The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Profiling Othello

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Former FBI profiler (and model for Jack Crawford in Silence of the Lambs) John E. Douglas worked with Patrick Steward on understand Othello’s motivation.

“The Public Voice of Women”

Mary Beard writes about gender, speech, and the depiction of the sound of women’s voices from Homer’s time until now. “I want to start very near the beginning of the tradition of Western literature, and its first recorded example of a man telling a woman to ‘shut up’; telling her that her voice was not […]

the siren song of shipwrecks

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  And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker. from “The Idea of Order at Key West” by Wallace Stevens My wife is fascinated by sharks and the Titanic, so I’ve seen a lot of documentary footage of sunken boats since […]

A Monster Saved From Monster’s Ways

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As Romance Editor Chris Szego has often noted here at The Gutter, the theme of modern romance is that the hero can change. But what about sea mutants—can they change? In Jonathan Cases’s Dear Creature (Tor, 2011) a sea mutant falls in love with a human woman. It’s a beautifully-drawn and beautifully-written Shakespearean comedy with […]

A Warning from the Future

Adam P. Knave brings a warning to us all: “Unfairly Comparing Stories Is Killing Your Own Future Enjoyment!”

RIP, Isuzu Yamada

Actress Isuzu Yamada has died. Yamada worked with a range of directors including, Akira Kurosawa, Kenji Mizoguchi, Mikio Naruse, Yasujiro Ozu and Kinji Fukasaku. The New York Times has an obituary.  The Gutter remembers her with a scene of her performances as Lady Washizu in Throne of Blood.  

Macbeth Must Die!

Ing K.  and Manit Sriwanchpoom’s Shakespeare Must Die, a Thai version of Macbeth, has been banned in Thailand: “This little art project dared to paint the Thai political crisis with a broad brush and with the story of Macbeth, the creators are re-telling one of the most important stories about the striving for power, the […]

Orson Scott Card’s Hamlet

Oh my stars and garters, Orson Scott Card has rewritten Hamlet and called it, Hamlet’s Father. via @houseinrlyeh and @pornokitsch)

Asian Western Round Up

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This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. The world is clamoring for more Asian Westerns. Or at least I am.  I’m talking Thai, Chinese, Japanese and Korean Westerns. They seem […]

All That Fairy Tale Nonsense

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One of the many criticisms levelled at romance novels is that they’re a poor model for women when it comes to real-life relationships. All that fairy tale nonsense, detractors say, will make women want the wrong things from their partners. I could list a dozen things wrong with that assumption, but I’ll limit myself to […]

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  • Of Note Elsewhere

    The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

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    Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed by Robert Osborne and Dr. Peter Feng on TCM.  At RogerEbert.com, Matt Zoller Seitz writes an appreciation of Shigeta’s life and work. “Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 Die Hard is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.”

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    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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