The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Park Joon-Hung

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Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

Best Korean Movies of 2013

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At Modern Korean Cinema, Pierce Conran shares his list of top ten Korean movies in 2013.

Cutting Snowpiercer

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Director Bong Joon-ho confirms that the Weinstein Company will be cutting his film Snowpiercer for release in the “English-speaking territories.” Updates from Yahoo News and Variety via @NewKoreanCinema

The Weinstein Company vs. Asian Cinema

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At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”

Strong Female Character

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A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]

Interview with Simon Yam Tat-Wah

PaikJiyeon’s People Inside features Simon Yam in all his sartorial splendor. “Simple, that is the best.” (First of multipart interview)

“Protest Style”

HAPS puts PSY’s protest style in context.

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.

Interview with Lee Byung-hun

Paul Quinn interviews actor Lee Byung-hun  (The Good, The Bad, The Weird; I Saw The Devil) for Hangul Cellulloid. “Every actor, especially the beginners, if they’re asked ‘Do you eventually want to be a star or a real actor?’ will answer that they want to be a real actor and not a star, 100%. However, […]

Cloud Atlas, Racebending and Racism

Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.”  Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]

“Uncle Pervy’s K-Pop Playlist”

John Seabrook, aka, “Uncle Pervy,” created an overview of K-Pop video for all your booty-shaking, synchronized dance needs. Make sure to click through to his article on Korean pop music for The New Yorker. (via @sammy2lighters)  

What is Gangnam Style?

“PSY does something in his video that few other artists, Korean or otherwise, do: He parodies the wealthiest, most powerful neighborhood in South Korea. Sure, he uses physical humor to make it seemingly about him, a man who wants to project glamour but keeps falling short…But ultimately, by declaring ‘Oppa is Gangnam Style,’ he turns […]

Discovering Korean Cinema

At Modern Korean Cinema, Pierce Conran writes of discovering Korean film and, in particular, Jang Joon-hwan’s genre-blending, Save The Green Planet.

Interview with Ryoo Seung-Wan

Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.

Congratulations Bruce Leung Siu-Leung!

Fantasia Film Festival honored Bruce Leung Siu-Leung with their Legendary Kung Fu Star Award. He started his career as one of many Bruce Lee imitators before moving on working as an actor and action choreographer in films and television throughout the 1970s and 1980s.  In the 2004, Leung returned as the Beast in Kung Fu […]

100 Years of Manhwa

An excellent gallery of images and collections, as well as historical context on 100 years of Korean comics.

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

Let The Bullets Fly

The bullets fly in Weng Jiang’s new Asian Western set in 1920s China:  Let the Bullets Fly.  It stars Chow Yun-Fat, Carina Lau and Weng Jiang himself. And though that sure sounds like Chow Yun-Fat, word is Mr. Chow has been dubbed. It would make a nice double feature with The Good, The Bad, The […]

Summer Fun Time Reading!

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It’s summertime and all the happenin’ sites have advice about bikinis, manscaping, quick cool meals and reading lists. I have no idea what to tell you about beachwear, other than you do look cute in that, but I do have some reading suggestions.

keep looking »
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  • Of Note Elsewhere

    “To celebrate the 25th anniversary of [Mystery Science Theater 3000]’s national debut, Wired presents an oral history of the greatest talk-back show ever made. It all begins in the late ’60s in rural Wisconsin, where there was this guy named Joel, not too different from you or me…” Read it here. (Thanks, Less Lee!)

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    The fashions of The Cosby Show are reviewed at Huxtable Hotness.

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    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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