The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Arthur Rankin, Jr.

Animator, director and producer Arthur Rankin, Jr. has died. Rankin is probably best known for his Rankin/Bass studio’s holiday television specials such as Rudolf the Red-Nosed Reindeer, Santa Claus Is Comin’ To Town and Mad Monster Party. He also produced and directed The Last Unicorn, The Hobbit (1977), The Return Of The King (1980), The […]

Maybe we’ll buy a boat

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In the house I grew up in, at the front of the garage, there was a pair of boat supports on the wall. No boat, just the two long arms sticking out at roughly skull level so you had to manoeuver awkwardly underneath them to reach the cars. My father built them out of 2x4s […]

“Rankin / Bass’s The Thing”

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Trailer for Rankin / Bass’s The Thing. (Also, please enjoy The Thing re-enacted with G.I. Joe action figures).

The Tiniest of Sweaters

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Althea Crome makes amazing and tiny, tiny knit art. Check out her website for galleries of her work and to watch her knit clothing for the puppets in the animated film, Coraline. Indiana Public media profiles Crome here. and see her brain cozy and all the other brains in Bloomington, Indiana’s 2012 Brain Extravaganza! (Thanks, […]

“The Cameraman’s Revenge”

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A 1912 silent short film of infidelity and insects by Władysław Starewicz. (via @NitrateDiva)

RIP, Ray Harryhausen

Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen.  All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews […]

RIP, Carlo Rambaldi

Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]

Interview with the Quay Brothers

“Depth, light, sound, music: Stephen and Timothy Quay speak on the many dimensions of film,” both animated and live-action, at Keyframe.

The Raid in Claymation

Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!)

Stop-Motion Tintin

Le Crabe aux Pinces d’Or is a 1947 Tintin film directed by Claude Misson. It is in French. (via @beatonna)

“Dance, Dance, Dance to the Radio”

Playmobil recreation of Joy Division performing “Transmission” on the BBC.

Making the Valley of Gwangi

In honor of Ray Harryhausen’s birthday, a little documentary on the making of Valley of Gwangi.

Manga Eiga: Old Japanese Animation

The Japan Society had a program featuring Japanese animation from the 1910s-1940s.  Even if you missed it, you can still see some shorts –a beautiful 1929 silent featuring Tengu; sing along with a 1930 papercut animation village festival; an unfortunate butterfly from 1931; tricks between a fox spirit and a pair of tanuki in 1933; […]

The 25 Best Horror Games of All Time

Gameranx dares name the Top 25 Best Horror Games of All Time! (via Denis at The Horror?!)

100 Years of Vincent Price, Illustrated

100 Years of Vincent illustrated on post-it’s.  One role per post-it.

Deep Animation

Sometimes something, in itself, is just perfect. Pes’ “The Deep” is. It’s an animated short of abyssal life using tools, keys and an ammunition belt. (via The Accidental Optimist)

RIP, Kihachiro Kawamoto

It’s a sad week for animation with the passing of Satoshi Kon and now Kihachiro Kawamoto. A student of Jiri Trnka, Kawamoto created beautiful stop motion puppet animation grounded in Japanese bunraku and Noh theater. Here’s his short, “Oni / The Demon.”

Another Interview with Ray Harryhausen

The BBC has a nice interview with Ray Harryhausen, Stop-Motion and SFX Overlord!

Ray Harryhausen, April 2010

Stopmotion and special effects master, Ray Harryhausen is interviewed at The Telegraph and discusses the Science Fiction League meetings he attended with Ray Bradbury, special effects now and Avatar.

A Two-Headed Hydra Of Opinion

Entertainment Weekly is a veritable hydra with one head talking shit about stopmotion and fx master Ray Harryhausen and another defending Ray Harryhausen and handmade special effects.  A hydra of two-heads, that would probably look pretty sick in a Harryhausen movie.

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  • Of Note Elsewhere

    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n'roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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    Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to have reached a mere 7 square feet per person. The yamen area had somehow remained an exception to the vertical development, leased to a missionary society in 1949 for use as an almshouse and old people’s home. Eventually, it defined the sole substantial void within the Walled City, with visible sky above it.”

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