I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem to. Watching the things that have made me and the people I care about unhappy in our lives over the years, I feel like learning how and when to walk away can’t be overrated. Continue reading…
A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite)
At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”
AV Club’s Big Issues focuses on giving comics’ colorists their due. And Jordie Bellaire is mad as hell and she’s not going to take it anymore.
Author Nancy A. Collins talks about writing Swamp Thing at Hasslein Blog. The Den of Geek writes a paean to Nancy Collins’ al-too-brief run. “As the run progressed, it became evermore enchanting, tense, witty and imaginative (not to mention the fact that it produced the first ever comic to be released under DC’s mature Vertigo […]
Grumpy Old Fan remembers Karen Berger’s tenure at Vertigo and DC comics. “In more than 30 years, first as a DC Comics editor and then as head of Vertigo, Berger helped to transform the comics industry by shepherding some of the most acclaimed and beloved series in recent memory. Swamp Thing, Hellblazer, The Sandman and […]
Women Writing the Weird editor Deb Hoag interviews writer Nancy A. Collins on Suvudu. “How could a young girl with a strong imagination stuck in a small rural town not end up fascinated with fantastic literature?”
As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s Sandman (Vertigo) and being so freaked out […]
Andrew O’Hehir tricks us all by writing about Alan Moore and Swamp Thing instead of movies at Salon: “[T]wo things are clear: Moore knows what comics readers want and intends to give it to them, and whether or not they want something more complicated, more tragic and more adult (I know it’s a loaded word), […]
From Sesame Street’s the Count to Swamp Thing‘s aquatic vampires to The Lost Boys, hopping vampires and Richard Matheson, the AV Club has 23 variations on the vampire.
Alan Moore’s Saga of the Swamp Thing was my favorite comic in my younger, more gloomsome days. I probably liked it more than my other favorite comics at the time, Grant Morrison’s Doom Patrol and Neil Gaiman’s Sandman. But Swamp Thing wasn’t the only swamp monster in comics.
It’s the time of year when a young woman’s thoughts naturally turn to skeletons and zombies, death and dying. I like bats, boneyards, snappy girls from beyond, hideous mockeries of humanity fermented in swamps, creepy happenings and bones, bones, bones.