At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”
Writers share their “lowbrow” and gutter influences at Electric Lit: “I love Melville but Melville never wrote me a Choose Your Own Adventure book. And I needed that experience first if I was ever going to get to Melville.”
It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]
This week, Science Fiction Editor Emeritus James Schellenberg returns as a Guest Star. Screen Editor alex MacFadyen will return next month. You can easily glance off the top of any book by Stephen King–get a few frights and move on. But there’s a hidden world beneath almost all of his books, and not only is […]
“I think I can speak for all of us: We’d rather be doing slapstick comedy. But because we were so concerned, at the time, with getting our work into theaters, we thought: ‘Eh, horror films. That’s a good way in.’” More history of Evil Dead II at The Hollywood Reporter. (via The Projection Booth)
At Tor.com, Grady Hendrix rereads Stephen King’s IT:
Grady Hendrix reviews episodes of the tv adaptation of Stephen King’s Under The Dome for Tor.com. Science Fiction Editor Emeritus James wrote about the book here. They are both disappointed, but their disappointment is interesting and sometimes hilarious.
The trouble with endings, of course, is that they are really difficult to do well. I’ll try to take that warning to heart myself, since this piece will be my last for The Cultural Gutter. And what better way to wrap up a really fun time on a neat project than to look at endings!
Speaking from recent experience, I don’t recommend getting a cold/cough/(something virulent and archaic, like consumption?) that sticks around for 4-5 weeks. It kinda sucks. With reduced brainpower, I’ve been watching a lot of Rifftrax (“There can be only one?? You should have mentioned that earlier!”). Fun, but not much to say, except that, yup, Highlander […]
Grady Hendrix has been re-reading Stephen King’s books. Night Shift‘s time has come. “Night Shift would not only earn him a lot of Hollywood bank, and it wouldn’t just introduce him to Dino De Laurentiis, but it also spawned six feature films, one film franchise, four television movies, and an uncountable number of short movies. It […]
The specter of Victor Frankenstein’s creature has been haunting me, confronting me with the horror if his creation and inherent in his being. He stalks me, in his way, as surely as he stalked Victor. Perhaps he’s just been curiously peering at me, as the creature watched humans in Mary Shelley’s novel, emulating our virtues […]
In which I take a rambling walk through some recent semi-connected pop culture items, starting with a videogame reboot that’s actually worth playing, moving on to nostalgia for a nostalgia-based movie, and ending with a look at child actors, in reality and in novel form.
Joe Humphrey relates his own coming of age with Stephen King’s books and movies based on King’s stories at Paracinema.
Some thoughts on the new musical version of Carrie.
Via the Wertzone: RIP Darrell K. Sweet (and Michael Whelan will be doing the last Wheel of Time cover), and a blistering review of Under the Dome (which might explain the non-review here on the Gutter last year).
This week Gutter Guest Darryl Shaw fills in for Screen Editor alex MacFadyen. “I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. […]
A confession: I’m having trouble making my way through Stephen King’s Under the Dome. I must also confess I’m a bit puzzled by this. I’m definitely a fan of King’s work. And from what I’ve read so far, this book sticks pretty closely to high points of his career. What gives?
Linda Holmes says, “Thank Goodness Stephen King is making backbreaking, self-indulgent doorstops again.” And she means it.
1. Overture IslandOn December 4, 2008, the future ended. The event that marked its end was the death of a 92-year old man from the not uncommon cause of heart failure. It would not have been an epoch-ending event save for one detail: the man’s name was Forest J Ackerman.
Fighting the Thieves’ Guild. Beautiful wenches, dazzling swordplay, heaps of treasure, dark spells. Where do all these cliches come from? A lot of them are from people who ripped off Fritz Lieber, who could write circles around just about anybody. And show us a good time doing it too.
Flatter your reader. That sounds like a pretty solid narrative strategy! Make your audience think they are really smart, and they’ll probably come back for more. Books can do this automatically, just by the virtue of taking us into the thoughts of other people – not so easy in real life. Some stories take us […]keep looking »