The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”
It’s the end of the year; I work in retail; I have the flu. All of which means that for the past couple weeks I’ve been re-reading rather than reading. Mostly Eva Ibbotson, whose warmth reminds me not only that I love reading, but why. Which makes this a good time for a retrospective list. […]
I’ve been on a bit of a historical binge recently: testing some new authors, re-reading old favourites. This trip down the historical record lane is due largely to author Sherry Thomas. More to the point, to her recent novel Ravishing the Heiress.
Terry Pratchett talks a little trash about Doctor Who: “The unexpected, unadvertised solution which kisses it all better is known as a deus ex machina – literally, a god from the machine. And a god from the machine is what the Doctor now is… And yet, I will watch again next week because it is […]
The end of the world, via scientific calamity, and falling off the literal edge of the world – that’s one connection between Cat’s Cradle by Kurt Vonnegut and The Colour of Magic by Terry Pratchett. The other link? My attempt to see what two writers, well-known to others, not so familiar to me, were doing […]
In the spirit of the season, here are ten, in alphabetical order by author.