The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Just In Time

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“and somehow / giving to all her questions just one answer: / In you, who were a child once—in you.” –”Die Erwachsene / The Grown Up,” Rainer Maria Rilke trans. by Stephen Mitchell. Please don’t let Rilke scare you off. Jim McCann and Janet Lee’s Return of the Dapper Men (Archaia, 2010) is a thoroughly […]

61 Pages of Connie Willis

61 pages from Connie Willis’ new book, Blackout. Like this:Like Loading…

Watch Your Head

Bladewood provides us all a much needed timeline of the events in the Doctor Who season/series 5 finale. Watch your head, please. Like this:Like Loading…

Lost And Heroes, Compared.

James Poniewozik on Lost and Heroes: “Put another way: you have to be willing to suck if you ever want to be great. ‘Awesome’ and ‘awful’ are actually closer to each other on the continuum of quality than either is to ‘meh.’” Like this:Like Loading…

Doctor Who Comic Maker

Hey, the BBC has a Doctor Who Comic Maker. Make your own comics–with Doctor Who! (Thanks, Rebecca!) Like this:Like Loading…

Terry Pratchett Talks About Doctor Who

Terry Pratchett talks a little trash about Doctor Who: “The unexpected, unadvertised solution which kisses it all better is  known as a deus ex machina – literally, a god from the machine. And a god from the machine is what the Doctor now is… And yet, I will watch again next week because it is […]

The Casefile of Sherlock Holmes and Carl Kolchak, Reporter

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Though I prefer reading —and writing about —comics in collections, I do buy comics in single issues.  Sometimes I need to know what happens next or can’t wait for the collection anymore. Sometimes it’s idle curiosity or the lure of the pretty. But every once in a while, it’s the potential for all-out crazy. I […]

THE LONG WALK HOME

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“Now, if you’re playing the movie on a telephone, you will never in a trillion years experience the film. You’ll think you’ve experienced it. But you’ll be cheated. It’s such a sadness that you think you’ve seen a film on your [adjective deleted] telephone. Get real.” Like this:Like Loading…

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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