“During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)
Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)
Behold the creepy, eerily beautiful, hellishly frightening and sometimes hilarious delights of this year’s Vanguard Program at the Toronto International Film Festival: Demon; February; The Missing Girl; Evolution; Lace Crater; Der Nachtmahr; Collective Invention; Love; Men & Chickens; My Big Night; Veteran; Hellions; Endorphine; Zoom; and, No Men Beyond This Point. (The Gutter’s own Carol […]
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).
Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.
At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)
Quartz writes about “Camera In The Mirror,” an Mario Santamaría’s Tumblr art project collecting the Google Streetview camera’s photographs of itself in museums. “Collected together, the Google-camera selfies are at turns unsettling, revealing, and absurd—unintentionally upstaging the art they’re meant to quietly document.”
Behold the creepily organic splendor of Gonzalo Vaíllo Martínez’ design for a house. “Organic louvred panels incorporated into the building’s skin open and close like gills, while other openings stretch and widen to adjust the amount of light entering the interior.”
Blacksad artist Juanjo Guarnido is interviewed at Nippon.com. And Nippon.com shares mangaka Mashima Hiro’s thoughts on Blacksad and Juanjo Guarnido’s influence on his own work.
Publisher of Screw magazine and pornography and free speech advocate Al Goldstein has died. The Guardian, The Village Voice, The New York Times and The Miami Herald have obituaries. And here’s a blog dedicated to the appreciation of Screw magazine’s cover art (NSFW & warning: possible triggers).
All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival. And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]
The Midnight Madness Program at the Toronto International Film Festival has been announced. The films being screened are: All Cheerleaders Die; The Station / Der Blutgletscher; The Green Inferno; Oculus (that’s the trailer for the original short); Afflicted; Almost Human; Rigor Mortis; R100; Why Don’t You Play In Hell?; and, Witching & Bitching / Las […]
Director, writer and actor Jésus “Jess” Franco has died. Franco directed just under two hundred films between 1957 and 2012. Chris Alexander writes a tribute to Franco at Fangoria. Here’s footage of Franco accepting his Goya Award. And here, Franco talks about horror movies and the production of Bloody Moon. Update: The Guardian has an […]
It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]
Molly Crabapple illustrates Salvador Dalí’s personal manifesto, “My Struggle.”
Possibly the world’s first old dark house movie, The Haunted House (1908) by Segundo de Chomón and the first vampire/Satanic castle movie, Le Manoir du Diable (1896) by Georges Méliès. (Thanks, Keith and Teleport City!)
This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found trailers for Beijing Flickers; Here Comes The […]
The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for).
Imprint Magazine puts Jack Kirby’s collage in an art history context.
Trailers for movies playing at ActionFest 2012: Solomon Kane; Manborg; Wonder Women! The Untold Story of American Superheroines; The Raid; True Romance; Wu Xia; Dragon Eyes; Let The Bullets Fly; A Gang Story; The Lost Bladesman; God Bless America; Goon; The Aggression Scale; The Day; Headhunters; Transit; Sinners and Saints; Bad Ass; The Wild Bunch […]keep looking »