The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Dressing It All Up

weepumpkin

For someone with a well-documented history of cowardice, I really like Hallowe’en. Yes, the holiday comes replete with ghosts and ghoulies, and a porous boundary between the living and the dead. It produces scads of creepy costumes, and an endless supply of horrible slasher films. But to all that I say:  candy! There’s more to it, of […]

Powers That Be

vote

By some strange quirk of timing and location, I am currently involved in or gearing up for three different elections at once.  On the federal front it’s just a by-election to fill a recently vacated seat: it is the least visible and strident of the three. The provincial election is in full swing, loud and […]

The Many Faces Of Man. Or Rather, Men.

smalldavinci

Alex’s excellent article last week prompted Gutter Overlord Carol to suggest we each use this month to write about masculinity in our own particular capacity. Having been by odd coincidence right in the middle of reading The Male Brain by Louann Brizendine (a fascinating look at the physical and hormonal characteristics unique to, um, the […]

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

But What I Really Want to do is Direct

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There are lots of great modern romance novels out there. And there are plenty of wonderfully romantic movies. Oddly enough, the latter aren’t usually based on the former (modern romance novels; in this one instance, Jane Austen doesn’t count). Which is not to say there aren’t any at all, but Twilight aside, most of them […]

Squeeze Play

tousesep.JPG

Romance and sports don’t mix. That’s the conventional wisdom, anyway. It’s one of those weird rules, hidden and unarticulated, that seem to underly any given genre. It’s a tenet that gets passed down to new writers, not as gospel so much as in the form of a mild warning. It’s not that books about athletes […]

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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