The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Robert Drew

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Filmmaker, cinema verité innovator and journalist Robert Drew has died. The New York Times, The Los Angeles Times and The Guardian have obituaries. Grantland has a memoriam of his work and life. “Drew died last week. He was 90. His genre was cinema verité, which is a much more artful way into truth. He made portraits […]

“Love In The Time Of Hollering: The Age Of Enthusiasm”

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At NPR’s Monkeysee blog, Linda Holmes writes about enthusiasm, the outloud internet, broadcast television, premium cable, the Man and many things worth thinking about. “[T]here is a better way forward. Fall in love with things. Try things; dislike some of them. Love people who love things you can’t imagine loving. Be thirsty and brave. Accept […]

“The Aesthetic Politics of Filming Black Skin”

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Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were calibrated, to the models used as standards […]

Prosthetic Instruments

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Dancers create music with prosthetic instruments. Like this:Like Loading…

“The Changing Shape of Cinema”

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A history of the aspect ratio. “John Hess traces the evolution of the screen shape from the silent film days through the widescreen explosion of the 50s, to the aspect ratio of modern digital cameras.” Like this:Like Loading…

“The Science of Black Nerds”

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Blerdology’s Kat and Amanda talk to Vibe about “The Science of Black Nerds.” “African Americans present a unique set of perspectives and problems that the larger tech world could never completely and accurately tackle without us. Now, we hack to ask how can we get more African Americans to realize the power and influence they […]

“Enter A Monster”

The Atlantic profiles Spectral Motion, creators of monsters, “effects, and other mechanical grotesqueries that have since become household nightmares, if not names.” Like this:Like Loading…

Protesting CISPA

ZDNet’s Violet Blue offers ways you can join the Apr. 22 protest against The Cyber Intelligence Sharing and Protection Act. At The Atlantic, Rebecca Greenfield notes that CISPA has “few friends in the Senate” but has the support of “major tech companies”: “Unlike SOPA which was widely condemned in the tech community,  CISPA has the […]

The Sensationalism of Trip To The Moon

“As early as 1929 Kodak identified the potential for colour to affect the emotions. Whilst Kodak developed Sonochrome tints like Rose Doree to ‘quicken the respiration’ and Peachblow for ‘brief, joyous moments’, twenty years before, Méliès applied translucent aniline dyes to create spectacle and to provoke sensation in nascent cinema.” Wendy Haslem writes on the […]

Dystopian Future Round-Up!

This week in Dystopian Future Round-Up: Panopticon Edition: Wired reports on the Defense Advanced Research Project Agency’s work on recording and storing everything people say; and Google Glass is more than unflattering according to Mark Hurst. (Thanks, @oafbot) Like this:Like Loading…

A Talk on 3D Comics

Jason Little talks about 3D comics from Wheatstone to Duchamp to now at Dare2Draw. (via Becky Cloonan) Like this:Like Loading…

What’s New At No Media Kings?

CG Co-Founding Editor Jim Munroe and Matt Hamill have a new text game, Guilded Youth. Meanwhile, Jim’s latest movie, Ghosts With Shit Jobs, is now available on Xbox. Like this:Like Loading…

Acid Burn, Angelina Jolie and Ada Lovelace

Garann writes a tribute to Hackers‘ Acid Burn for Ada Lovelace Day: “There are real women who did hard, under-appreciated work who instilled in me a belief that computer science was noble and beautiful and that I could be a part of it. They came later, though. I found them only because of an absurd […]

The Rise of Women in Tech

Sarah Wenger has made a neat infographic about women in the tech field. Like this:Like Loading…

King of the World 3D

David Bordwell tells the story of digital projection, 3D and how James Cameron lobbied theaters to buy the technology to show the films he wants to make. Meanwhile, Christopher Nolan wants to save 35mm film.  (Thanks, Kimberly Lindbergs!) Like this:Like Loading…

Doing Something Different with Epic Fantasy

Adrian Tchaikovsky plans to scorch epic fantasy’s rolling hills and verdant forests, joining other restless fantasy writers in a revolt against the eternal Middle England of Middle Earth: “In traditional epic fantasy, nothing ever changes. The only person trying to alter the world is the Dark Lord, and to defeat him is to restore the […]

“Jeez, I can write a better story than that!”

At a panel discussion, Octavia Butler reveals how she became a writer, watching a movie and thinking, “Jeez, I can write a better story than that!”  Butler is interviewed by Charlie Rose in 2000. And a clip of her from a television documentary on science fiction. Like this:Like Loading…

A Marriage made in cinematic heaven

Kubrick’s producer sends him a letter about the new discovery of 1976: the Steadicam. Like this:Like Loading…

The Ocean’s Secret Paths

An interactive map of fiber-optic cables running beneath the world’s oceans (and seas). (via etsy) Like this:Like Loading…

Movies and the Joy of Being Alone, Together

Peter Gutierrez writes about the pleasures of watching movies, alone and together: “The more we curl up next to our smart phones and tablets whenever and wherever we want to; the more we crave the spectacle of the premiere, the excitement of that first midnight screening, the sharing of a movie’s emotional ride. Likewise, the […]

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  • Of Note Elsewhere

    The Gutter’s own Carol infiltrates Teleport City‘s limits to contribute to TC’s Space: 1999 series with her piece on aliens and what big jerks they are. “Space: 1999 taught me two valuable lessons. The first is that space is depressing and best represented by the color taupe. The second is that, with few exceptions, aliens are jerks.”

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    The Dartmouth College Library ahs scans of the oldest extant comic book, Rodolphe Töpffer’s
    “The Adventures of Mr. Obadiah Oldbuck” (1837). (via @SoxOnTheBrain)

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    At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that denies oppression. One of the main characters, Adelaide Norris played by Jean Satterfield, came to the forefront for me because of her race and role in the story. Adelaide is one of the key characters who pulls the female troops together. With the help of her mentor Zella, played by civil rights lawyer Flo Kennedy, this young Black and gay woman tirelessly researches, advises, and recruits women to fight the good fight for equality.”

    ~

    A video tribute to interactive VCR games including: Nightmare (1991), The Fisherman VCR Bible Game (1989), Rich Little’s Charades (1985), Wayne’s World VCR Game (1992), Star Trek: The Next Generation VCR Game (1995) and Skull and Crossbones (1988). (Thanks, Beth!)

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    At The Los Angeles Review Of Books, Suzannah Showler writes about the complexity of the reality tv show The Bachelor and her complicated love for it. “I love The Bachelor the way I love most things, which is to say: complicatedly. On the one hand, I think it’s a fascinating cultural product, one I find great delight in close-reading. But I also love it, frankly, because I just like watching it. I think it’s top-notch entertainment, and I will straight up hip-check my politics out of the way, and give up many hours of my life, in the name of being entertained.” (Via @idontlikemunday)

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    At Comics Alliance, Chris Sims recounts that time the Punisher battled Dr. Doom. “It starts off with Dr. Doom kicking it in an extradimensional conference room set up by Loki to coordinate mass villainy, where he is just ripping into the Kingpin for being unable to kill the Punisher….Thus, in a sterling example of the ‘well then why don’t you do it’ school of super-villain cameraderie, Dr. Doom, a man who built a time machine in his basement, heads off to try his luck at fighting the Punisher, a man who has a gun. He does this, as you might expect, by luring him to a quarry and — after a brief exchange between a Doombot and a minigun — attempting to blow up his van with a tank.”

    ~

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