Paul Williams, Nile Rodgers and Giorgio Moroder talk about their careers, music and working with Daft Punk. (via Daily Grindhouse)
“Of course I have a copy of The Private Life of Sherlock Holmes on video, but I don’t watch it very often. I even have, on tape now, the audio and video versions of those missing scenes. But it comforts me to know that they are still incomplete, and that there remain other scenes from [...]
Black Lodge Singers perform the theme from The Flintstones pow-wow style (via @WFMU).
“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain [...]
Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.
Mr. White and Mr. St. Mary have an in-depth look at Reservoir Dogs at The Projection Booth podcast. Special Guests: podcaster Jamie Jenkins, Film Threat‘s Paul Zimmerman and Reservoir Dogs executive producer, Monte Hellman. Special features include, Mike White’s video, “Who Do You Think You’re Fooling?” comparing Ringo Lam’s City On Fire and Reservoir Dogs, [...]
At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.
Speaking from recent experience, I don’t recommend getting a cold/cough/(something virulent and archaic, like consumption?) that sticks around for 4-5 weeks. It kinda sucks. With reduced brainpower, I’ve been watching a lot of Rifftrax (“There can be only one?? You should have mentioned that earlier!”). Fun, but not much to say, except that, yup, Highlander [...]
I’ve missed the spooky month of October by one day, and probably rotted my brain on too much Rifftrax. In lieu of coherent thoughts, here is a compilation of recent observations.
“I used a descending chromatic scale throughout the score,” explains Marc Wilkinson, who was director of music at the National Theatre when Haggard approached him to write the score for Blood On Satan’s Claw. “To make it scary, I omitted the perfect fifth, which is the one true consonant in the chromatic scale, and highlighted [...]
Taylor Davis plays 6 parts of Alan Silvestri’s “Avengers Theme” on her violin.
Black Hole Reviews runs down the possible sources for the Drive soundtrack, track by track.
7 Japanese women responsible for “some of the greatest games ever to ever grace the store shelves.”
Gutter Comics Editor Carol wrote a little piece on Akira Kurosawa and action films over at the ActionFest Blog in honor of Kurosawa’s 102nd birthday.
The Monkey See blog celebrates Nigel Tufnel Day with a serious consideration of “the greatest rock and roll record ever made: 1984′s soundtrack for the movie This Is Spinal Tap.”
Stephen Thrower writes a retrospective soundtracks and composers for horror movies spanning from Psycho to the present, and ends with a call for more innovation and “a neat draft of madness.” (via @AwesomeBMovies_)
At The Revivalist, Adrian Younge offers his, “Top 5 Blaxploitation Soundtracks.” (via @World_Of_Hurt)
In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief. It bludgeons you until you give up.”
Ennio Morricone conducts and soprano Susanna Rigacci solos on themes from three Sergio Leone Westerns: Once Upon A Time In The West, A Fistful of Dynamite and The Good, The Bad, The Ugly–including, “The Ecstasy of Gold.”
“The Wong Fei-Hung Theme,” aka, “A Man of Determination,” might be the best known Chinese song outside the Chinese-speaking world. Here it is, in Cantonese, as the opening to Once Upon a Time in China, in George Lam Chi-Cheung’s music video and as karaoke for George Lam fans who read the Roman alphabet, as an [...]
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