The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“10 Trailblazing Horror Films Directed by Women”


At TCM’s Movie Morlocks blog, Kimberly Lindbergs writes about 10 horror films directed by women. “I’ve been enjoying a lot of [TCM’s] Trailblazing Women programming myself but since we’re in the middle of Schocktober, I thought I’d set aside some time to highlight some of my favorite horror films and thrillers directed by women who […]

Attention, Horror Fans!

Couchcutter asks horror fans not to cheat themselves out of the future: “I’m not asking you to buy less Hollywood. I’m telling you that we *need* to buy more Independent. At least, if there is any independent stuff that you love or have ever loved. If one of the two have to suffer out of […]

Monster Island Resort at SDCC ’12!

Holy cats, Miguel talks to William Shatner, Roger Corman, Geek Educators, the Twisted Twins, Lloyd Kaufman and so many more in a super-sized, action-packed San Diego Comic Con episode of Monster Island Resort Podcast!

Women in Horror Month

February is Women In Horror Month and Seth Metoyer at More celebrates by interviewing Jen Soska, who, together with her sister, Sylvie, made Dead Hooker in a Trunk.

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  • Of Note Elsewhere

    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


    ‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess the Western sci-fi futures we have internalized. These processes are discussed by Native scholars such as Grace Dillon (Anishinaabe) as “Indigenous futurisms.”’ Read more of William Lempert’s piece here and make sure click through to see trailers and films. (via @DarkMattersProj)


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