The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.”

“As Told To Stan Lee”

Dedicated to romance comics–especially Marvel romance comics–As Told To Stan Lee shares panels of shirtless men and bikini-clad ladies in love. (Thanks, Keith!)

RIP, Joe Simon

Comics writer and artist Joe Simon has died. Simon created Captain America with Jack Kirby and, according to Michael Cavna at Comic Riffs blog, “Virtuoso though he was, his most iconic image from 80 years in the industry will remain the introduction of Captain America socking Hitler in the jaw in 1941.” Comic Riffs has […]

The Creature in the Black Bog

In honor of Steve Ditko’s birthday, The Belated Nerd has posted Steve Ditko and Stan Lee’s “The Creature in the Black Bog” from Tales of Suspense #23

The Jack Kirby Estate vs. Marvel

The Kirby estate’s copyright case has come to the attention of The New York Times. Kirby’s heirs are suing for ownership rights in his many, many creations at Marvel.  “Of course these court battles are about money. They also force the modern entertainment industry to reckon with the often amoral practices of the old comics […]

The Governator

Stan Lee and Arnold Schwarzenegger have joined forces for, The Governator.

Robot Hater!

It is the year 2000 and you are Vincent Latimer, “Robot Hater!” (Or you are a reader of a comic in the second person).

The History of Black Comic Book Heroes Through the Ages

Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008).  (Click it! It’s amazing).

Black Panther Animated Series

Marvel’s animating my childhood with their upcoming Black Panther series for BET. (No, I wasn’t T’Challa, the King of Wakanda. I just loved Black Panther). Animated Superheroes has the theme song as well as screen shots of characters and the voice-acting credits. (via Black SuperHero Blog).

Rob Liefield, Scene By Scene

Chris Sims watches The Comic Book Greats: Rob Liefield, in which a 23-year-old Rob Liefield is interviewed by the ever-lovin’ Stan Lee.  “[W]hether you think of Liefeld as the dynamic heir to Jack Kirby or the much-deserved punching-bag of the Comics Internet, it makes for a fascinating snapshot of one of the strangest times in […]

Flame On!

Calling all True Believers, the Fantastic Four is on the air starring Bill Murray as the voice of Johnny Storm, the Human Torch.

It’s the only way to resolve differences.

The Thing and the Hulk clobber and smash each other in mixed media. It’s the only way to resolve differences.  (Make sure to follow the link through to the Stan Lee Excelsior Exhibit entries).

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  • Of Note Elsewhere

    “To celebrate the 25th anniversary of [Mystery Science Theater 3000]’s national debut, Wired presents an oral history of the greatest talk-back show ever made. It all begins in the late ’60s in rural Wisconsin, where there was this guy named Joel, not too different from you or me…” Read it here. (Thanks, Less Lee!)

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    The fashions of The Cosby Show are reviewed at Huxtable Hotness.

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    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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