The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Dressing It All Up

weepumpkin

For someone with a well-documented history of cowardice, I really like Hallowe’en. Yes, the holiday comes replete with ghosts and ghoulies, and a porous boundary between the living and the dead. It produces scads of creepy costumes, and an endless supply of horrible slasher films. But to all that I say:  candy! There’s more to it, of […]

Powers That Be

vote

By some strange quirk of timing and location, I am currently involved in or gearing up for three different elections at once.  On the federal front it’s just a by-election to fill a recently vacated seat: it is the least visible and strident of the three. The provincial election is in full swing, loud and […]

The Many Faces Of Man. Or Rather, Men.

smalldavinci

Alex’s excellent article last week prompted Gutter Overlord Carol to suggest we each use this month to write about masculinity in our own particular capacity. Having been by odd coincidence right in the middle of reading The Male Brain by Louann Brizendine (a fascinating look at the physical and hormonal characteristics unique to, um, the […]

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

But What I Really Want to do is Direct

teenyclapper.JPG

There are lots of great modern romance novels out there. And there are plenty of wonderfully romantic movies. Oddly enough, the latter aren’t usually based on the former (modern romance novels; in this one instance, Jane Austen doesn’t count). Which is not to say there aren’t any at all, but Twilight aside, most of them […]

Squeeze Play

tousesep.JPG

Romance and sports don’t mix. That’s the conventional wisdom, anyway. It’s one of those weird rules, hidden and unarticulated, that seem to underly any given genre. It’s a tenet that gets passed down to new writers, not as gospel so much as in the form of a mild warning. It’s not that books about athletes […]

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  • Of Note Elsewhere

    John Ostrander writes about the upcoming animated feature of The Killing Joke, his reaction to the assault on Barbara Gordon and his and Kim Yale’s reinvention of Barbara Gordon as Oracle. “The last story that Kim and I worked on together before she died was Oracle Year One, drawn by the wonderful Brian Stelfreeze. We showed that year as Barbara made the transition from broken hero to dynamic Oracle. She became a strong and much loved icon for the disabled community. In making her a hero again, Oracle allowed others to heal with her. The reader healed with her.” (via @profmdwhite)

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    deMilked has a gallery of lovely superhero watercolors by Blule (Clementine Campardou). (via S. L. Johnson)

     

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    In honor of director Mario Bava’s birthday, Shudder TV is having a Bava-thon with nine of his classic horror films chosen by friend of the Gutter Colin Geddes streaming free online all weekend. See the line-up here and watch here.

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    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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