The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Movies! Movies! Movies!

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The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

Interview with Takashi Miike

The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for).

When to start laughing: Homicidal hillbillies and absurd horror-comedies

Sometimes life is uncooperative. The consequences extend from our highest functions to the lowest corners of the cultural gutter. Here, friends, is the result of my non-compliant life situation: a list of things that make me think of other things, loosely organized around the theme of absurd horror-comedies! I’ll start with Tucker and Dale vs. […]

Taira no Kiyomori

Kenichi Matsuyama, who played L in Death Note, Masura Kato in Gantz: Light in the Dark and who Midnight Madness fans might remember as  Negishi/Johannes Krauser  from Detroit Metal City, is playing the 12th Century/Heian Era, Taira no Kiyomori, in an eponymous 50 episode NHK television series. The Japan Times covers the series’ development and […]

Slate’s 25 Best Horror Films of the 2000s

Slate has a nicely ecletic and thoughtful list of the best horror films of the ’00s, including many Midnight Madness favorites and films by Rob Zombie, David Lynch, Takashi Miike, Sam Raimi, Tomas Alfredson, David Cronenberg, William Friedkin, Alexandre Bustillo and Julien Maury.

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011.

13 Assassins Reign!

It’s assassins galore with John Woo and Su Chao-Pin’s Reign of Assassins and Takashi Miike’s remake of the classic chanbara, Thirteen Assassins.

Asian Western Round Up

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This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. The world is clamoring for more Asian Westerns. Or at least I am.  I’m talking Thai, Chinese, Japanese and Korean Westerns. They seem […]

Yatterman!

Takashi Miike follows up his smart and fancy family films Great Yokai War and Zebraman with Yatterman. Looks promising–there’s a giant dog robot and a lot of leather. (What the hell, trailers for GYW and Zebraman, too).

The Road To Mundo Fine: Zombies vs. Robots

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The road to the end of the world is shorter than we think. Just when we’ve adjusted our rear and sideview mirrors and selected a soundtrack, the end stands before us, eyes shining in our halogen lights, ready to total our engine block. The only question now is: zombies or robots?

Red Eye

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15 hours on the road and I was my own red-eye on I-94′s corridor of stripclubs, fireworks and roadkill, racing past dead deer in Michigan, then Gary, Indiana’s steel mills and through Chicagoland, the Sears Tower in the distance waiting for its evil eye, till the highway gave out in Wisconsin. Yes, I went to […]

Good, Weird, no Bad

Tears of the Black Tiger, Sukiyaki Western Django and now Kim Jee-woon’s The Good, the Bad and the Weird, starring Song Kang-ho, Lee Byung-hun and Jung Woo-sung.  Asian Westerns are where it’s at.

Why Is Miike Smirking?

Takashi Miike smirks, and I shudder.

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  • Of Note Elsewhere

    The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.

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    A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite)

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    Actor Lauren Bacall has died. Bacall is most famous for work with her first husband Humphrey Bogart, To Have And Have Not (1944), The Big Sleep (1946) and Key Largo (1948), but she also starred in Douglas Sirk’s classic melodrama Written On The Wind (1956), co-starred with Marilyn Monroe and Betty Grable in How To Marry A Millionaire (1953), The Fan (1981), she appeared in Misery (1990) and voiced the Witch of the Waste in the English language dub of Howl’s Moving Castle (2004) and the Gray One in the English language version of Ernest and Celestine (2014). The Guardian and The Los Angeles Times, have obituaries. The Hollywood Reporter collects responses and remembrancesJulianne Escobedo Shepherd writes that “What I love about her is the intelligence and pluckiness that defined her acting and her life. That is what we should be most remembering — her talent, her strength, her fierce essence—the elements that made her an icon of the silver screen.” Here is Bacall’s 1994 interview with Charlie Rose.

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    Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!)

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    Actor and comedian Robin Williams has died. There are many obituaries and remembrances out there, so we’re just choosing a few.  The AV Club, RogerEbert.com and Boing Boing have obituaries. The writers of RogerEbert.com offer tributes. Terry Gilliam talks about directing Williams in The Fisher King. Penny Marshall talks about working with Williams on Laverne & Shirley and directing him in Awakenings.  Marc Maron reposts his interview with Williams on Maron’s WTF Podcast. And here are a few of his less mentioned, darker films: Death To Smoochy (2002);  One Hour Photo (2002); Insomnia (2002); The Secret Agent (1996) and World’s Greatest Dad (2009).

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    Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project).

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