The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“How the South Korean Government made K-Pop a Thing”

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All Things Considered reports on Make It Pop and South Korean government’s nurturing of Korean pop music, including a special department dedicated to K-Pop at the Ministry of Culture. “This included doing things like building massive, multi-million dollar concert auditoriums, refining hologram technology, and even helping regulate noeraebangs — karaoke bars — to protect the […]

Free Oline Korean Film

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The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.

Interview with Park Joon-Hung

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Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

Best Korean Movies of 2013

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At Modern Korean Cinema, Pierce Conran shares his list of top ten Korean movies in 2013.

Cutting Snowpiercer

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Director Bong Joon-ho confirms that the Weinstein Company will be cutting his film Snowpiercer for release in the “English-speaking territories.” Updates from Yahoo News and Variety via @NewKoreanCinema

The Weinstein Company vs. Asian Cinema

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At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”

Strong Female Character

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A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]

Interview with Simon Yam Tat-Wah

PaikJiyeon’s People Inside features Simon Yam in all his sartorial splendor. “Simple, that is the best.” (First of multipart interview)

“Protest Style”

HAPS puts PSY’s protest style in context.

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.

Interview with Lee Byung-hun

Paul Quinn interviews actor Lee Byung-hun  (The Good, The Bad, The Weird; I Saw The Devil) for Hangul Cellulloid. “Every actor, especially the beginners, if they’re asked ‘Do you eventually want to be a star or a real actor?’ will answer that they want to be a real actor and not a star, 100%. However, […]

Cloud Atlas, Racebending and Racism

Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.”  Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]

“Uncle Pervy’s K-Pop Playlist”

John Seabrook, aka, “Uncle Pervy,” created an overview of K-Pop video for all your booty-shaking, synchronized dance needs. Make sure to click through to his article on Korean pop music for The New Yorker. (via @sammy2lighters)  

What is Gangnam Style?

“PSY does something in his video that few other artists, Korean or otherwise, do: He parodies the wealthiest, most powerful neighborhood in South Korea. Sure, he uses physical humor to make it seemingly about him, a man who wants to project glamour but keeps falling short…But ultimately, by declaring ‘Oppa is Gangnam Style,’ he turns […]

Discovering Korean Cinema

At Modern Korean Cinema, Pierce Conran writes of discovering Korean film and, in particular, Jang Joon-hwan’s genre-blending, Save The Green Planet.

Interview with Ryoo Seung-Wan

Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.

Congratulations Bruce Leung Siu-Leung!

Fantasia Film Festival honored Bruce Leung Siu-Leung with their Legendary Kung Fu Star Award. He started his career as one of many Bruce Lee imitators before moving on working as an actor and action choreographer in films and television throughout the 1970s and 1980s.  In the 2004, Leung returned as the Beast in Kung Fu […]

100 Years of Manhwa

An excellent gallery of images and collections, as well as historical context on 100 years of Korean comics.

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

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  • Of Note Elsewhere

    Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

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    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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