The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Twilight’s Anti-Fandom

Emma Vossen examines Twilight hate and anti-fans, writing: “People have become eager anti-fans of the series, creating an active subculture that manifests in hateful dialogue and value judgements on a seemingly arbitrary slice of a very large pop culture pie.”

High Fantasy for Young Adults

At The New Yorker, Adam Gopnik writes about The Lord of the Rings and its influence on young adult fantasy, how Tolkien’s fusing of the epic and the familiarly domestic brought us Eragon and Twilight. “Kids go to fantasy not for escape but for organization, and a little elevation; since life is like this already, […]

We Need To Talk (Again)

Due to a personal emergency, Romance Editor Chris Szego won’t be able to post a new article this week. She will be back next month. Enjoy this timely piece, originally published in 2009. I’ve put it off long enough. Thought, ‘We can get into that later’, and ‘I should wait till the fuss dies down […]

“Hi, I’m Twilight. And I’m True Blood.”

Twilight and True Blood have an animated Barbie off. (via Cinema Junkie)

By Any Other Name

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Despite being the largest piece of the trade publishing pie, there’s a lot of good stuff to read out there that isn’t Romance.  And I try to get through as much of it as possible*.  Funnily enough, though, much of the other fiction I read tends to have some sort of romance in it somewhere.  […]

“Tresspassing on Sacred Ground”

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As part of TCM‘s Race & Hollyood: Native American Images on Film” festival, Movie Morlocks has posted part 1 of an essay on Native Americans in horror movies from The Werewolf a 1913 Canadian silent to J.T. Petty’s The Burrowers and Twilight: New Moon: “The inclusion of Native Americans into actual horror movies boils down […]

Talking More Twilight

Gabe Lezra hits a nerve when he writes about the white man’s burden in Twilight and New Moon and wonders why there’s no Team Bella and the comments at The Wesleyan Argus are all kerfuffled.

We Need to Talk

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I’ve put it off long enough. Thought, ‘We can get into that later’, and ‘I should wait till the fuss dies down a little’. But truth is, we’re overdue. It’s time we talked. About Twilight

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  • Of Note Elsewhere

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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