I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem to. Watching the things that have made me and the people I care about unhappy in our lives over the years, I feel like learning how and when to walk away can’t be overrated. Continue reading…
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.
The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]
The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for).
Sometimes life is uncooperative. The consequences extend from our highest functions to the lowest corners of the cultural gutter. Here, friends, is the result of my non-compliant life situation: a list of things that make me think of other things, loosely organized around the theme of absurd horror-comedies! I’ll start with Tucker and Dale vs. […]
Kenichi Matsuyama, who played L in Death Note, Masura Kato in Gantz: Light in the Dark and who Midnight Madness fans might remember as Negishi/Johannes Krauser from Detroit Metal City, is playing the 12th Century/Heian Era, Taira no Kiyomori, in an eponymous 50 episode NHK television series. The Japan Times covers the series’ development and […]
Slate has a nicely ecletic and thoughtful list of the best horror films of the ’00s, including many Midnight Madness favorites and films by Rob Zombie, David Lynch, Takashi Miike, Sam Raimi, Tomas Alfredson, David Cronenberg, William Friedkin, Alexandre Bustillo and Julien Maury.
Wildgrounds breaks down their most anticipated films of 2011.
It’s assassins galore with John Woo and Su Chao-Pin’s Reign of Assassins and Takashi Miike’s remake of the classic chanbara, Thirteen Assassins.
This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. The world is clamoring for more Asian Westerns. Or at least I am. I’m talking Thai, Chinese, Japanese and Korean Westerns. They seem […]
Takashi Miike follows up his smart and fancy family films Great Yokai War and Zebraman with Yatterman. Looks promising–there’s a giant dog robot and a lot of leather. (What the hell, trailers for GYW and Zebraman, too).
The road to the end of the world is shorter than we think. Just when we’ve adjusted our rear and sideview mirrors and selected a soundtrack, the end stands before us, eyes shining in our halogen lights, ready to total our engine block. The only question now is: zombies or robots?
15 hours on the road and I was my own red-eye on I-94′s corridor of stripclubs, fireworks and roadkill, racing past dead deer in Michigan, then Gary, Indiana’s steel mills and through Chicagoland, the Sears Tower in the distance waiting for its evil eye, till the highway gave out in Wisconsin. Yes, I went to […]
Tears of the Black Tiger, Sukiyaki Western Django and now Kim Jee-woon’s The Good, the Bad and the Weird, starring Song Kang-ho, Lee Byung-hun and Jung Woo-sung. Asian Westerns are where it’s at.
Takashi Miike smirks, and I shudder.