The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available). Like […]

Movies! Movies! Movies!

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The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later. […]

Interview with Takashi Miike

The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a […]

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for). Like this:Like Loading…

When to start laughing: Homicidal hillbillies and absurd horror-comedies

Sometimes life is uncooperative. The consequences extend from our highest functions to the lowest corners of the cultural gutter. Here, friends, is the result of my non-compliant life situation: a list of things that make me think of other things, loosely organized around the theme of absurd horror-comedies! I’ll start with Tucker and Dale vs. […]

Taira no Kiyomori

Kenichi Matsuyama, who played L in Death Note, Masura Kato in Gantz: Light in the Dark and who Midnight Madness fans might remember as  Negishi/Johannes Krauser  from Detroit Metal City, is playing the 12th Century/Heian Era, Taira no Kiyomori, in an eponymous 50 episode NHK television series. The Japan Times covers the series’ development and […]

Slate’s 25 Best Horror Films of the 2000s

Slate has a nicely ecletic and thoughtful list of the best horror films of the ’00s, including many Midnight Madness favorites and films by Rob Zombie, David Lynch, Takashi Miike, Sam Raimi, Tomas Alfredson, David Cronenberg, William Friedkin, Alexandre Bustillo and Julien Maury. Like this:Like Loading…

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

13 Assassins Reign!

It’s assassins galore with John Woo and Su Chao-Pin’s Reign of Assassins and Takashi Miike’s remake of the classic chanbara, Thirteen Assassins. Like this:Like Loading…

Asian Western Round Up

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This month we’re mixing it up at the Gutter with each editor writing about something outside their usual domain. This week Carol Borden writes about movies. She can normally be found here. The world is clamoring for more Asian Westerns. Or at least I am.  I’m talking Thai, Chinese, Japanese and Korean Westerns. They seem […]

Yatterman!

Takashi Miike follows up his smart and fancy family films Great Yokai War and Zebraman with Yatterman. Looks promising–there’s a giant dog robot and a lot of leather. (What the hell, trailers for GYW and Zebraman, too). Like this:Like Loading…

The Road To Mundo Fine: Zombies vs. Robots

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The road to the end of the world is shorter than we think. Just when we’ve adjusted our rear and sideview mirrors and selected a soundtrack, the end stands before us, eyes shining in our halogen lights, ready to total our engine block. The only question now is: zombies or robots? Like this:Like Loading…

Red Eye

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15 hours on the road and I was my own red-eye on I-94’s corridor of stripclubs, fireworks and roadkill, racing past dead deer in Michigan, then Gary, Indiana’s steel mills and through Chicagoland, the Sears Tower in the distance waiting for its evil eye, till the highway gave out in Wisconsin. Yes, I went to […]

Good, Weird, no Bad

Tears of the Black Tiger, Sukiyaki Western Django and now Kim Jee-woon’s The Good, the Bad and the Weird, starring Song Kang-ho, Lee Byung-hun and Jung Woo-sung.  Asian Westerns are where it’s at. Like this:Like Loading…

Why Is Miike Smirking?

Takashi Miike smirks, and I shudder. Like this:Like Loading…

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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