Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.
Comic Book Attic talks about comics about comics, with plenty of pages from Joe Simon and Jack Kirby’s The Newsboy Legion for your enjoyment.
Seattle’s superhero community is planning on attending May Day demonstrations, just in case. Here’s footage from superhero Phoenix Jones’ Phoenix cam at last year’s demonstrations. Update: Report and footage from May Day, 2013
In honor of Lois Lane’s first appearance 75 years ago, Kurt Busiek talks about Lois with DC Women Kicking Ass. “If you’re a ne’er-do-well, the last person you want trying to get the goods on you in Lois, because she just doesn’t quit.”
When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue of Power Man and Iron Fist was [...]
The Gutter‘s own Carol Borden wrote a review of Wonder Women! The Untold Story of American Superheroines for the 2012 ActionFest Blog: “I’ve seen reviews suggesting this movie is a great one to show your daughter or niece, and it is. But it’s not just about letting little girls know that they can be heroes, [...]
Girls Gone Geek‘s Erika Peterman on why she’s no longer reading Wonder Woman. “At this point, it’s crystal clear that Brian Azzarello is not going to write the Wonder Woman comic I want to read. There’s a big disconnect between Cliff Chiang’s show-stopping, vibrant presentation of the character and the narrative, in which Wonder Woman [...]
Comic artist Carmine Infantino has died. Infantino is most famous for his work on Barry Allen, The Flash, as co-creator of Batgirl and on the 1980s Star Wars comics, but he also worked as an editor, freelance artist and teacher. Comics Alliance, The AV Club and Robot Six have obituaries. Gary Groth interviewed Infantino in [...]
“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that [...]
Sophia McDougall writes about “sexual assault and ‘Realism’ in popular culture.” (via @Pornokitsch)
The first of Colin Smith’s two-part interview with Kieron Gillen, the writer of comics such as Phonogram, Journey Into Mystery and the new Young Avengers. In this part, Gillen discusses Kid Loki and Journey Into Mystery: “I resisted defining myself as a fantasy writer because fantasy tends to be iffy. I became fine with it [...]
“[T]here is a sound narrative logic behind the sustained popularity of this impossible person in tights. There is one appeal whose effectiveness has remained operative since 1939.” Acephalous explains “[h]ow to teach the interrelatedness of historical context and audience via Warren Ellis’s Planetary/Batman: Night on Earth.” (via @aytiws)
Matt Singer explores two elements that recur in all of Sam Raimi’s films, Pandora’s box and, “The Classic,” a 1973 Delta 88. “Using The Classic to play Uncle Ben’s car may have just been a fortuitous way for Raimi to shoehorn in his beloved trademark, but in the larger context of his career, it imbues [...]
At Too Busy Thinking About My Comics, Colin writes on the murder of Robin, Damian Wayne, as it is depicted in a single panel. “Why does this scene exist? It exists to make entertainment out of a boy’s last, baleful moments. Beyond that, it has no purpose at all. If an objection to that needs [...]
When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” –The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that we have studied, the conclusion is inescapable [...]
At The Atlantic, Noah Berlatsky writes about the new incarnation of Wonder Woman. “[M]aking Wonder Woman more violent doesn’t make her more mature or more real. It just makes her more conventional.” (via @BlackComix)
Listen to Superman defend Tommy Lee and his family from the Ku Klux Klan in the 1946 Adventures of Superman storyline, “The Clan of the Fiery Cross” at the Internet Archive.
The trailer for White Scripts And Black Supermen: Black Masculinities In Comic Books, a documentary directed by Jonathan Gayles. And there are some extended interviews at the documentary’s YouTube Channel.
“Orson Scott Card isn’t being taken to task solely for his opinions, idiotic and thuggish as they are, but also for his actions. He sits on the board of the National Organization for Marriage, which lobbies and works against basic civil rights for gay people. He is not merely a tool spewing hatred and bile [...]
“[T]wo major initiatives over the past 18 months from the two biggest comic publishers in this country [were] meant to update their brands in an attempt to better reflect the world we currently live in. Yet somehow, from the angle of a black writer trying to break into comics, this current era in the industry [...]
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