The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

My Year With The Fantastic Four

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Days after we rang in the New Year, I finished a year spent reading all of the Fantastic Four comics, from Stan Lee and Jack Kirby’s earth-shattering first issue in 1961, which explained how four family members and friends were transformed by cosmic rays into super-powered adventurers, through the latest issues in 2015 by James […]

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.” Like this:Like Loading…

“As Told To Stan Lee”

Dedicated to romance comics–especially Marvel romance comics–As Told To Stan Lee shares panels of shirtless men and bikini-clad ladies in love. (Thanks, Keith!) Like this:Like Loading…

RIP, Joe Simon

Comics writer and artist Joe Simon has died. Simon created Captain America with Jack Kirby and, according to Michael Cavna at Comic Riffs blog, “Virtuoso though he was, his most iconic image from 80 years in the industry will remain the introduction of Captain America socking Hitler in the jaw in 1941.” Comic Riffs has […]

The Creature in the Black Bog

In honor of Steve Ditko’s birthday, The Belated Nerd has posted Steve Ditko and Stan Lee’s “The Creature in the Black Bog” from Tales of Suspense #23 Like this:Like Loading…

The Jack Kirby Estate vs. Marvel

The Kirby estate’s copyright case has come to the attention of The New York Times. Kirby’s heirs are suing for ownership rights in his many, many creations at Marvel.  “Of course these court battles are about money. They also force the modern entertainment industry to reckon with the often amoral practices of the old comics […]

The Governator

Stan Lee and Arnold Schwarzenegger have joined forces for, The Governator. Like this:Like Loading…

Robot Hater!

It is the year 2000 and you are Vincent Latimer, “Robot Hater!” (Or you are a reader of a comic in the second person). Like this:Like Loading…

The History of Black Comic Book Heroes Through the Ages

Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008).  (Click it! It’s amazing). Like this:Like Loading…

Black Panther Animated Series

Marvel’s animating my childhood with their upcoming Black Panther series for BET. (No, I wasn’t T’Challa, the King of Wakanda. I just loved Black Panther). Animated Superheroes has the theme song as well as screen shots of characters and the voice-acting credits. (via Black SuperHero Blog). Like this:Like Loading…

Rob Liefield, Scene By Scene

Chris Sims watches The Comic Book Greats: Rob Liefield, in which a 23-year-old Rob Liefield is interviewed by the ever-lovin’ Stan Lee.  “[W]hether you think of Liefeld as the dynamic heir to Jack Kirby or the much-deserved punching-bag of the Comics Internet, it makes for a fascinating snapshot of one of the strangest times in […]

Flame On!

Calling all True Believers, the Fantastic Four is on the air starring Bill Murray as the voice of Johnny Storm, the Human Torch. Like this:Like Loading…

It’s the only way to resolve differences.

The Thing and the Hulk clobber and smash each other in mixed media. It’s the only way to resolve differences.  (Make sure to follow the link through to the Stan Lee Excelsior Exhibit entries). Like this:Like Loading…

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  • Of Note Elsewhere

    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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    John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

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    At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block capitals and neon letters because this issue is triggery and terrible, and really aptly illustrates just how awful MMFR could have been if it were made without intentionally setting aside lazy (and terrible) narratives about women and rape in order to be better than that. Also, I would honestly recommend going into this post with the mindset that this comic is some kind of terrible non-canon spinoff, because I don’t want to ruin MMFR for anyone.” (Thanks, Century Scully Ono!)

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