The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Bob Orrison

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Stunt performer and coordinator Bob Orrison has died. Orrison performed stunts in many, many movies and tv shows including: Speed (1994), Universal Soldier (1992), Die Hard 2 (1990), Hooper (1978), The A-Team, The Dukes of Hazzard, Blues Brothers (1980), Smokey & The Bandit (1977), Three The Hard Way (1974), Star Trek and The Wild Bunch […]

RIP, Panna Rittikrai

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Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994),  Power Kids (2009),  Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all […]

Vic Armstrong on Buster Keaton

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Stunt performer Vic Armstrong talks about the stunt work of Buster Keaton. (via Graham Wynd) Like this:Like Loading…

RIP, Hal Needham

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Director, stunt coordinator  and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]

Daredevil Emilie Sannom

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Emilie Sannom performs hair-raising and death-defying stunts in this collection of Danish silent film clips from 1923. Like this:Like Loading…

RIP, Lau Kar-Leung

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Actor, director, writer and action choreographer Lau Kar-Leung has died. Most widely known as the director of 36th Chamber of Shaolin, Lau has an extensive filmography. He collaborated with director Chang Cheh and, in his own work, brought humor to and a singular action choreography to his own films, Dirty Ho, Mad Monkey Kung Fu, […]

The Raid Fight Tribute!

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Two men recreate the drug lab table fight from The Raid (aka, The Raid: Redemption). Like this:Like Loading…

Police Story vs. Tango & Cash / Rapid Fire / Bad Boys

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Scenes from Jackie Chan’s Police Story (1985) compared with scenes from Tango & Cash (1989), Rapid Fire (1992), and Bad Boys (2003). (via @proboothcast) Like this:Like Loading…

The Girl Who Flirted With Death

A gallery of photos of a female daredevil from the 1920s , Lillian La France. Her symbol was a skull and crossbones. Like this:Like Loading…

A Hero Dies 50,000 Deaths!

In chanbara, Japanese sword-fighting movies, actor Seizo Fukumoto is a master of the art of dying.  Anthony Kuhn interviews him about his life dying on screen. “In a trademark move, Fukumoto is dealt a fatal blow, then bends over backward, seemingly suspended in midair for a moment of final agony before crumpling to the ground. […]

RIP, Bob Anderson

Olympic fencer, sword master, stunt choreographer, performer and actor, Bob Anderson has died. Anderson performed Darth Vader’s lightsaber battles in The Empire Strikes Back and Return of the Jedi. Her served as sword master, fight coordinator and stunt performer in films such as 1953’s The Master of Ballantrae featuring a swashbuckling Errol Flynn, The Princess […]

Movieline Interviews Pam Grier

Jen Yamato interviews Pam Grier on her experience working on Quentin Tarantino’s Jackie Brown and in 1970s action films doing her own stunts. (via Grindhouse Database) Like this:Like Loading…

“So Why Can’t I See You Kicking His Ass?”

John Kreng finishes the fallacies of why filmmakers make action so hard to see with the punches, kicks and elbow smashes of his thoughts. And you can see the whole thing here. (via ShelfLifeCC) Like this:Like Loading…

I Double Dog Dare You

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Last month I wrote about Jackass as a cultural project, but what I initially intended to write about was how I feel just a little bit better about myself and the world after watching it. And no, it’s not because they’re all more of a jackass than I am. Like this:Like Loading…

Interview with Stuntwoman Bridgett Riley

Action Flick Chick Katrina Hill talks with Bridgett Riley about going from boxer to stuntwoman: “Women get minimal pads if any at times and high heeled shoes are sometimes a must depending on camera. Wardrobe sometimes makes us shoes that are stunt friendly. I like these wardrobe people. It just depends on the shot. The […]

The Social Relevance of Jackassery

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Jackass isn’t as stupid as it seems on the surface. I mean, there’s no question it’s jackassery and that’s the main draw, but it’s also a really interesting cultural project. Like this:Like Loading…

How Hollywood Killed Stunts

Salon has an excellent piece on the death of stunts in Hollywood movies, exploring everything from the history of film stunts, the reliance on CG effects and new-fangled “intensified continuity” editing. The piece also mentions Michelle Yeoh, Tony Jaa, Zoe Bell and Yakima Canutt. (Thanks, Brian from Shelf Life CC). Like this:Like Loading…

More Action!

Brian at Shelf Life Clothing Company has put together an awesome display of “The Greatest Movie Stunts of All Time.” As well as, the first volume of “The Greatest Movie Soundtrack Composers.” Like this:Like Loading…

Sexploitation that’s not Sexist?

The makers of Xena: Warrior Princess and Hercules: The Legendary Journeys have made a sexploitation lesbian heist movie in homage to Russ Meyer: Bitch Slap. It’s no Faster, Pussycat! Kill! Kill! but it’s the movie Quentin Tarantino wishes he could make with Zoe Bell doing the stunt choreography.  Like this:Like Loading…

South Korean Action

Just some quick trailers: capoeira, stuntmen and actors gone bad in South Korea. Like this:Like Loading…

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    At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.”

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    Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands Of Miles (2005).  The Japan Times, The South China Morning Post and The AV Club have obituaries. Japan Subculture has an interview with Takakura. Here Takakura sings the theme to Abhashiri Prison (1965)

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    Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood Reporter and The AV Club have obituaries. Watch Larson’s interview from 2010 at “Battlestar Galactica: The Exhibition”.

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    At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up separately, kindred spirits who did not find one another until 2007. A best friend, a fraternal twin sister, a clone separated at birth. Or so I felt, as I let myself slip behind that visor. I wasn’t Samus myself – not yet. I stood behind her, hanging back. Did I dare? Did I dare pretend, role-play, allow myself to act as Samus? Could I be that cool?”

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    Maddy Myers writes about playing violent games, wanting to be powerful and internalized sexism. “Given my lifelong history of playing at war, and my desperate wish to feel strong, big, and powerful, it made sense that I would gravitate towards Counter-Strike and its ilk around the age of 15. But Counter-Strike, with its all-male selection of avatars and predominantly male player base, allowed no room for princesses — and the guys I played with didn’t either. I developed some traits during that time that I regret now — the belief that I was ‘special,’ and that I was ‘better’ than other women I knew because I liked playing violent games and they didn’t. The guys I played with encouraged and reinforced this behavior, assuring me that I was ‘different from those other girls,’ that my liking violence made me ‘cool.’ Girl stuff is stupid, I told myself, as I bought pants from the men’s section, told sexist jokes, and mocked all the ‘girl stuff’ that I’d liked, not so many years prior.”

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