The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Art of Stealing”

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Lex Boon explores “The Art of Stealing: The Tragic Fate of The Masterpieces Stolen from Rotterdam”: “Picasso, Gauguin, Matisse, Monet, Meijer de Haan and Freud. On television they are talking about a loot worth hundreds of millions of euros. The amount is not important to her. The pictures are evidence against her son and destroying […]

Kurosawa Week At Trailers From Hell

This week Trailers from Hell celebrates the films of Akira Kurosawa. First up, director Brian Trenchard-Smith discusses Rashomon (1950) in just over the time it takes to play the trailer.

Reservoir Dogs at The Projection Booth

Mr. White and Mr. St. Mary have an in-depth look at Reservoir Dogs at The Projection Booth podcast. Special Guests: podcaster Jamie Jenkins, Film Threat‘s Paul Zimmerman and Reservoir Dogs executive producer, Monte Hellman. Special features include, Mike White’s video, “Who Do You Think You’re Fooling?” comparing Ringo Lam’s City On Fire and Reservoir Dogs, […]

“The Heist Always Goes Wrong”

“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

Elmore Leonard, Hats and Adaptations

Elmore Leonard talks hats and adaptations, sometimes both.

Alan Moore Knows The Score

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“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]

Bond, Jane Bond

Back in the day, HK studios assumed films with male leads couldn’t cut it in the theaters. So during the 1960s spy era, Hong Kong had Jane Bond films featuring masked spies in catsuits way before Maggie Cheung in Irma Vep. TarsTarkas gathers the resources all in one place, all you have to do is […]

1910 Is Now

Bully! 1910 is Now with preview pages from The League of Extraordinary Gentlemen–Century: 1910.

Follow-Up Visit

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I love shiny new things. I’m also getting more ruthless about my time than I used to be. Those competing impulses get resolved in a simple activity that everyone does naturally: following writers who have proved themselves in the past. On that note, here are a few follow-up visits to Gutter pieces of the past. […]

Swords and Sorcery of an Old School Nature

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Fighting the Thieves’ Guild. Beautiful wenches, dazzling swordplay, heaps of treasure, dark spells. Where do all these cliches come from? A lot of them are from people who ripped off Fritz Lieber, who could write circles around just about anybody. And show us a good time doing it too.

Catwoman 82

With issue 82, Catwoman’s time as a title is done.  At least for now.  Devon at Rack Raids has a nice little testimonial. 

100 + 100 + 100 = 850

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When I first took the screen beat at The Cultural Gutter, I vowed never to do a list article. But promises, like Corningware, are made to be broken.

It Was A Dark And Stormy Night

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There’s a scene at the end of the film of Jane Austen’s Persuasion (the Ciaran Hines version, natch) that I love.  In it, the hero holds out his hand, and the heroine takes it.  That’s it, just two people holding hands.  What makes it so powerful is what led up to that quiet moment – […]

Smooth, Smoother, Smoothest

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I get sucked in very easily by books that are smooth on the surface. If a book has glossy enough writing and a well-paced storyline, then I’m almost always a sucker for it. But when a book also has something intriguing going on underneath the surface, then I feel like my optimism has been rewarded […]

Year End at Kaiju Shakedown

Hong Kong was winner of the year and Thailand was loser of the year over at Kaiju Shakedown. But in a world with Johnnie To in it, we’re all winners.

Catwoman: Silicon-Injected

Who are Catwoman

In 2001, Catwoman was everything I ever wanted in a comic. I admit I was a sucker for her new look. A woman’s stompy black boots are her pride and Catwoman’s boots were stompy, black and flat after years of thigh high Pretty Woman stilettos. Not to mention that zippers with rings, black leather, kitty […]

Teaching the Value of Human Life

Handcuffs or hand grenades?

When you’re put behind the crosshairs of a gun, do you assume you have to shoot to kill? Better still, do you have to shoot to win? For the majority of First Person Shooters, that is certainly the case. What if you were given the choice to avoid unnecessary bloodshed, but still be able to […]

Cheerfully Lecherous and Unabashedly Lazy

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If you had unlimited power – magical power as a wizard, or even unlimited built-in power like Superman – what would you do with it? Would you act responsibly and protect us regular folks? Or would you become greedy and try to take over the world, like a super-villain? Pop culture takes those two extremes […]

Ninjas vs. Pirates

It’s an idea whose time has come: Ninjas vs. Pirates! Sounds homebrew too: “Almost all scenes in NVP were shot in front of 9 sheets of 30-cent green posterboard in a 12′x13′ apartment living room, lit with $12 Wal-Mart halogen work lights.”

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  • Of Note Elsewhere

    At Graveyardshift Sisters, Ashlee Blackwell writes about the complexity of Blaxploitation horror. “What is visceral, real to the fears of the oppressed, ignored, and patronized are often symbols of empowerment, showing true courage in the face of what’s on the screen and everyday circumstances to see a character figure who takes on the world. Whether that attempt is successful or not, Pandora’s Box of possibilities can flourish.”

     

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    At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female as a werewolf to help us consider past attempts and possibly encourage future narratives.”

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    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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