The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Twilight’s Anti-Fandom

Emma Vossen examines Twilight hate and anti-fans, writing: “People have become eager anti-fans of the series, creating an active subculture that manifests in hateful dialogue and value judgements on a seemingly arbitrary slice of a very large pop culture pie.”

High Fantasy for Young Adults

At The New Yorker, Adam Gopnik writes about The Lord of the Rings and its influence on young adult fantasy, how Tolkien’s fusing of the epic and the familiarly domestic brought us Eragon and Twilight. “Kids go to fantasy not for escape but for organization, and a little elevation; since life is like this already, […]

We Need To Talk (Again)

Due to a personal emergency, Romance Editor Chris Szego won’t be able to post a new article this week. She will be back next month. Enjoy this timely piece, originally published in 2009. I’ve put it off long enough. Thought, ‘We can get into that later’, and ‘I should wait till the fuss dies down […]

“Hi, I’m Twilight. And I’m True Blood.”

Twilight and True Blood have an animated Barbie off. (via Cinema Junkie)

By Any Other Name

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Despite being the largest piece of the trade publishing pie, there’s a lot of good stuff to read out there that isn’t Romance.  And I try to get through as much of it as possible*.  Funnily enough, though, much of the other fiction I read tends to have some sort of romance in it somewhere.  […]

“Tresspassing on Sacred Ground”

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As part of TCM‘s Race & Hollyood: Native American Images on Film” festival, Movie Morlocks has posted part 1 of an essay on Native Americans in horror movies from The Werewolf a 1913 Canadian silent to J.T. Petty’s The Burrowers and Twilight: New Moon: “The inclusion of Native Americans into actual horror movies boils down […]

Talking More Twilight

Gabe Lezra hits a nerve when he writes about the white man’s burden in Twilight and New Moon and wonders why there’s no Team Bella and the comments at The Wesleyan Argus are all kerfuffled.

We Need to Talk

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I’ve put it off long enough. Thought, ‘We can get into that later’, and ‘I should wait till the fuss dies down a little’. But truth is, we’re overdue. It’s time we talked. About Twilight

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  • Of Note Elsewhere

    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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