The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

Soulless and The Waters of Modern Horror Writing

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At Teleport City, Keith Allison reviewins Gail Carriger’s Soulless and slowly wades into “the waters of modern horror writing”. “An entire ocean of literature that teaches young kids that weird, spooky, awkward, and different people are awesome? I can deal with that.”

“Flip a Switch, a Fairy Dies”

Pornokitsch writer (and Kitschies judge) Jared Shurin writes about fairies as fuel and the vast potential of Steampunk as a resource for discussing industrialization.

Whine. And Cheese.

Shakespeare claims it’s April, psychologists say it’s December.  But I think July is the cruellest month.  It’s hot; it’s grossly humid; I never manage to swing a proper holiday.  This year I have the added irritant of lacking air-conditioning both at home and at work.  Argh.

Deep Animation

Sometimes something, in itself, is just perfect. Pes’ “The Deep” is. It’s an animated short of abyssal life using tools, keys and an ammunition belt. (via The Accidental Optimist)

Silent Steampunk Batman

Warren Ellis asked the internet for posters for a steampunk Batman silent movie, and the internet delivered. (via Toronto Silent Film Festival)

Agatha H and the Airship City

Agatha H and the Airship City looks like pretty promising steampunkery, “push[ing] the boundaries of Steampunk past the polite boundaries of pseudo-Victoriana and into full-on techno-madness!”

Steampunkery

Another respectable media outlet takes a look at steampunkery.

The Windrow-Ravenswood Deck

Play unimaginable games staked on innocent souls or divine the unholy, maddening fate that awaits you (and perhaps how to save yourself) with the recently rediscovered Windrow-Ravenswood Deck.

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  • Of Note Elsewhere

    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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