka’s Vampire. Todd from 4DK writes about the mostly live-action television adaptation, starring Tezuka as himself, beret and all, and they remind him of both Kurosawa’s High and Low and Fukasaku’s Black Lizard.
The B-Masters Cabal unites to ponder the films of foremost B-movie purveyor, American International Pictures. 5 blogs look at Roger Corman, misleading advertizing, crappy monsters and what finally took AIP down.
Black and white wuxia? Animated chi? See the devastating fury of Buddha’s Palm!
1960s Japanese science fiction Supermarionation. Scary or supercool? (Scroll down for a complete episode of Aerial City 008).
In fact, FEARnet does Halloween up right with all their FEAR Fest treats: Streets of Fear, a review of Haunted houses and tricks of the costume trade.
It’s a little Minoru Kawasaki retrospective: Calamari Wrestler (2004); Executive Koala (2005); Beetle, The Horn King (2005); Kani Goalkeeper (2006); The World Sinks Except Japan (2006).
After a space sabbatical of over 30 years, Space Monster Guilala returns in Minoru Kawasaki’s Monster X Strikes Back: Attack the G8 Summit, aka Guilala’s Counterattack the Toyako Summit One-Shot Crisis. The Guilala song, the suitmation, the kaiju movie white guy–It makes me feel good in too many ways to count. More here. (via Kaiju […]
A while ago I watched some Godzilla movies with some people who don’t exactly appreciate the aesthetics of suitmation / kigurumi, or, in less technical language, a guy in a rubber suit. One of the things I like best about Godzilla movies is that as soon as I glimpse Godzilla rising from the depths or […]
It’s an idea whose time has come: Ninjas vs. Pirates! Sounds homebrew too: “Almost all scenes in NVP were shot in front of 9 sheets of 30-cent green posterboard in a 12′x13′ apartment living room, lit with $12 Wal-Mart halogen work lights.”
When people find out that I like science fiction (and write about it), they often try to find a familiar example to talk about. This is a better reaction than to say, “Oh, that crap?” or something along those lines. But recently, the example has inevitably been Star Wars — and what was up to […]
The show’s opening sequence starts with a woman in a black bodysuit facing off against a hulking monster. When she finishes him off with a jump-kick, the music swells and the words “Game Over” come up. “Did you ever wonder what happens after the game ends?” a voice reminiscent of Laurence Fishburne intones. “Welcome to […]« go back