The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Seijun Suzuki’s Story of Sorrow and Sadness

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“Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian […]

SpeakEasy Radio, Episode 1

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Author and shenaniganist Kate Laity chats with the Gutter’s own Carol on the inaugural episode of SpeakEasy Radio. Topics include what the Speakeasy is all about, The Cultural Gutter and Vampire Prosecutor. Like this:Like Loading…

Mucking Up The Respectable Comics Business

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I’ve been thinking about disreputable art more than usual lately, between the film adaptation of 50 Shades of Grey coming out and Jonathan Franzen franzenating about women mucking up the whole respectable novel business. I can’t help but think of the history of the novel in Europe and North America. A tawdry form that was […]

“Let’s Talk About The Women Of The Walking Dead

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At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of […]

Interview with Kelly Sue DeConnick

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At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration […]

“She-Hulk, Attorney at Law”

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At Bitch Magazine, Tammy Oler writes about the history and legal life of Jennifer Walters, attorney and She-Hulk. (Thanks, Mark!) Like this:Like Loading…

“The Husband Did It”

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At The Awl, Alice Bolin writes about Gone Girl, Serial, true crime television and “Why it’s scarier for a man to be accused than for a woman to be killed”: “It’s clear we love the Dead Girl, but we don’t empathize with her. If we did, we might ask why we did nothing to protect […]

Jennifer Armintrout’s Plan

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Author Jennifer Armintrout has gathered resources for “donating the price of a movie ticket to an anti-domestic violence organization instead of paying to see 50 Shades of Grey. Or, donating it in penance for the ticket you’re going to buy. It’s time to put our money where our mouths are. We need to make a list of places […]

“A Sci-Fi Joan of Arc”

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At Graveyard Shift Sisters, Carolyn looks at Lizzie Borden’s Born In Flames (1983) and the character, Adelaide Norris. “Born in Flames was revolutionary for its time, and I think it is still relevant today. This film has many layers, with both a speculative as well as a science fictional representation of a parallel universe that […]

The Patricia Highsmith Papers

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The Swiss Literary Archives have made their Patricia Highsmith collection available online here. (Thanks, Kate!) Like this:Like Loading…

“Jennifer Aniston And the Curse of Friends”

At Multiglom, Anne Billson considers Jennifer Aniston and her career. “But there are three things we should realise about Jennifer Aniston: 1) You don’t spend a decade in a well written sitcom without acquiring razor-sharp comic timing and an ability to give shading to characters who might in lesser hands be caricatures. 2) At least […]

Never Goodnight is the Best

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The Dissolve shares some panels from the source material for Lukas Moodysson’s Swedish punk rock coming of age story, We Are The Best–Coco Moodysson’s graphic novel, Never Goodnight, about her experience growing up punk in 1980s Stockholm. The Dissolve piece also links to an interview with Coco Moodysson at Female First and a New York Times […]

10 Comics I Liked In 2014

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I’m sure we’re all glad to see 2014 go. I know I am. But you know, comics are always here for you, and so is the Gutter. I thought I’d do something a little different with the list this year. Last year, I was invited to do a “Best Comics of 2013” list at Popshifter […]

“I’ll find a match / Or maybe two or three.”

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Bertha Antoinette Mason Rochester as a Disney Princess by Shipwrecked’s Sinead Persaud. Like this:Like Loading…

“Mad As Hell: Thoughts On Aaron Sorkin”

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At Asking The Wrong Questions, Abigail Nussbaum writes about Aaron Sorkin, the “Oh Shenandoah” episode of  Sorkin’s The Newsroom, The Newsroom writer Alena Smith and women speaking out about their experiences. “What we’re seeing here is Aaron Sorkin becoming an Aaron Sorkin character, making the same arguments as Don.  In his conception of reality, a […]

Lexi Alexander on The Movie Crypt

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Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]

“Visible Girls: London’s Lost Female Subcultures”

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Dangerous Minds has a gallery of photographs from Anita Corbins project photographing young women in 1980s London. “In the early 1980s, photographer Anita Corbin documented the ‘informal uniforms’ of young women’s subcultures across London. Corbin photographed rude girls, rockabillies, mods, skinheads, and some ‘less defined’ female groups including soul, rasta, punk and futurist, as well […]

“Iris Allen, Laurel Lance & Lois Lane Syndrome”

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Dr. Nerdlove takes a brief break from helping the nerd get the girl to address something that’s been bugging him. “Pardon me while I go off on a bit of a media criticism/ rant here. So I’ve been enjoying the *hell* out of The Flash lately except for one thing: Iris Allen. Her character is […]

“Samus Works Alone”

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At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up […]

“Why I Play Violent Video Games”

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Maddy Myers writes about playing violent games, wanting to be powerful and internalized sexism. “Given my lifelong history of playing at war, and my desperate wish to feel strong, big, and powerful, it made sense that I would gravitate towards Counter-Strike and its ilk around the age of 15. But Counter-Strike, with its all-male selection […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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