The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Top 10 of 2012

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It’s the end of the year; I work in retail; I have the flu.  All  of which means that for the past couple weeks I’ve been re-reading rather than reading. Mostly Eva Ibbotson, whose warmth reminds me not only that I love reading, but why.  Which makes this a good time for a retrospective list. [...]

Lovers In A Dangerous Time

Recently, I’ve been thinking about danger.  Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’.  These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love.  When done well, they share [...]

Good Books for Bad Days

By its very nature, a Romance is suffused with positive attitude.  The characters learn who they are, what kind of lives they want, and then proceed to go out and get them. The end result is effort rewarded (which is frankly more interesting than virtue rewarded, because virtuousness can be boring).  We like to read [...]

Money Talks

Did you ever bounce off a book when you first picked it up only to discover later that you loved it?  Back in high school that happened to me with To Kill A Mockingbird.  Really.  I’d picked it up during the summer to get a jump on the next semester, but it took until the [...]

The Kids Are All Right

Despite my whinging last month, I do in fact both read and love a lot of young adult Romance.  I  may not be fond of the ‘Supernatural Boyfriend of the Week’ subgenre (and no, Stephanie Meyer did not invent it; it’s been out there for decades), but that still leaves me with a large field [...]

By Any Other Name

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Despite being the largest piece of the trade publishing pie, there’s a lot of good stuff to read out there that isn’t Romance.  And I try to get through as much of it as possible*.  Funnily enough, though, much of the other fiction I read tends to have some sort of romance in it somewhere.  [...]

All That Fairy Tale Nonsense

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One of the many criticisms levelled at romance novels is that they’re a poor model for women when it comes to real-life relationships. All that fairy tale nonsense, detractors say, will make women want the wrong things from their partners. I could list a dozen things wrong with that assumption, but I’ll limit myself to [...]

All I Want For Christmas Is A Few Good Books

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In the spirit of the season, here are ten, in alphabetical order by author.

Ten To Read

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I always enjoy the ‘Best Of’ lists that come out this time of year.  Seems to me that kind of potted commentary, however limited, offers a great starting place.  So in the spirit of year-end helpfulness, here’s a list of ten romances worth reading.  Historical and modern; sexy and mild:  they run the gamut.  I’m [...]

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    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

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    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

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    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

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    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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    The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”

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