I don’t remember how it was I first came across Adam Adamant Lives!, though I suspect it was the culmination of a plot put into motion the day I was born, my sole purpose for existing being so that I might one day discover a British television show about a swashbuckling Edwardian gentleman adventurer who is frozen by his mortal enemy and revived in swingin’ sixties London, at which time he teams up with a hip young woman and resumes his life of derring-do and crime-fighting. It’s as if the creative team at the BBC sat down one day and thought, “Well, some day Keith Allison going to be born, and he’s going to want to see this show.” Continue reading…
Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)
Czech filmmaker Věra Chytilová has died. She was a central director in the Czech New Wave in the 1960s and is probably best known for her film, Daisies (1966). The Prague Post, The Houston Chronicle, The AV Club and The New York Times have obituaries. Fresques has an interview with Chytilová.
At Teleport City, The Gutter‘s own Keith Allison continues to share his adventures in Prague. This time, he visits the Prague Museum of Communism.
“Tereshkova was celebrated in songs and her face was put on postage stamps. Soon after her flight, she was married off to a fellow cosmonaut, Andriyan Nikolayev. Khrushchev gave the bride away at a wedding filled with the Soviet equivalent of Hello magazine photographers. When the couple eventually split, their divorce needed the personal approval […]
Retronaut has a gallery of Soviet Era children’s board games. (via @wfmu)
Imprint Magazine puts Jack Kirby’s collage in an art history context.
Abebooks has a gorgeous gallery of Russian Avant Garde book cover illustration from the end of the Czarist era through the 1930s.
A thorough and well-illustrated look at Soviet science fiction, from the 1920s through the 1980s. (via SF Signal)
Manohla Dargis and A.O. Scott defend the slow and the boring film, giving as examples, Andrei Tarkovsky’s Solaris and Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives. Dargis sees them giving space for thought. Scott sees “protests against the deep…[as] mask[ing] another agenda, which is a defense of the corporate status quo.” And […]
Mario is a hero of the Proletariat.
The Master and Margarita anime? That’s right, Russian animation in Japanese style at Catsuka!
Kathryn Bigelow won a best directing Oscar for The Hurt Locker. Time for a retrospective. Here’s the trailer for Near Dark and some clips. Point Break (i.e. Keeanu Reeves best movie). Jamie Lee Curtis in the cop thriller, Blue Steel. The premillennial tension of Strange Days. The Pirelli ad, Mission Zero. And her sub movie, […]
It’s like the 1980s are a black hole and the event horizon reaches forever: The A-Team, The Karate Kid, A Nightmare on Elm Street, Tron, Ghostbusters, Conan The Barbarian, Red Dawn, Short Circuit and Wall Street.
Step right up for your glimpse of Slate Magazine’s slideshow collection of cartographic curiosities!
Is there anything sadder than Laika? (Art by Nick Abadzis, music by Luca Tozzi).
The title alone makes this story about the first primates in space worthwhile: “After 50 Years, Space Monkeys Not Forgotten.”
John Plotz re-watches Red Dawn and sees a different movie: “Red Dawn did not conjure up the chest-swelling patriotism I felt as a 14-year-old. Instead, it turned out to be disturbing in an entirely unexpected way.”
Get the skinny on spying with the International Spy Museum’s SpyCast. The Background Briefings about East Germany’s “Romeo agents” and “Spies of the Kaiser” are pretty neat, too.
In 1970s Sweden a bullied boy falls for a girl who’s been 12 for a long time. Enjoy elegant effects and nice winter shots in Let The Right One In.
“Giant Intelligent Commie Apes!” Just what it says.keep looking »