As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
Filmmaker, cinema verité innovator and journalist Robert Drew has died. The New York Times, The Los Angeles Times and The Guardian have obituaries. Grantland has a memoriam of his work and life. “Drew died last week. He was 90. His genre was cinema verité, which is a much more artful way into truth. He made portraits […]
At NPR’s Monkeysee blog, Linda Holmes writes about enthusiasm, the outloud internet, broadcast television, premium cable, the Man and many things worth thinking about. “[T]here is a better way forward. Fall in love with things. Try things; dislike some of them. Love people who love things you can’t imagine loving. Be thirsty and brave. Accept […]
Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]
Dancers create music with prosthetic instruments.
A history of the aspect ratio. “John Hess traces the evolution of the screen shape from the silent film days through the widescreen explosion of the 50s, to the aspect ratio of modern digital cameras.”
Blerdology’s Kat and Amanda talk to Vibe about “The Science of Black Nerds.” “African Americans present a unique set of perspectives and problems that the larger tech world could never completely and accurately tackle without us. Now, we hack to ask how can we get more African Americans to realize the power and influence they […]
The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.”
ZDNet’s Violet Blue offers ways you can join the Apr. 22 protest against The Cyber Intelligence Sharing and Protection Act. At The Atlantic, Rebecca Greenfield notes that CISPA has “few friends in the Senate” but has the support of “major tech companies”: “Unlike SOPA which was widely condemned in the tech community, CISPA has the […]
“As early as 1929 Kodak identified the potential for colour to affect the emotions. Whilst Kodak developed Sonochrome tints like Rose Doree to ‘quicken the respiration’ and Peachblow for ‘brief, joyous moments’, twenty years before, Méliès applied translucent aniline dyes to create spectacle and to provoke sensation in nascent cinema.” Wendy Haslem writes on the […]
This week in Dystopian Future Round-Up: Panopticon Edition: Wired reports on the Defense Advanced Research Project Agency’s work on recording and storing everything people say; and Google Glass is more than unflattering according to Mark Hurst. (Thanks, @oafbot)
Jason Little talks about 3D comics from Wheatstone to Duchamp to now at Dare2Draw. (via Becky Cloonan)
CG Co-Founding Editor Jim Munroe and Matt Hamill have a new text game, Guilded Youth. Meanwhile, Jim’s latest movie, Ghosts With Shit Jobs, is now available on Xbox.
Garann writes a tribute to Hackers‘ Acid Burn for Ada Lovelace Day: “There are real women who did hard, under-appreciated work who instilled in me a belief that computer science was noble and beautiful and that I could be a part of it. They came later, though. I found them only because of an absurd […]
Sarah Wenger has made a neat infographic about women in the tech field.
David Bordwell tells the story of digital projection, 3D and how James Cameron lobbied theaters to buy the technology to show the films he wants to make. Meanwhile, Christopher Nolan wants to save 35mm film. (Thanks, Kimberly Lindbergs!)
Adrian Tchaikovsky plans to scorch epic fantasy’s rolling hills and verdant forests, joining other restless fantasy writers in a revolt against the eternal Middle England of Middle Earth: “In traditional epic fantasy, nothing ever changes. The only person trying to alter the world is the Dark Lord, and to defeat him is to restore the […]
At a panel discussion, Octavia Butler reveals how she became a writer, watching a movie and thinking, “Jeez, I can write a better story than that!” Butler is interviewed by Charlie Rose in 2000. And a clip of her from a television documentary on science fiction.
Kubrick’s producer sends him a letter about the new discovery of 1976: the Steadicam.
An interactive map of fiber-optic cables running beneath the world’s oceans (and seas). (via etsy)
Peter Gutierrez writes about the pleasures of watching movies, alone and together: “The more we curl up next to our smart phones and tablets whenever and wherever we want to; the more we crave the spectacle of the premiere, the excitement of that first midnight screening, the sharing of a movie’s emotional ride. Likewise, the […]keep looking »