The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.” Like this:Like Loading…

“As Told To Stan Lee”

Dedicated to romance comics–especially Marvel romance comics–As Told To Stan Lee shares panels of shirtless men and bikini-clad ladies in love. (Thanks, Keith!) Like this:Like Loading…

RIP, Joe Simon

Comics writer and artist Joe Simon has died. Simon created Captain America with Jack Kirby and, according to Michael Cavna at Comic Riffs blog, “Virtuoso though he was, his most iconic image from 80 years in the industry will remain the introduction of Captain America socking Hitler in the jaw in 1941.” Comic Riffs has […]

The Creature in the Black Bog

In honor of Steve Ditko’s birthday, The Belated Nerd has posted Steve Ditko and Stan Lee’s “The Creature in the Black Bog” from Tales of Suspense #23 Like this:Like Loading…

The Jack Kirby Estate vs. Marvel

The Kirby estate’s copyright case has come to the attention of The New York Times. Kirby’s heirs are suing for ownership rights in his many, many creations at Marvel.  “Of course these court battles are about money. They also force the modern entertainment industry to reckon with the often amoral practices of the old comics […]

The Governator

Stan Lee and Arnold Schwarzenegger have joined forces for, The Governator. Like this:Like Loading…

Robot Hater!

It is the year 2000 and you are Vincent Latimer, “Robot Hater!” (Or you are a reader of a comic in the second person). Like this:Like Loading…

The History of Black Comic Book Heroes Through the Ages

Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008).  (Click it! It’s amazing). Like this:Like Loading…

Black Panther Animated Series

Marvel’s animating my childhood with their upcoming Black Panther series for BET. (No, I wasn’t T’Challa, the King of Wakanda. I just loved Black Panther). Animated Superheroes has the theme song as well as screen shots of characters and the voice-acting credits. (via Black SuperHero Blog). Like this:Like Loading…

Rob Liefield, Scene By Scene

Chris Sims watches The Comic Book Greats: Rob Liefield, in which a 23-year-old Rob Liefield is interviewed by the ever-lovin’ Stan Lee.  “[W]hether you think of Liefeld as the dynamic heir to Jack Kirby or the much-deserved punching-bag of the Comics Internet, it makes for a fascinating snapshot of one of the strangest times in […]

Flame On!

Calling all True Believers, the Fantastic Four is on the air starring Bill Murray as the voice of Johnny Storm, the Human Torch. Like this:Like Loading…

It’s the only way to resolve differences.

The Thing and the Hulk clobber and smash each other in mixed media. It’s the only way to resolve differences.  (Make sure to follow the link through to the Stan Lee Excelsior Exhibit entries). Like this:Like Loading…

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

    ~

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