The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Chad Stahelski and David Leitch on Stunts and Oscars

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At Playboy, Marc Bernardin talks to stunt performers/stunt coordinators/directors Chad Stahelski and David Leitch about the Academy Awards unwillingess to create a category for stunts. “There is sort of also this sort of bravado stunt men have had since the beginning. We’re the guys behind the guys and we don’t need the glory. And it’s […]

RIP, Bob Orrison

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Stunt performer and coordinator Bob Orrison has died. Orrison performed stunts in many, many movies and tv shows including: Speed (1994), Universal Soldier (1992), Die Hard 2 (1990), Hooper (1978), The A-Team, The Dukes of Hazzard, Blues Brothers (1980), Smokey & The Bandit (1977), Three The Hard Way (1974), Star Trek and The Wild Bunch […]

RIP, Panna Rittikrai

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Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994),  Power Kids (2009),  Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all […]

Vic Armstrong on Buster Keaton

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Stunt performer Vic Armstrong talks about the stunt work of Buster Keaton. (via Graham Wynd) Like this:Like Loading…

RIP, Hal Needham

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Director, stunt coordinator  and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]

Daredevil Emilie Sannom

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Emilie Sannom performs hair-raising and death-defying stunts in this collection of Danish silent film clips from 1923. Like this:Like Loading…

RIP, Lau Kar-Leung

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Actor, director, writer and action choreographer Lau Kar-Leung has died. Most widely known as the director of 36th Chamber of Shaolin, Lau has an extensive filmography. He collaborated with director Chang Cheh and, in his own work, brought humor to and a singular action choreography to his own films, Dirty Ho, Mad Monkey Kung Fu, […]

The Raid Fight Tribute!

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Two men recreate the drug lab table fight from The Raid (aka, The Raid: Redemption). Like this:Like Loading…

Police Story vs. Tango & Cash / Rapid Fire / Bad Boys

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Scenes from Jackie Chan’s Police Story (1985) compared with scenes from Tango & Cash (1989), Rapid Fire (1992), and Bad Boys (2003). (via @proboothcast) Like this:Like Loading…

The Girl Who Flirted With Death

A gallery of photos of a female daredevil from the 1920s , Lillian La France. Her symbol was a skull and crossbones. Like this:Like Loading…

A Hero Dies 50,000 Deaths!

In chanbara, Japanese sword-fighting movies, actor Seizo Fukumoto is a master of the art of dying.  Anthony Kuhn interviews him about his life dying on screen. “In a trademark move, Fukumoto is dealt a fatal blow, then bends over backward, seemingly suspended in midair for a moment of final agony before crumpling to the ground. […]

RIP, Bob Anderson

Olympic fencer, sword master, stunt choreographer, performer and actor, Bob Anderson has died. Anderson performed Darth Vader’s lightsaber battles in The Empire Strikes Back and Return of the Jedi. Her served as sword master, fight coordinator and stunt performer in films such as 1953’s The Master of Ballantrae featuring a swashbuckling Errol Flynn, The Princess […]

Movieline Interviews Pam Grier

Jen Yamato interviews Pam Grier on her experience working on Quentin Tarantino’s Jackie Brown and in 1970s action films doing her own stunts. (via Grindhouse Database) Like this:Like Loading…

“So Why Can’t I See You Kicking His Ass?”

John Kreng finishes the fallacies of why filmmakers make action so hard to see with the punches, kicks and elbow smashes of his thoughts. And you can see the whole thing here. (via ShelfLifeCC) Like this:Like Loading…

I Double Dog Dare You

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Last month I wrote about Jackass as a cultural project, but what I initially intended to write about was how I feel just a little bit better about myself and the world after watching it. And no, it’s not because they’re all more of a jackass than I am. Like this:Like Loading…

Interview with Stuntwoman Bridgett Riley

Action Flick Chick Katrina Hill talks with Bridgett Riley about going from boxer to stuntwoman: “Women get minimal pads if any at times and high heeled shoes are sometimes a must depending on camera. Wardrobe sometimes makes us shoes that are stunt friendly. I like these wardrobe people. It just depends on the shot. The […]

The Social Relevance of Jackassery

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Jackass isn’t as stupid as it seems on the surface. I mean, there’s no question it’s jackassery and that’s the main draw, but it’s also a really interesting cultural project. Like this:Like Loading…

How Hollywood Killed Stunts

Salon has an excellent piece on the death of stunts in Hollywood movies, exploring everything from the history of film stunts, the reliance on CG effects and new-fangled “intensified continuity” editing. The piece also mentions Michelle Yeoh, Tony Jaa, Zoe Bell and Yakima Canutt. (Thanks, Brian from Shelf Life CC). Like this:Like Loading…

More Action!

Brian at Shelf Life Clothing Company has put together an awesome display of “The Greatest Movie Stunts of All Time.” As well as, the first volume of “The Greatest Movie Soundtrack Composers.” Like this:Like Loading…

Sexploitation that’s not Sexist?

The makers of Xena: Warrior Princess and Hercules: The Legendary Journeys have made a sexploitation lesbian heist movie in homage to Russ Meyer: Bitch Slap. It’s no Faster, Pussycat! Kill! Kill! but it’s the movie Quentin Tarantino wishes he could make with Zoe Bell doing the stunt choreography.  Like this:Like Loading…

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  • Of Note Elsewhere

    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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    John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

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    At the Mary-Sue, Ana Mardoll reviews Vertigo’s new Furiosa comic, which theoretically presents Imperator Furiosa’s backstory by trying to make Mad Max: Fury Road lazier and shittier. “We need to talk about the Mad Max: Fury Road Furiosa #1 comic and how awful it is. Huge content notes on this post, like, in big block capitals and neon letters because this issue is triggery and terrible, and really aptly illustrates just how awful MMFR could have been if it were made without intentionally setting aside lazy (and terrible) narratives about women and rape in order to be better than that. Also, I would honestly recommend going into this post with the mindset that this comic is some kind of terrible non-canon spinoff, because I don’t want to ruin MMFR for anyone.” (Thanks, Century Scully Ono!)

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    At NPR’s Monkey See, Glen Weldon reviews Jon Morris’ The League of Regrettable Superheroes and considers the most intriguing comic book heroes of yore. “Truth in advertising: The Eye was a mysterious, giant, floating, all-knowing eyeball that hectored people to fight crime on its behalf. Which they did, and can you blame them?” (Thanks, Pauline!)

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