The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Just In Time

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“and somehow / giving to all her questions just one answer: / In you, who were a child once—in you.” –”Die Erwachsene / The Grown Up,” Rainer Maria Rilke trans. by Stephen Mitchell. Please don’t let Rilke scare you off. Jim McCann and Janet Lee’s Return of the Dapper Men (Archaia, 2010) is a thoroughly […]

61 Pages of Connie Willis

61 pages from Connie Willis’ new book, Blackout.

Watch Your Head

Bladewood provides us all a much needed timeline of the events in the Doctor Who season/series 5 finale. Watch your head, please.

Lost And Heroes, Compared.

James Poniewozik on Lost and Heroes: “Put another way: you have to be willing to suck if you ever want to be great. ‘Awesome’ and ‘awful’ are actually closer to each other on the continuum of quality than either is to ‘meh.’”

Doctor Who Comic Maker

Hey, the BBC has a Doctor Who Comic Maker. Make your own comics–with Doctor Who! (Thanks, Rebecca!)

Terry Pratchett Talks About Doctor Who

Terry Pratchett talks a little trash about Doctor Who: “The unexpected, unadvertised solution which kisses it all better is  known as a deus ex machina – literally, a god from the machine. And a god from the machine is what the Doctor now is… And yet, I will watch again next week because it is […]

The Casefile of Sherlock Holmes and Carl Kolchak, Reporter

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Though I prefer reading —and writing about —comics in collections, I do buy comics in single issues.  Sometimes I need to know what happens next or can’t wait for the collection anymore. Sometimes it’s idle curiosity or the lure of the pretty. But every once in a while, it’s the potential for all-out crazy. I […]

THE LONG WALK HOME

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“Now, if you’re playing the movie on a telephone, you will never in a trillion years experience the film. You’ll think you’ve experienced it. But you’ll be cheated. It’s such a sadness that you think you’ve seen a film on your [adjective deleted] telephone. Get real.”

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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