The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Chad Stahelski and David Leitch on Stunts and Oscars

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At Playboy, Marc Bernardin talks to stunt performers/stunt coordinators/directors Chad Stahelski and David Leitch about the Academy Awards unwillingess to create a category for stunts. “There is sort of also this sort of bravado stunt men have had since the beginning. We’re the guys behind the guys and we don’t need the glory. And it’s […]

RIP, Bob Orrison

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Stunt performer and coordinator Bob Orrison has died. Orrison performed stunts in many, many movies and tv shows including: Speed (1994), Universal Soldier (1992), Die Hard 2 (1990), Hooper (1978), The A-Team, The Dukes of Hazzard, Blues Brothers (1980), Smokey & The Bandit (1977), Three The Hard Way (1974), Star Trek and The Wild Bunch […]

RIP, Panna Rittikrai

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Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994),  Power Kids (2009),  Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all […]

Vic Armstrong on Buster Keaton

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Stunt performer Vic Armstrong talks about the stunt work of Buster Keaton. (via Graham Wynd)

RIP, Hal Needham

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Director, stunt coordinator  and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]

Daredevil Emilie Sannom

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Emilie Sannom performs hair-raising and death-defying stunts in this collection of Danish silent film clips from 1923.

RIP, Lau Kar-Leung

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Actor, director, writer and action choreographer Lau Kar-Leung has died. Most widely known as the director of 36th Chamber of Shaolin, Lau has an extensive filmography. He collaborated with director Chang Cheh and, in his own work, brought humor to and a singular action choreography to his own films, Dirty Ho, Mad Monkey Kung Fu, […]

The Raid Fight Tribute!

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Two men recreate the drug lab table fight from The Raid (aka, The Raid: Redemption).

Police Story vs. Tango & Cash / Rapid Fire / Bad Boys

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Scenes from Jackie Chan’s Police Story (1985) compared with scenes from Tango & Cash (1989), Rapid Fire (1992), and Bad Boys (2003). (via @proboothcast)

The Girl Who Flirted With Death

A gallery of photos of a female daredevil from the 1920s , Lillian La France. Her symbol was a skull and crossbones.

A Hero Dies 50,000 Deaths!

In chanbara, Japanese sword-fighting movies, actor Seizo Fukumoto is a master of the art of dying.  Anthony Kuhn interviews him about his life dying on screen. “In a trademark move, Fukumoto is dealt a fatal blow, then bends over backward, seemingly suspended in midair for a moment of final agony before crumpling to the ground. […]

RIP, Bob Anderson

Olympic fencer, sword master, stunt choreographer, performer and actor, Bob Anderson has died. Anderson performed Darth Vader’s lightsaber battles in The Empire Strikes Back and Return of the Jedi. Her served as sword master, fight coordinator and stunt performer in films such as 1953’s The Master of Ballantrae featuring a swashbuckling Errol Flynn, The Princess […]

Movieline Interviews Pam Grier

Jen Yamato interviews Pam Grier on her experience working on Quentin Tarantino’s Jackie Brown and in 1970s action films doing her own stunts. (via Grindhouse Database)

“So Why Can’t I See You Kicking His Ass?”

John Kreng finishes the fallacies of why filmmakers make action so hard to see with the punches, kicks and elbow smashes of his thoughts. And you can see the whole thing here. (via ShelfLifeCC)

I Double Dog Dare You

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Last month I wrote about Jackass as a cultural project, but what I initially intended to write about was how I feel just a little bit better about myself and the world after watching it. And no, it’s not because they’re all more of a jackass than I am.

Interview with Stuntwoman Bridgett Riley

Action Flick Chick Katrina Hill talks with Bridgett Riley about going from boxer to stuntwoman: “Women get minimal pads if any at times and high heeled shoes are sometimes a must depending on camera. Wardrobe sometimes makes us shoes that are stunt friendly. I like these wardrobe people. It just depends on the shot. The […]

The Social Relevance of Jackassery

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Jackass isn’t as stupid as it seems on the surface. I mean, there’s no question it’s jackassery and that’s the main draw, but it’s also a really interesting cultural project.

How Hollywood Killed Stunts

Salon has an excellent piece on the death of stunts in Hollywood movies, exploring everything from the history of film stunts, the reliance on CG effects and new-fangled “intensified continuity” editing. The piece also mentions Michelle Yeoh, Tony Jaa, Zoe Bell and Yakima Canutt. (Thanks, Brian from Shelf Life CC).

More Action!

Brian at Shelf Life Clothing Company has put together an awesome display of “The Greatest Movie Stunts of All Time.” As well as, the first volume of “The Greatest Movie Soundtrack Composers.”

Sexploitation that’s not Sexist?

The makers of Xena: Warrior Princess and Hercules: The Legendary Journeys have made a sexploitation lesbian heist movie in homage to Russ Meyer: Bitch Slap. It’s no Faster, Pussycat! Kill! Kill! but it’s the movie Quentin Tarantino wishes he could make with Zoe Bell doing the stunt choreography. 

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  • Of Note Elsewhere

    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

    ~

    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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