The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Arthur Rankin, Jr.

Animator, director and producer Arthur Rankin, Jr. has died. Rankin is probably best known for his Rankin/Bass studio’s holiday television specials such as Rudolf the Red-Nosed Reindeer, Santa Claus Is Comin’ To Town and Mad Monster Party. He also produced and directed The Last Unicorn, The Hobbit (1977), The Return Of The King (1980), The […]

Maybe we’ll buy a boat

unaccompanied minor

In the house I grew up in, at the front of the garage, there was a pair of boat supports on the wall. No boat, just the two long arms sticking out at roughly skull level so you had to manoeuver awkwardly underneath them to reach the cars. My father built them out of 2x4s […]

“Rankin / Bass’s The Thing”

GetDownGutter_Thumb

Trailer for Rankin / Bass’s The Thing. (Also, please enjoy The Thing re-enacted with G.I. Joe action figures).

The Tiniest of Sweaters

GetDownGutter_Thumb

Althea Crome makes amazing and tiny, tiny knit art. Check out her website for galleries of her work and to watch her knit clothing for the puppets in the animated film, Coraline. Indiana Public media profiles Crome here. and see her brain cozy and all the other brains in Bloomington, Indiana’s 2012 Brain Extravaganza! (Thanks, […]

“The Cameraman’s Revenge”

GetDownGutter_Thumb

A 1912 silent short film of infidelity and insects by Władysław Starewicz. (via @NitrateDiva)

RIP, Ray Harryhausen

Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen.  All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews […]

RIP, Carlo Rambaldi

Special effects master Carlo Rambaldi has died. Rambaldi is probably most famous for his work in ET, The Extraterrestrial; Alien; and Dune, but Rambaldi also worked extensively for Mario Bava. The New York Times has an obituary. Here are a video homage, another by Il Centro Sperimentale di Cinematografia di Roma and a clip of […]

Interview with the Quay Brothers

“Depth, light, sound, music: Stephen and Timothy Quay speak on the many dimensions of film,” both animated and live-action, at Keyframe.

The Raid in Claymation

Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!)

Stop-Motion Tintin

Le Crabe aux Pinces d’Or is a 1947 Tintin film directed by Claude Misson. It is in French. (via @beatonna)

“Dance, Dance, Dance to the Radio”

Playmobil recreation of Joy Division performing “Transmission” on the BBC.

Making the Valley of Gwangi

In honor of Ray Harryhausen’s birthday, a little documentary on the making of Valley of Gwangi.

Manga Eiga: Old Japanese Animation

The Japan Society had a program featuring Japanese animation from the 1910s-1940s.  Even if you missed it, you can still see some shorts –a beautiful 1929 silent featuring Tengu; sing along with a 1930 papercut animation village festival; an unfortunate butterfly from 1931; tricks between a fox spirit and a pair of tanuki in 1933; […]

The 25 Best Horror Games of All Time

Gameranx dares name the Top 25 Best Horror Games of All Time! (via Denis at The Horror?!)

100 Years of Vincent Price, Illustrated

100 Years of Vincent illustrated on post-it’s.  One role per post-it.

Deep Animation

Sometimes something, in itself, is just perfect. Pes’ “The Deep” is. It’s an animated short of abyssal life using tools, keys and an ammunition belt. (via The Accidental Optimist)

RIP, Kihachiro Kawamoto

It’s a sad week for animation with the passing of Satoshi Kon and now Kihachiro Kawamoto. A student of Jiri Trnka, Kawamoto created beautiful stop motion puppet animation grounded in Japanese bunraku and Noh theater. Here’s his short, “Oni / The Demon.”

Another Interview with Ray Harryhausen

The BBC has a nice interview with Ray Harryhausen, Stop-Motion and SFX Overlord!

Ray Harryhausen, April 2010

Stopmotion and special effects master, Ray Harryhausen is interviewed at The Telegraph and discusses the Science Fiction League meetings he attended with Ray Bradbury, special effects now and Avatar.

A Two-Headed Hydra Of Opinion

Entertainment Weekly is a veritable hydra with one head talking shit about stopmotion and fx master Ray Harryhausen and another defending Ray Harryhausen and handmade special effects.  A hydra of two-heads, that would probably look pretty sick in a Harryhausen movie.

keep looking »
  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

    ~

    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

    ~

    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

    ~

    A gallery of Medieval European beasts and creatures who can’t even.

    ~

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

    ~

    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: