The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Just In Time

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“and somehow / giving to all her questions just one answer: / In you, who were a child once—in you.” –”Die Erwachsene / The Grown Up,” Rainer Maria Rilke trans. by Stephen Mitchell. Please don’t let Rilke scare you off. Jim McCann and Janet Lee’s Return of the Dapper Men (Archaia, 2010) is a thoroughly […]

61 Pages of Connie Willis

61 pages from Connie Willis’ new book, Blackout.

Watch Your Head

Bladewood provides us all a much needed timeline of the events in the Doctor Who season/series 5 finale. Watch your head, please.

Lost And Heroes, Compared.

James Poniewozik on Lost and Heroes: “Put another way: you have to be willing to suck if you ever want to be great. ‘Awesome’ and ‘awful’ are actually closer to each other on the continuum of quality than either is to ‘meh.’”

Doctor Who Comic Maker

Hey, the BBC has a Doctor Who Comic Maker. Make your own comics–with Doctor Who! (Thanks, Rebecca!)

Terry Pratchett Talks About Doctor Who

Terry Pratchett talks a little trash about Doctor Who: “The unexpected, unadvertised solution which kisses it all better is  known as a deus ex machina – literally, a god from the machine. And a god from the machine is what the Doctor now is… And yet, I will watch again next week because it is […]

The Casefile of Sherlock Holmes and Carl Kolchak, Reporter

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Though I prefer reading —and writing about —comics in collections, I do buy comics in single issues.  Sometimes I need to know what happens next or can’t wait for the collection anymore. Sometimes it’s idle curiosity or the lure of the pretty. But every once in a while, it’s the potential for all-out crazy. I […]

THE LONG WALK HOME

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“Now, if you’re playing the movie on a telephone, you will never in a trillion years experience the film. You’ll think you’ve experienced it. But you’ll be cheated. It’s such a sadness that you think you’ve seen a film on your [adjective deleted] telephone. Get real.”

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  • Of Note Elsewhere

    The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be posting the trailers from the films later.

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    Actor James Shigeta has died. Shigeta appeared in Die Hard (1988), The Crimson Kimono (1959) The Flower Drum Song (1961),  Bridge To The Sun (1961), Paradise, Hawaiian Style (1966), The Yakuza (1974) and many, many television shows.  The AV Club, Den Of Geek and Angry Asian Man have obituaries. Bridge to the Sun is discussed by Robert Osborne and Dr. Peter Feng on TCM.  At RogerEbert.com, Matt Zoller Seitz writes an appreciation of Shigeta’s life and work. “Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 Die Hard is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.”

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    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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