The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Robert Drew

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Filmmaker, cinema verité innovator and journalist Robert Drew has died. The New York Times, The Los Angeles Times and The Guardian have obituaries. Grantland has a memoriam of his work and life. “Drew died last week. He was 90. His genre was cinema verité, which is a much more artful way into truth. He made portraits […]

“Love In The Time Of Hollering: The Age Of Enthusiasm”

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At NPR’s Monkeysee blog, Linda Holmes writes about enthusiasm, the outloud internet, broadcast television, premium cable, the Man and many things worth thinking about. “[T]here is a better way forward. Fall in love with things. Try things; dislike some of them. Love people who love things you can’t imagine loving. Be thirsty and brave. Accept […]

“The Aesthetic Politics of Filming Black Skin”

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Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]

Prosthetic Instruments

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Dancers create music with prosthetic instruments. Like this:Like Loading…

“The Changing Shape of Cinema”

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A history of the aspect ratio. “John Hess traces the evolution of the screen shape from the silent film days through the widescreen explosion of the 50s, to the aspect ratio of modern digital cameras.” Like this:Like Loading…

“The Science of Black Nerds”

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Blerdology’s Kat and Amanda talk to Vibe about “The Science of Black Nerds.” “African Americans present a unique set of perspectives and problems that the larger tech world could never completely and accurately tackle without us. Now, we hack to ask how can we get more African Americans to realize the power and influence they […]

“Enter A Monster”

The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.” Like this:Like Loading…

Protesting CISPA

ZDNet’s Violet Blue offers ways you can join the Apr. 22 protest against The Cyber Intelligence Sharing and Protection Act. At The Atlantic, Rebecca Greenfield notes that CISPA has “few friends in the Senate” but has the support of “major tech companies”: “Unlike SOPA which was widely condemned in the tech community,  CISPA has the […]

The Sensationalism of Trip To The Moon

“As early as 1929 Kodak identified the potential for colour to affect the emotions. Whilst Kodak developed Sonochrome tints like Rose Doree to ‘quicken the respiration’ and Peachblow for ‘brief, joyous moments’, twenty years before, Méliès applied translucent aniline dyes to create spectacle and to provoke sensation in nascent cinema.” Wendy Haslem writes on the […]

Dystopian Future Round-Up!

This week in Dystopian Future Round-Up: Panopticon Edition: Wired reports on the Defense Advanced Research Project Agency’s work on recording and storing everything people say; and Google Glass is more than unflattering according to Mark Hurst. (Thanks, @oafbot) Like this:Like Loading…

A Talk on 3D Comics

Jason Little talks about 3D comics from Wheatstone to Duchamp to now at Dare2Draw. (via Becky Cloonan) Like this:Like Loading…

What’s New At No Media Kings?

CG Co-Founding Editor Jim Munroe and Matt Hamill have a new text game, Guilded Youth. Meanwhile, Jim’s latest movie, Ghosts With Shit Jobs, is now available on Xbox. Like this:Like Loading…

Acid Burn, Angelina Jolie and Ada Lovelace

Garann writes a tribute to Hackers‘ Acid Burn for Ada Lovelace Day: “There are real women who did hard, under-appreciated work who instilled in me a belief that computer science was noble and beautiful and that I could be a part of it. They came later, though. I found them only because of an absurd […]

The Rise of Women in Tech

Sarah Wenger has made a neat infographic about women in the tech field. Like this:Like Loading…

King of the World 3D

David Bordwell tells the story of digital projection, 3D and how James Cameron lobbied theaters to buy the technology to show the films he wants to make. Meanwhile, Christopher Nolan wants to save 35mm film.  (Thanks, Kimberly Lindbergs!) Like this:Like Loading…

Doing Something Different with Epic Fantasy

Adrian Tchaikovsky plans to scorch epic fantasy’s rolling hills and verdant forests, joining other restless fantasy writers in a revolt against the eternal Middle England of Middle Earth: “In traditional epic fantasy, nothing ever changes. The only person trying to alter the world is the Dark Lord, and to defeat him is to restore the […]

“Jeez, I can write a better story than that!”

At a panel discussion, Octavia Butler reveals how she became a writer, watching a movie and thinking, “Jeez, I can write a better story than that!”  Butler is interviewed by Charlie Rose in 2000. And a clip of her from a television documentary on science fiction. Like this:Like Loading…

A Marriage made in cinematic heaven

Kubrick’s producer sends him a letter about the new discovery of 1976: the Steadicam. Like this:Like Loading…

The Ocean’s Secret Paths

An interactive map of fiber-optic cables running beneath the world’s oceans (and seas). (via etsy) Like this:Like Loading…

Movies and the Joy of Being Alone, Together

Peter Gutierrez writes about the pleasures of watching movies, alone and together: “The more we curl up next to our smart phones and tablets whenever and wherever we want to; the more we crave the spectacle of the premiere, the excitement of that first midnight screening, the sharing of a movie’s emotional ride. Likewise, the […]

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  • Of Note Elsewhere

    The Projection Booth tells you of days of high adventure in an epic seven hour podcast on Conan The Barbarian (1982).

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    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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