The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”
Filmmakers Bruno Forzani and Helene Cattet made a four-minute video essay on director Dario Argento’s films for the French television channel Arte. via @Popshifter
At Of Human Bond_Age_, author Kate Laity writes about her secret agent, Chastity Flame, and the appeal of secret agents (and maniacal supervillains): “When I describe my secret agent Chastity Flame to people I usually use the shorthand description that she’s like an über-sexy female James Bond. Since the Bond reboot with the yummy Daniel […]
Jean-Michel Van Schouwburg (“The Goblin”) and Katalin Ladik (“The Resurrected Witch”) from the intensely sonic, Berberian Sound Studio, offer a performance of their vocal talent with sound designer Pál Tóth (aka, én) in Budapest.
Director, stunt coordinator and stuntman Hal Needham has died. Needham directed Smokey and the Bandit and The Cannonball Run, but he also performed and coordinated stunts in The French Connection II, Three The Hard Way, Chinatown, Our Man Flint, The War Wagon and Blazing Saddles. and in television shows such as, Mission: Impossible, Star Trek, […]
Author Tom Clancy has died. Clancy is best known for The Hunt for Red October and his Jack Ryan series, but he also worked on videogames like Ghost Recon and Splinter Cell. The New York Times has an obituary. Dean Takahashi remembers Clancy at Venture Beat and Lynn Neary remembers Clancy at NPR.
Click for your own “random-fake giallo.” (Thanks, Less Lee!)
At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had been the only sentence in the book, […]
At The LA Review of Books, Sarah Weinman writes about fine, subtle and underappreciated noir writer, Dorothy B. Hughes. “In a Lonely Place…blasted my mind open to new ways of reading. I wasn’t only enjoying the story and getting creeped out by the wholly unreliable narrator, Dix Steele, but marveling at the way Hughes let […]
Writer Richard Matheson has died. Matheson’s influence on horror, television and film was incredible–from, “I Am Legend” to episodes of The Twilight Zone, The Night Stalker, The Martian Chronicles to writing Roger Corman’s Poe films to films based on his stories like The Last Man on Earth, The Omega Man, I Am Legend, The Incredible […]
“[O]n Saturday night, when you were probably enjoying the discothèque with the other sophisticates, it was finally on: Deadly Spa.” More Deadly Spa here. (via @bethlovesbolly)
It’s hot and the air already feels like unset Jell-O, but you still have some time to prepare for summer, because all the list-happy magazines and websites tell me, summer must be prepared for. Dig out your seersucker suit! Bob your hair! Find that most fashionable bathing suit–might I suggest a kicky Twenties number? You’ll […]
“The merit of The Spy Who Came in from the Cold, then – or its offence, depending where you stood – was not that it was authentic, but that it was credible. The bad dream turned out to be one that a lot of people in the world were sharing, since it asked the same […]
A collection of Orson Welles’ appearances on the old time radio show, Suspense, including “The Most Dangerous Game” and “The Hitchhiker.”
Erin Horakova looks at author Shirley Jackson’s masterful, The Haunting of Hill House and We Have Always Lived In The Castle. “Haunting is stunning, and while it’s a must-read for anyone interested in ghost stories, haunted houses, or psychological horror, it also stretches beyond its demographic.”
“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.
Friend of The Gutter, Robert Mitchell interviews Birdemic director, James Nguyen. They discuss film-making, Birdemic: Shock and Terror, Birdemic 2 and what people can do to reduce their negative impact on the environment.
The ultimate in amnesiac pregnancy romances, Pregnesia! (Thanks, Tars Tarkas!)
Kill List director and suspected Pirate Captain Ben Wheatley has been secretly making commercial videos for years. Siân Elizabeth-Anne just happens to have gathered all Wheatley’s booty in one place, The Vanguard programme blog. Or most of it. Meanwhile, at the Midnight Madness blog, Chad Eberle has collected evidence of Rob Zombie’s secret life as […]
This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found trailers for Beijing Flickers; Here Comes The […]
Recently, I’ve been thinking about danger. Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’. These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love. When done well, they share […]« go back — keep looking »