The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

The Words Got Stuck In My Throat

WOG0 thumb

“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain […]

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

RIP, Isuzu Yamada

Actress Isuzu Yamada has died. Yamada worked with a range of directors including, Akira Kurosawa, Kenji Mizoguchi, Mikio Naruse, Yasujiro Ozu and Kinji Fukasaku. The New York Times has an obituary.  The Gutter remembers her with a scene of her performances as Lady Washizu in Throne of Blood.  

Special Effects Master Eiji Tsuburaya

Just in time for Eiji Tsuburaya’s birthday, here’s a brief video documentary on his career in special effects for films ranging from Godzilla and War of the Gargantuas to Throne of Blood and Chushingura.  

Fun with Kaiju Shakedown

Every day is fun day at Kaiju Shakedown. This time:  chibi Watchmen, awesome criterion-type designs for Chinese movies and a trailer for Cat Head Theatre’s upcoming samurai film.

Radio Free Monster Island

Surrounded on all sides by awesome monsters, monstruos and kaiju, Eegah, Tabonga and Rodan do the only thing they can. They make groovy mp3’s sampling monster movie soundtracks from all over including Hammer, Toho, American International and anything a go-go or defeated by Santo.

A Kaiju A Week

There’s a kaiju a week at August Ragone site dedicated to Godzilla, Toho and the rubber-suited menace. Here’s his entry on an early incarnation of the three-headed fan favorite, King Ghidorah. (Warning: extreme kaiju knowledge!)

Godzilla vs MechaRealism

Yes, it

A while ago I watched some Godzilla movies with some people who don’t exactly appreciate the aesthetics of suitmation / kigurumi, or, in less technical language, a guy in a rubber suit. One of the things I like best about Godzilla movies is that as soon as I glimpse Godzilla rising from the depths or […]

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  • Of Note Elsewhere

    Thirteen Covers celebrates Walt Simonson’s birthday with… 13 covers, including Beta Ray Bill, Fin Fang Foom and Frog Thor!

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    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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