The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Rape of James Bond”

Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)

Breaking Point

“[A]t the age of 41, at about 94 minutes into The Divide,” Drew McWeeny writes, “I reached a breaking point, and I realized that I am pretty much incapable of sitting through one more cheap, pointless, exploitative rape in a movie.”

The Vulnerable Girl with the Dragon Tattoo

Monika Bartyzel writes about “softening and sexualizing Lisbeth Salander” in David Fincher’s adaptation of The Girl with the Dragon Tattoo, the pre-release posters and Stieg Larsson and his novel. “There seems to be a relief that Mara’s Salander is a more relatable person, that classic ‘female’ tropes like softness and vulnerability are visible. It speaks […]

Mishmash: McKillip’s Fate, Undersea Rapture, and Millennium Movies

bioshock2-small.jpg

What do a riddlemaster on a quest, an undersea utopia gone wrong, and sexual perversion in Sweden have in common? The answer: nothing! But I don’t have a big thing to talk about this month, so I’ll have to make do with a mishmash.

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  • Of Note Elsewhere

    Nerds of Color announces that their own David Walker will be writing Dynamite’s Shaft comic. Denys Cowan shares the cover for Shaft #1 drawn by Cowan and Bill Sienkiewicz. Sanford Greene shares some his cover work here and here. Black Comix posts Ulises Farinas’ cover.  Comics Wow has more and previews covers. (Via Black Comix and World of Hurt)

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    Actor Richard Kiel has died. Kiel worked in both film and television, including performances in The Twilight Zone episode, “To Serve Man”; Eegah (1962); The Barbary Coast with William Shatner; Happy Gilmore (1996); Pale Rider (1985); as Vlad in Tangled (201); and as Jaws in The Spy Who Loved Me (1977) and Moonraker (1979).   The New York TimesThe Los Angeles Times and Variety have obituaries. Here he is interviewed with Britt Ekland. And David Letterman interviews Kiel here.

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    Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)

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    Matt Zoller Seitz has written a lovely meditation on Robin Williams at RogerEbert.com: “Williams wore the invisible garments of depression. He carried that burden. A lot of the time we didn’t see it, because he was a bright and enthusiastic comic performer and a great actor. But the weight was always there.

    Somehow he lived 63 years.

    What a warrior he was.”

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    At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties and early Nineties. After getting his start in television at CTV and TVB, he directed five features before finding his stride with 1987’s City on Fire, the movie that provided the blueprint for Quentin Tarantino’s Reservoir Dogs.”

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    “[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin his Fulbright scholarship at MIT. ‘I started sort of thinking, “Wow, this is kind of cool,”‘ Lundgren remembers: ‘”I don’t know if I want to go back to engineering after this.”‘ More at NPR.

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