The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”
So Winston Churchill, Emma Goldman, and Alexander Graham Bell walk into a bar… Murdoch Mysteries isn’t quite as over the top as that, but it’s still basically what you get. Substitute Benjamin Franklin, Betsy Ross, and Pandora and you’d have Sleepy Hollow, which actually is that over the top. They’re examples of the nearly endless […]
SF Signal talks with authors Jaymee Goh and Joyce Chng about Southeast Asian steampunk and their anthology, The Sea Is Ours: Tales of Steampunk Southeast Asia.
Author and comics creator Marjorie Liu is interviewed by Nerds of Color and The Beat about her latest comic, Monstress. “There are a couple ways to describe Monstress. The first way is as a dark steampunk epic fantasy about a girl who has a psychic connection to a monster. On another level, there were a […]
I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]
At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]
At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.”
Pornokitsch writer (and Kitschies judge) Jared Shurin writes about fairies as fuel and the vast potential of Steampunk as a resource for discussing industrialization.
Shakespeare claims it’s April, psychologists say it’s December. But I think July is the cruellest month. It’s hot; it’s grossly humid; I never manage to swing a proper holiday. This year I have the added irritant of lacking air-conditioning both at home and at work. Argh.
Sometimes something, in itself, is just perfect. Pes’ “The Deep” is. It’s an animated short of abyssal life using tools, keys and an ammunition belt. (via The Accidental Optimist)
Warren Ellis asked the internet for posters for a steampunk Batman silent movie, and the internet delivered. (via Toronto Silent Film Festival)
Agatha H and the Airship City looks like pretty promising steampunkery, “push[ing] the boundaries of Steampunk past the polite boundaries of pseudo-Victoriana and into full-on techno-madness!”
Another respectable media outlet takes a look at steampunkery.
Play unimaginable games staked on innocent souls or divine the unholy, maddening fate that awaits you (and perhaps how to save yourself) with the recently rediscovered Windrow-Ravenswood Deck.