Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since he first brought his creations to frame-by-frame life on the big screen. That makes sense. So how can I really say anything of worth when I say that I was also profoundly influenced by the artistry of Ray Harryhausen? With modesty, and a story about Clash of the Titans. Continue reading…
The Internet Archive has a collection of the old time radio show, Inner Sanctum Mysteries, sure to spookify any All Hallow’s Eve.
Here are two more trailers for films screening at this year’s Midnight Madness Program at the Toronto International Film Festival. First up, a teaser and clip from Eduardo Sánchez’ Lovely Molly. There’s also a trailer for Frederic Jardin’s thriller, Sleepless Night / Nuit Blanche. (Updated: The Incident trailer was incorrect).
A couple of looks at the art and history of film title sequences.
It’s summer time and instead of beer bottles exploding out of coolers in a shower of refreshing ice, bikini-clad hotties and fireworks as we know it should be, everything is wilting and perhaps even melting. As far as I can tell there are only two possible explanations—Hot Lava Monsters have readjusted the earth’s thermostat to [...]
“What have they done to gialli?” wonders Allison Nastasi about new giallo films and then offers up 5 examples of the genre at its best.
Every April at the Gutter, the editors write about something outside their usual domains. This month Comics Editor Carol Borden writes about movies. This is not even close to a full retrospective, because while Minoru Kawasaki doesn’t have a huge number of films, many of them are not available with English subtitles and I don’t [...]
The Random James Bond Movie generator gives you a title, a plot and a particular Bond. (Also provides book titles).
Previously, I wrote a column about Meredith Duran, who got her start in publishing when her first novel, the astonishingly good Duke of Shadows, won the Gather.com First Chapters Romance Writing Competition. I liked the interesting and collaborative nature of the online contest. Entrants posted their first chapters on the Gather.com site for the community [...]
Wildgrounds breaks down their most anticipated films of 2011.
Horror movies are celebrating their hundredth year in 2010, with the anniversary of the 1910 Edison Lab’s production of Frankenstein. Bloody Disgusting catalogs “some of the biggest…genre snubs in Oscar history, in Part Four of B-D’s ’100 Years in Horror’ series.”
Inception in Real-Time. All the dreams played against one another and with editorial comments. (via Entertainment Weekly’s blog)
Irvin Kershner has died. He directed The Empire Strikes Back, Robocop 2, Eyes of Laura Mars and The Raid on Entebbe. Vanity Fair recently posted an interview with him about working on Star Wars. Agence France-Presse has a report. Film School Rejects has 5 great Kershner films besides The Empire Strikes Back.
Laurie’s Wild West brings you pulps from Franco’s Spain.
It might be Round 7, but it’s not too late to particpate in Cinematical’s Heroes vs. Villains tournament. Vote here.
Writers receive the sanction to assassinate a troublesome actor’s character, The Werewolf King in the 1980s tv show, Werewolf.
Here are trailers for 6 of the 10 movies at the Toronto International Film Festival’s Midnight Madness program this year: Fubar II; The Vanishing on 7th Street; The Butcher, The Chef and The Swordsman; Red Nights; Fire of Conscience; and Stake Land. (SUPER, Insidious, Bunraku and John Carpenter’s The Ward don’t have trailers yet).
La Pantera Negra is on the prowl in this trailer for Iyari Werrta’s stylish tribute to 1950s and 1960s Mexican films. Catsuits! Fedoras! Flying saucers! Suspenso! (via SF Signal).
Elmore Leonard talks hats and adaptations, sometimes both.
Kathryn Bigelow won a best directing Oscar for The Hurt Locker. Time for a retrospective. Here’s the trailer for Near Dark and some clips. Point Break (i.e. Keeanu Reeves best movie). Jamie Lee Curtis in the cop thriller, Blue Steel. The premillennial tension of Strange Days. The Pirelli ad, Mission Zero. And her sub movie, [...]
Science analyzes the best and worst types of genre movies. Results listed here.« go back — keep looking »