The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Elisabeth Luytens: Horror Queen of Composers”

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At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]

I Remember You

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When Screen Editor alex was recovering from surgery last year, we watched a bunch of episodes of Adventure Time together. We skipped the episode “I Remember You” because I just couldn’t watch it again without crying. It is one of the best episodes of the show. It is also one of the best depictions of […]

Interview with Jim Jarmusch

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At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer […]

“The James Bond Songs That Never Were”

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Cinema Reservoir has a collection of James Bond film theme songs “that never were.” (via @pornokitsch)

RIP, Bunta Sugawara

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Actor Bunta Sugawara has died. Sugawara is probably best known for his work in Kinji Fukasaku’s The Yakuza Papers/Battles Without Honor And Humanity film series. Sugawara also appeared in Norifumi Suzuki’s Trucker Yaro series, Spirited Away (2001), Tales From Earthsea (2006), Wolf Children (2012) and Kon Ichikawa’s Actress (1987) . The Asahi Shimbun, The Japan […]

RIP, Ken Takakura

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Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands […]

Interview with Filmmaker Peter Strickland

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The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.

“Sculptress of Sound: The Lost Works of Composer Delia Derbyshire”

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BBC Radio 4’s Matthew Sweet explores the music and life of composer Delia Derbyshire, probably best known for her work on Doctor Who‘s iconic theme song. “Her realisation of the Doctor Who theme is just one small example of her genius and we’ll demonstrate how the music was originally created as well as hearing individual […]

RIP, Bobby Womack

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Singer, songwriter and composer Bobby Womack has died. The stand-alone importance of his music aside, Womack’s songs were used in innumerable film soundtracks and Womack composed the soundtrack for Across 110th Street (1972). The Los Angeles Times, Time and The Telegraph have obituaries. At Ebony, Gary Harris remembers Womack. The New Yorker considers “The Unimpeachable […]

Top Ten (or Twenty) Akira Ifukube Tracks

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Drive-In Mob Capos Brian and Carol (aka, “The Gutter’s own Carol) each share ten of their favorite soundtrack tracks by composer Akira Ifukube.

RIP, Kate O’Mara

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Actor Kate O’Mara has died. She performed the Rani in Doctor Who, Caress Morell in Dynasty, Mademoiselle Perrodot in The Vampire Lovers and Alys in The Horror of Frankenstein. O’Mara also had roles in Absolutely Fabulous, The Avengers, The Saint, Danger Man / Secret Agent, The Persuaders and Adam Adamant Lives!  The Guardian, Digital Spy […]

The Goblin and The Resurrected Witch, Live in Budapest

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Jean-Michel Van Schouwburg (“The Goblin”) and Katalin Ladik (“The Resurrected Witch”) from the intensely sonic, Berberian Sound Studio, offer a performance of their vocal talent with sound designer Pál Tóth (aka, én) in Budapest.

Pop Culture That Makes Pop Culture Happy Hour Cry

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On Pop Culture Happy Hour, Linda, Stephen and Chris share what pop culture makes them cry and why.

Giant Mr. Darcy, All-Out Pride Attack!

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Please view these pictures of Giant Mr. Darcy from Jane Austen’s Pride & Prejudice rising out of the Serpentine in Hyde Park while listening to this orchestral medley from the Godzilla soundtrack.

Collaborators

Paul Williams, Nile Rodgers and Giorgio Moroder talk about their careers, music and working with Daft Punk. (via Daily Grindhouse)

On The Private Life of Sherlock Holmes

“Of course I have a copy of The Private Life of Sherlock Holmes on video, but I don’t watch it very often. I even have, on tape now, the audio and video versions of those missing scenes. But it comforts me to know that they are still incomplete, and that there remain other scenes from […]

“They All Sing Yabba-Dabba-Doo!”

Black Lodge Singers perform the theme from The Flintstones pow-wow style (via @WFMU).

The Words Got Stuck In My Throat

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“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain […]

Listen Up

Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.

Reservoir Dogs at The Projection Booth

Mr. White and Mr. St. Mary have an in-depth look at Reservoir Dogs at The Projection Booth podcast. Special Guests: podcaster Jamie Jenkins, Film Threat‘s Paul Zimmerman and Reservoir Dogs executive producer, Monte Hellman. Special features include, Mike White’s video, “Who Do You Think You’re Fooling?” comparing Ringo Lam’s City On Fire and Reservoir Dogs, […]

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  • Of Note Elsewhere

    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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    “Over the last couple of weeks, I’ve been binge-watching one of the most innovative series on television. Like many of the gems of the current TV renaissance, it features extended narratives with complex plots, intricate backstories, and layered characters. Its approach to storytelling is remarkably adventurous, shattering television, and even cinematic conventions.

     I’m speaking, of course, of General Hospital.” Noah Berlatsky writes about the influence of soap operas on “prestige television” at Quartz. (And make sure to click through to Akash Nikolas’ “Yes, Mad Men is a Soap Opera and that Shouldn’t be an Insult”).
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