As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.
Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
At Modern Korean Cinema, Pierce Conran shares his list of top ten Korean movies in 2013.
Director Bong Joon-ho confirms that the Weinstein Company will be cutting his film Snowpiercer for release in the “English-speaking territories.” Updates from Yahoo News and Variety via @NewKoreanCinema
At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”
A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]
PaikJiyeon’s People Inside features Simon Yam in all his sartorial splendor. “Simple, that is the best.” (First of multipart interview)
HAPS puts PSY’s protest style in context.
Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.
Paul Quinn interviews actor Lee Byung-hun (The Good, The Bad, The Weird; I Saw The Devil) for Hangul Cellulloid. “Every actor, especially the beginners, if they’re asked ‘Do you eventually want to be a star or a real actor?’ will answer that they want to be a real actor and not a star, 100%. However, […]
Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.” Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]
John Seabrook, aka, “Uncle Pervy,” created an overview of K-Pop video for all your booty-shaking, synchronized dance needs. Make sure to click through to his article on Korean pop music for The New Yorker. (via @sammy2lighters)
“PSY does something in his video that few other artists, Korean or otherwise, do: He parodies the wealthiest, most powerful neighborhood in South Korea. Sure, he uses physical humor to make it seemingly about him, a man who wants to project glamour but keeps falling short…But ultimately, by declaring ‘Oppa is Gangnam Style,’ he turns […]
At Modern Korean Cinema, Pierce Conran writes of discovering Korean film and, in particular, Jang Joon-hwan’s genre-blending, Save The Green Planet.
Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.
Fantasia Film Festival honored Bruce Leung Siu-Leung with their Legendary Kung Fu Star Award. He started his career as one of many Bruce Lee imitators before moving on working as an actor and action choreographer in films and television throughout the 1970s and 1980s. In the 2004, Leung returned as the Beast in Kung Fu […]
An excellent gallery of images and collections, as well as historical context on 100 years of Korean comics.
Wildgrounds breaks down their most anticipated films of 2011.
The bullets fly in Weng Jiang’s new Asian Western set in 1920s China: Let the Bullets Fly. It stars Chow Yun-Fat, Carina Lau and Weng Jiang himself. And though that sure sounds like Chow Yun-Fat, word is Mr. Chow has been dubbed. It would make a nice double feature with The Good, The Bad, The […]keep looking »