The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Death And The Robot”

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Robot  is the only one who really understand Death. Death is the only one who really understands Robot. (Thanks, Molly!) Like this:Like Loading…

RIP, Arthur Rankin, Jr.

Animator, director and producer Arthur Rankin, Jr. has died. Rankin is probably best known for his Rankin/Bass studio’s holiday television specials such as Rudolf the Red-Nosed Reindeer, Santa Claus Is Comin’ To Town and Mad Monster Party. He also produced and directed The Last Unicorn, The Hobbit (1977), The Return Of The King (1980), The […]

Maybe we’ll buy a boat

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In the house I grew up in, at the front of the garage, there was a pair of boat supports on the wall. No boat, just the two long arms sticking out at roughly skull level so you had to manoeuver awkwardly underneath them to reach the cars. My father built them out of 2x4s […]

“Rankin / Bass’s The Thing”

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Trailer for Rankin / Bass’s The Thing. (Also, please enjoy The Thing re-enacted with G.I. Joe action figures). Like this:Like Loading…

The Tiniest of Sweaters

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Althea Crome makes amazing and tiny, tiny knit art. Check out her website for galleries of her work and to watch her knit clothing for the puppets in the animated film, Coraline. Indiana Public media profiles Crome here. and see her brain cozy and all the other brains in Bloomington, Indiana’s 2012 Brain Extravaganza! (Thanks, […]

“The Cameraman’s Revenge”

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A 1912 silent short film of infidelity and insects by Władysław Starewicz. (via @NitrateDiva) Like this:Like Loading…

RIP, Ray Harryhausen

Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen.  All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews […]

RIP, Carlo Rambaldi

Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]

Interview with the Quay Brothers

“Depth, light, sound, music: Stephen and Timothy Quay speak on the many dimensions of film,” both animated and live-action, at Keyframe. Like this:Like Loading…

The Raid in Claymation

Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!) Like this:Like Loading…

Stop-Motion Tintin

Le Crabe aux Pinces d’Or is a 1947 Tintin film directed by Claude Misson. It is in French. (via @beatonna) Like this:Like Loading…

“Dance, Dance, Dance to the Radio”

Playmobil recreation of Joy Division performing “Transmission” on the BBC. Like this:Like Loading…

Making the Valley of Gwangi

In honor of Ray Harryhausen’s birthday, a little documentary on the making of Valley of Gwangi. Like this:Like Loading…

Manga Eiga: Old Japanese Animation

The Japan Society had a program featuring Japanese animation from the 1910s-1940s.  Even if you missed it, you can still see some shorts –a beautiful 1929 silent featuring Tengu; sing along with a 1930 papercut animation village festival; an unfortunate butterfly from 1931; tricks between a fox spirit and a pair of tanuki in 1933; […]

The 25 Best Horror Games of All Time

Gameranx dares name the Top 25 Best Horror Games of All Time! (via Denis at The Horror?!) Like this:Like Loading…

100 Years of Vincent Price, Illustrated

100 Years of Vincent illustrated on post-it’s.  One role per post-it. Like this:Like Loading…

Deep Animation

Sometimes something, in itself, is just perfect. Pes’ “The Deep” is. It’s an animated short of abyssal life using tools, keys and an ammunition belt. (via The Accidental Optimist) Like this:Like Loading…

RIP, Kihachiro Kawamoto

It’s a sad week for animation with the passing of Satoshi Kon and now Kihachiro Kawamoto. A student of Jiri Trnka, Kawamoto created beautiful stop motion puppet animation grounded in Japanese bunraku and Noh theater. Here’s his short, “Oni / The Demon.” Like this:Like Loading…

Another Interview with Ray Harryhausen

The BBC has a nice interview with Ray Harryhausen, Stop-Motion and SFX Overlord! Like this:Like Loading…

Ray Harryhausen, April 2010

Stopmotion and special effects master, Ray Harryhausen is interviewed at The Telegraph and discusses the Science Fiction League meetings he attended with Ray Bradbury, special effects now and Avatar. Like this:Like Loading…

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  • Of Note Elsewhere

    NPR interviews Hank Willis Thomas on his exhibition showcasing images of white women in advertizing. It’s a follow up to his 2008 exhibition, “Unbranded: Reflections in Black by Corporate America.” “I think what happens with ads — when we put text and logos on them, we do all the heavy lifting of making them make sense to us. But when you see the image naked, or unbranded, you start to really ask questions.”

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    Our friends at Pornokitsch share a 1898 Philadelphia Press article on ghosts of the Capitol in Washington, D.C.

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    The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in more complex ways than simply seeing it as an effort at one-dimensional wish fulfillment. She posits fantasy as something rich and metaphorical. She reads slash as a genre that tells us new things about women’s sexuality and sexual desire, things that—in 1985—weren’t being talked about except in the very divided feminist ‘sex wars,’ where ‘pro-sex’ and ‘anti-porn’ feminists created ever more polarized stances.”

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    At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more equal, funkier future is within the realm of possibility. You can be different; this world can be different — self-invention commingles with worldly reinvention; Africa is both glorious past and technocratic future.

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    Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

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    BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

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