The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Rape of James Bond”

Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch) Like this:Like Loading…

Breaking Point

“[A]t the age of 41, at about 94 minutes into The Divide,” Drew McWeeny writes, “I reached a breaking point, and I realized that I am pretty much incapable of sitting through one more cheap, pointless, exploitative rape in a movie.” Like this:Like Loading…

The Vulnerable Girl with the Dragon Tattoo

Monika Bartyzel writes about “softening and sexualizing Lisbeth Salander” in David Fincher’s adaptation of The Girl with the Dragon Tattoo, the pre-release posters and Stieg Larsson and his novel. “There seems to be a relief that Mara’s Salander is a more relatable person, that classic ‘female’ tropes like softness and vulnerability are visible. It speaks […]

Mishmash: McKillip’s Fate, Undersea Rapture, and Millennium Movies

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What do a riddlemaster on a quest, an undersea utopia gone wrong, and sexual perversion in Sweden have in common? The answer: nothing! But I don’t have a big thing to talk about this month, so I’ll have to make do with a mishmash. Like this:Like Loading…

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  • Of Note Elsewhere

    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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    John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

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    At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block capitals and neon letters because this issue is triggery and terrible, and really aptly illustrates just how awful MMFR could have been if it were made without intentionally setting aside lazy (and terrible) narratives about women and rape in order to be better than that. Also, I would honestly recommend going into this post with the mindset that this comic is some kind of terrible non-canon spinoff, because I don’t want to ruin MMFR for anyone.” (Thanks, Century Scully Ono!)

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