The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Twilight’s Anti-Fandom

Emma Vossen examines Twilight hate and anti-fans, writing: “People have become eager anti-fans of the series, creating an active subculture that manifests in hateful dialogue and value judgements on a seemingly arbitrary slice of a very large pop culture pie.” Like this:Like Loading…

High Fantasy for Young Adults

At The New Yorker, Adam Gopnik writes about The Lord of the Rings and its influence on young adult fantasy, how Tolkien’s fusing of the epic and the familiarly domestic brought us Eragon and Twilight. “Kids go to fantasy not for escape but for organization, and a little elevation; since life is like this already, […]

We Need To Talk (Again)

Due to a personal emergency, Romance Editor Chris Szego won’t be able to post a new article this week. She will be back next month. Enjoy this timely piece, originally published in 2009. I’ve put it off long enough. Thought, ‘We can get into that later’, and ‘I should wait till the fuss dies down […]

“Hi, I’m Twilight. And I’m True Blood.”

Twilight and True Blood have an animated Barbie off. (via Cinema Junkie) Like this:Like Loading…

By Any Other Name

heart of gold 80.jpeg

Despite being the largest piece of the trade publishing pie, there’s a lot of good stuff to read out there that isn’t Romance.  And I try to get through as much of it as possible*.  Funnily enough, though, much of the other fiction I read tends to have some sort of romance in it somewhere.  […]

“Tresspassing on Sacred Ground”

Reblog this post [with Zemanta]

As part of TCM‘s Race & Hollyood: Native American Images on Film” festival, Movie Morlocks has posted part 1 of an essay on Native Americans in horror movies from The Werewolf a 1913 Canadian silent to J.T. Petty’s The Burrowers and Twilight: New Moon: “The inclusion of Native Americans into actual horror movies boils down […]

Talking More Twilight

Gabe Lezra hits a nerve when he writes about the white man’s burden in Twilight and New Moon and wonders why there’s no Team Bella and the comments at The Wesleyan Argus are all kerfuffled. Like this:Like Loading…

We Need to Talk

teenyapple.JPG

I’ve put it off long enough. Thought, ‘We can get into that later’, and ‘I should wait till the fuss dies down a little’. But truth is, we’re overdue. It’s time we talked. About Twilight Like this:Like Loading…

  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

    ~

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

    ~

    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

    ~

    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

    ~

    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

    ~

    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: