The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — the future has been ravaged by radioactive fallout that has caused women to grow beards — and the fact that this movie is going to have a grand time tweaking its nose at gender expectations, stereotypes, and comfort zones. The comedy is a mix of subtle and slapstick, something like Monty Python meets Charlie Chaplin meets the Marx Brothers, with a bit of Benny Hill-esque sex farce thrown in. Sadly, no one ever pats an old man on the head, though I’m sure Karel Effa (who should have teamed up with HK comedy actor Richard Ng) would have been up for it. Continue reading…
Singer, songwriter and composer Bobby Womack has died. The stand-alone importance of his music aside, Womack’s songs were used in innumerable film soundtracks and Womack composed the soundtrack for Across 110th Street (1972). The Los Angeles Times, Time and The Telegraph have obituaries. At Ebony, Gary Harris remembers Womack. The New Yorker considers “The Unimpeachable […]
Drive-In Mob Capos Brian and Carol (aka, “The Gutter’s own Carol) each share ten of their favorite soundtrack tracks by composer Akira Ifukube.
Actor Kate O’Mara has died. She performed the Rani in Doctor Who, Caress Morell in Dynasty, Mademoiselle Perrodot in The Vampire Lovers and Alys in The Horror of Frankenstein. O’Mara also had roles in Absolutely Fabulous, The Avengers, The Saint, Danger Man / Secret Agent, The Persuaders and Adam Adamant Lives! The Guardian, Digital Spy […]
Jean-Michel Van Schouwburg (“The Goblin”) and Katalin Ladik (“The Resurrected Witch”) from the intensely sonic, Berberian Sound Studio, offer a performance of their vocal talent with sound designer Pál Tóth (aka, én) in Budapest.
On Pop Culture Happy Hour, Linda, Stephen and Chris share what pop culture makes them cry and why.
Please view these pictures of Giant Mr. Darcy from Jane Austen’s Pride & Prejudice rising out of the Serpentine in Hyde Park while listening to this orchestral medley from the Godzilla soundtrack.
Paul Williams, Nile Rodgers and Giorgio Moroder talk about their careers, music and working with Daft Punk. (via Daily Grindhouse)
“Of course I have a copy of The Private Life of Sherlock Holmes on video, but I don’t watch it very often. I even have, on tape now, the audio and video versions of those missing scenes. But it comforts me to know that they are still incomplete, and that there remain other scenes from […]
Black Lodge Singers perform the theme from The Flintstones pow-wow style (via @WFMU).
“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain […]
Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.
Mr. White and Mr. St. Mary have an in-depth look at Reservoir Dogs at The Projection Booth podcast. Special Guests: podcaster Jamie Jenkins, Film Threat‘s Paul Zimmerman and Reservoir Dogs executive producer, Monte Hellman. Special features include, Mike White’s video, “Who Do You Think You’re Fooling?” comparing Ringo Lam’s City On Fire and Reservoir Dogs, […]
At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.
Speaking from recent experience, I don’t recommend getting a cold/cough/(something virulent and archaic, like consumption?) that sticks around for 4-5 weeks. It kinda sucks. With reduced brainpower, I’ve been watching a lot of Rifftrax (“There can be only one?? You should have mentioned that earlier!”). Fun, but not much to say, except that, yup, Highlander […]
I’ve missed the spooky month of October by one day, and probably rotted my brain on too much Rifftrax. In lieu of coherent thoughts, here is a compilation of recent observations.
“I used a descending chromatic scale throughout the score,” explains Marc Wilkinson, who was director of music at the National Theatre when Haggard approached him to write the score for Blood On Satan’s Claw. “To make it scary, I omitted the perfect fifth, which is the one true consonant in the chromatic scale, and highlighted […]
Taylor Davis plays 6 parts of Alan Silvestri’s “Avengers Theme” on her violin.
Black Hole Reviews runs down the possible sources for the Drive soundtrack, track by track.
7 Japanese women responsible for “some of the greatest games ever to ever grace the store shelves.”
Gutter Comics Editor Carol wrote a little piece on Akira Kurosawa and action films over at the ActionFest Blog in honor of Kurosawa’s 102nd birthday.keep looking »