The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Longing And The Short Of It

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 Ah, mid-February.  That time of year in which Romance authors are hounded by the media for sound bites and wink-wink, nudge-nudge style “advice” for hackneyed articles about Valentine’s Day, most of which will appear under headlines made awkward by ham-handed double-entendres*.  I’m all for Romance writers getting some press, but the box-checking, paper-thin nature of […]

Top 10 of 2012

The Serpent Sea thumbnail

It’s the end of the year; I work in retail; I have the flu.  All  of which means that for the past couple weeks I’ve been re-reading rather than reading. Mostly Eva Ibbotson, whose warmth reminds me not only that I love reading, but why.  Which makes this a good time for a retrospective list. […]

Nice Guys, Sewers, And Other Relics Of The Past

I’ve been on a bit of a historical binge recently: testing some new authors, re-reading old favourites.  This trip down the historical record lane is due largely to author Sherry Thomas.  More to the point, to her recent novel Ravishing the Heiress. Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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